For Emily, accepting the proposal of Philip, the viscount Ashton, was an easy way to escape her overbearing mother, who was set on a grand society match. So when Emily's dashing husband died on safari soon after their wedding, she felt little grief. After all, she barely knew him. Now, nearly two years later, she discovers that Philip was a far different man from the one she had married so cavalierly.

The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. He does not suffer fools gladly. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London's most popular satirical cartoonist, A. J. Quill, skewers them both.

June 1933. Independent, young Kitty Underhay has been left in charge of her family’s hotel, The Dolphin, on the tranquil English coast. But when several rooms are broken into and searched, including Kitty’s own, she quickly realizes that something out of the ordinary is afoot at the hotel. Soon, rumors are flying in the cozy town that someone is on the hunt for a stolen ruby. A ruby that Kitty’s mother may well have possessed when she herself went missing during the Great War.

Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when one of the house guests is murdered, her brother-in-law asks her to aid the insufferable Sebastian Gage - a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down, as accusations and rumors swirl.

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.

Let the wicked be ashamed, and let them be silent in the grave. These ominous words, slashed from the pages of a book of Psalms, are the last threat that the darling of London society, Sir Edward Grey, receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, Sir Edward collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.

As the city prepares to celebrate Queen Victoria's golden jubilee, Veronica Speedwell is marking a milestone of her own. After burying her spinster aunt, the orphaned Veronica is free to resume her world travels in pursuit of scientific inquiry - and the occasional romantic dalliance. As familiar with hunting butterflies as she is fending off admirers, Veronica wields her butterfly net and a hatpin with equal aplomb, and with her last connection to England gone, she intends to embark upon the journey of a lifetime.

A murdered opera singer. A duke drenched in her blood. For Bow Street Officer Hugh Marsden, the brutal killing is a straightforward case. Ever since his exile from polite society, the chance to arrest a high and mighty peer of the realm has never presented itself. Hugh won't snub the opportunity now. But Audrey Sinclair, the Duchess of Fournier, is certain her husband is wrongly accused, and she's determined to prove it to the arrogant Bow Street officer, even if she must employ her most peculiar ability—or perhaps curse—to guide her investigation. After all, a duchess can do as she pleases.

The daughter of a baronet and minor heiress, Rosalind Thorne was nearly ruined after her father abandoned the family. To survive in the only world she knew, she began to manage the affairs of some of London society's most influential women, who rely on her wit and discretion. So when artistocratic wastrel Jasper Aimesworth is found dead in London's most exclusive ballroom, Almack's, Rosalind must use her skills and connections to uncover the killer.

At the end of his Grand Tour, somewhere between Athens and Constantinople, Christian Selwyn, the young Earl of Hazelmere, vanished—seemingly without trace. Time passes. In London, his uncle and cousin move into his home, while his unofficial fiancée, Sophia, is left desolate and in limbo.

She's an unconventional lady who has traveled the world, practices the art of self-defense most excellently, and has an interesting tattoo in—ahem—a very unusual place. He's a former member of the Metropolitan Police, now a private investigator, who grew up on the poverty-ridden streets of Edinburgh and has worked the dangerous back alleys of London's notorious East End. A vicious murder brings them together in a race against time that takes them from the sordid back streets of London into the elite private clubs of the powerful and rich.

It's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol found at the scene and the damning testimony of a witness both point to one man - Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.

It is 1831 when eight-year-old Aurelia Vennaway finds a naked baby girl abandoned in the snow on the grounds of her aristocratic family's magnificent mansion. Her parents are horrified that she has brought a bastard foundling into the house, but Aurelia convinces them to keep the baby, whom she names Amy Snow. Amy is brought up as a second-class citizen, but she and Aurelia are as close as sisters. When Aurelia dies at the age of 23, she leaves Amy 10 pounds. But Aurelia also left her much more.

London, 1925: In a world of townhomes and tennis matches, socialites and shooting parties, Miss Nan O’Dea became Archie Christie’s mistress, luring him away from his devoted and well-known wife, Agatha Christie. The question is, why? Why destroy another woman’s marriage, why hatch a plot years in the making, and why murder? How was Nan O’Dea so intricately tied to those 11 mysterious days that Agatha Christie went missing?