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Darker Than You Think
- Narrated by: Jim Meskimen
- Length: 10 hrs and 32 mins
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Publisher's summary
Who is the Child of Night? That’s what small-town reporter Will Barbee must find out. Inexorably drawn into investigating a rash of grisly deaths, he soon finds himself embroiled in something far beyond mortal understanding.
Doggedly pursuing his investigations, he meets the mysterious and seductive April Bell and starts having disturbing, tantalizing dreams in which he does terrible things - things that are stranger and wilder than his worst nightmares. Then his friends begin dying one by one, and he slowly realizes that an unspeakable evil has been unleashed.
As Barbee’s world crumbles around him in a dizzying blizzard of madness, the intoxicating, dangerous April pushes Barbee ever closer to the answer to the question “Who is the Child of Night?”
When Barbee finds out, he’ll wish he’d never been born.
Jack Williamson (1908-2006) published his first short story in 1928. The second person named Grand Master by the Science Fiction Writers of America, he was always in the forefront of the field, being the first to write fiction about genetic engineering (he invented the term), antimatter, and other cutting-edge science.
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- Unabridged
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Space travel has been abandoned in the 22nd century. It is deemed too dangerous, expensive, and inconvenient - and now the all-powerful Fishhook company holds the monopoly on interstellar exploration for commercial gain. Their secret is the use of "parries", human beings with the remarkable telepathic ability to expand their minds throughout the universe.
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An old SciFy story but a good one.
- By Bob Wilson on 01-26-18
By: Clifford Simak
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The Damnation Game
- By: Clive Barker
- Narrated by: Simon Vance
- Length: 16 hrs
- Unabridged
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Marty Strauss, a gambling addict recently released from prison, is hired to be the personal bodyguard of Joseph Whitehead, one of the wealthiest men in the world. The job proves more complicated and dangerous than he thought, however, as Marty soon gets caught up in a series of supernatural events involving Whitehead, his daughter (who is a heroin addict), and a devilish man named Mamoulian, with whom Whitehead made a Faustian bargain many years earlier, during World War II.
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Damned If You Do
- By Wag The Fox on 04-05-14
By: Clive Barker
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Bride of the Rat God
- By: Barbara Hambly
- Narrated by: Marguerite Gavin
- Length: 11 hrs and 28 mins
- Unabridged
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It is 1923, and silent film reigns in Hollywood. Of all the starlets, none is more beloved than Chrysanda Flamande, a diva as brilliant as she is difficult to manage. Handling her falls to Norah, widow of Chrysanda’s dead brother. She has always done her job well, but she was never equipped to deal with murder. When a violent killing shocks Chrysanda’s entourage, and other weird happenings swiftly follow, Norah begins to suspect that some strange power is stalking the star. In Chinatown she receives warning that a curse has been placed on the actress as vengeance for wearing a sacred amulet in one of her films.
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fun mix of fantasy and 1920s Hollywood
- By Kindle Customer on 11-11-14
By: Barbara Hambly
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My Big Fat Supernatural Honeymoon
- By: Rachel Caine, Kelly Armstrong, Jim Butcher
- Narrated by: Jay Snyder, Christian Rummel, Khristine Hvam, and others
- Length: 12 hrs and 16 mins
- Unabridged
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What newly married couple doesn't dream of a romantic retreat where they can escape the world for a while - but what happens when supernatural forces intrude on their wedded bliss? Nine of today's hottest paranormal authors answer that question in this all-star collection of supernatural stories.
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Delightful
- By Rbtmw on 08-10-09
By: Rachel Caine, and others
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Twilight Eyes
- By: Dean Koontz
- Narrated by: Malcolm Hillgartner
- Length: 17 hrs and 6 mins
- Unabridged
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They're out there...waiting...watching. Unseen by normal eyes, but all too visible to Slim MacKenzie, a young man blessed - or cursed - by Twilight Eyes.
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Highly Entertaining
- By Doc (Joe) Watson on 11-04-08
By: Dean Koontz
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Moonheart
- By: Charles de Lint
- Narrated by: Richard Powers
- Length: 19 hrs and 59 mins
- Unabridged
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When Sara and Jamie discovered the artifacts, they sensed the pull of a dim, distant place, a world of misty forests, ancient magics, mythical beings, ageless bards...and restless evil.
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Enjoyable, different storyline
- By Vava on 10-19-09
By: Charles de Lint
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Moon
- By: James Herbert
- Narrated by: Jonathan Keeble
- Length: 9 hrs and 26 mins
- Unabridged
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The dark side. He had fled from the terrors of his past, finding refuge in the quietness of the island. And for a time he lived in peace. Until the 'sightings' began, visions of horror seeping into his mind like poisonous tendrils, violent acts that were hideously macabre, the thoughts becoming intense. He witnessed the grotesque acts of another, a thing that gloried in murder and mutilation, a monster that soon became aware of the observer within its own mind. And relished the contact.
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Moon by James Herbert
- By Joshua Kring on 12-18-14
By: James Herbert
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The Devil Rides Out
- By: Dennis Wheatley
- Narrated by: Nick Mercer
- Length: 13 hrs and 17 mins
- Unabridged
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A classic of the horror genre, Dennis Wheatley’s The Devil Rides Out pits the powers of good against the forces of evil as the Duc de Richelieu wrestles for the soul of his friend with the charming but deadly Satanist, Mocata. Mocata has the power to summon the forces of darkness and - as the Duc and his friends will find - is willing to call upon ever-increasing horror until thundering hooves herald the arrival of the Devil Himself.
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This book is why audio books were created
- By Brandon Sholund on 11-13-23
By: Dennis Wheatley
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Blood Price
- Blood, Book 1
- By: Tanya Huff
- Narrated by: Justine Eyre
- Length: 10 hrs and 31 mins
- Unabridged
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Vicki Nelson, formerly of Toronto’s homicide unit and now a private detective, witnesses the first of many vicious attacks that begin plaguing the city of Toronto. As death follows unspeakable death, Vicki, in an attempt to stop these forces of dark magic, is forced to renew her relationship with her former partner, Mike Celluci - along with another, unexpected ally…. Henry Fitzroy, the illegitimate son of King Henry VIII, has learned over the course of his life how to blend with humans; how to deny the call for blood in his veins.
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Off to a Good Start
- By Jennifer on 03-28-12
By: Tanya Huff
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The Right Hand of Evil
- By: John Saul
- Narrated by: Bill Weideman
- Length: 11 hrs and 30 mins
- Unabridged
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Just as their troubled marriage is reaching the breaking point, Ted and Janet Conway inherit a home that has been in the family for more than a century. Eager to make a new beginning, the Conways and their three children head for the promise of a better life in the small Louisiana town of St. Albans. But within the long-abandoned, sprawling Victorian manse lies the dark history of the Conway name.
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The Right Hand of Evil
- By Christie on 09-07-09
By: John Saul
What listeners say about Darker Than You Think
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- matt miller
- 01-30-21
Williamson at his best
Excellent story, different spin. I'd never heard of this book, but I enjoyed it enough for a one nite listen. R.I.P. Jack Williamson, Ive enjoyed every book of yours that I've ever read. A truly unique American author and thinker.
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1 person found this helpful
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- Lindsay123
- 03-15-21
Disappointed in the ending
Did not like the story or narrator. The ending was abrupt and didn’t wrap up the story.
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- Gorgatron
- 12-20-21
1948 Progenitor of a Genre
Before I begin, some context is important with regards to the time the novel was written. Jack Williamson was primarily an author of sci fi "pulp" with a forward thinking bent. "Darker Than You Think" is often considered his best work, name dropped by modern luminaries like Neil Gaiman. Williamson was one of the first authors to incorporate scientific ideals into his writing, diverging from the sort of "Buck Rogers" fantasy sci fi that was more common.
Given when it was published, some of the descriptions are outright racist (the phrase "oriental eyes" being the most common), and some of the attitudes with regards to women are certainly misogynistic. The women are less fleshed out, save for April Belle, who still falls into one of the historical archetypes of "sly/crafty women" versus a character with clear motivation and her own agency. There's also mention of "racial memory" that is presented for most of the novel as a genetic characteristic, it is only near the denouement that this is better explained as tradition, culture, et cetera. This update may have been introduced when Williamson converted the original novella into a full fledged novel. There are other notions of race/genetics that are outdated and based on earlier comprehension of the topic. Again, this was written just after WW2 and, even with these caveats, is still more progressive than "pulpier" works of his contemporaries. But be warned that these issues are still less acceptable to modern readers.
All that said, this is a compelling story. It is not merely a story about lycanthropy, but an attempt to explain it in pseudo-scientific terms. Williamson paints a world in which nothing is as it seems as the plot develops. The sanity of the protagonist (Will Barbee) is constantly a question for the reader... because it isn't written in first person, this is akin, but not quite the same as the device of an "unreliable narrator".
The "twist" in the story (not a spoiler) is probably discernible by most readers relatively early in the book, but that did not diminish my enjoyment of the story and the details of the "twist" include more information than the reader might guess. Williamson does a good bit of foreshadowing that only becomes clear when the story is almost over.
Jim Meskimen's narration is appropriate and transitions well into describing Will's degrading mental state.
If you enjoy historical sci fi, and the history of the genre, as well as a bit of "noir-like" narration, this is certainly well worth your time.
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- Adam
- 11-29-19
Way Ahead of Its Time
An intriguing premise and good narration is only held back by two annoyances. The main character continually waffles between allegiances. “I shouldn’t do this or that to X person.” The ending is also quite abrupt, which undercuts the fun slow burn leading to the climax. Nevertheless, I appreciate a great story from 1940 that was way ahead of its time.
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4 people found this helpful
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- R. Floyd
- 05-05-21
Dated but Fun
This was a favorite of mine, as a teen. Though it's dated now, especially as concerns paleontology, it is still a fun read.
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- Tracy
- 03-24-21
Finishing, because I started
This is not a mystery about a reporter trying to solve anything. It's been like listening to a bi-polar brain. The only things he finds out he's told. Not finished, but its heading obvious places.
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- ImagineAllThePeople
- 04-30-21
Good Mix of Murder Mystery and Horror
This is a 1940s tale of a reporter and redhaired young woman named April. The style of writing is a little dated, a cross between Dashiell Hammett and HP Lovecraft. Of course the technology and social behaviour is of that era, for example, smoking in public places.
The character development is excellent as is the plot and pace of the story. I found it difficult to STOP listening when I had to attend to other things. The narrator is excellent.
If you like '40's detective novels, you'll enjoy this one. This book was well worth my time.
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1 person found this helpful
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- Brian j Hope
- 07-20-21
you'll either love it or absolutely hate it.
it was a good book was a little slow and a little dated. but listening to it on audible makes that easier. I wasn't offended by anything like a lot of other people I read the reviews were. the only thing I didn't enjoy too much about it was it's ending. I was kind of hoping there was a sequel. I would have liked it more if there was a sequel
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- Janel
- 02-21-21
meh
well performed, but some very dated ideas and prejudices. good listen for car rides alone
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- Bonnie Buchanan
- 07-15-21
Slow & Predictable
Kind of slow and predictable, definitely put me to sleep multiple times while I suffered through waiting for the story to get to the point or some action.
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