A woman is found in a local cemetery, crushed to death under a gravestone. A production company is there, filming the remake of a classic sci-fi TV show on the grounds, making the investigation more difficult for DCI Harry McNeil. It's his first day in charge of the cold case unit in Edinburgh. After spending four years in Professional Standards, he has little choice but to take the promotion.

DS Rakesh Siyal is an idealist. Frustrated as an Edinburgh human rights lawyer, he joins the police, determined to solve the problems he sees with the criminal justice system from the inside, rather than out. His first day as a cop sees him sent down to Galashiels in the Scottish Borders, where he’s given a simple task – return a suspect to Glasgow to face justice.

Meet Simon Fenchurch, detective inspector working the Met’s East London beat. Honest and funny but damaged, he’s working a case that could give him answers to his deepest trauma....

Hogmanay. New Year's Eve. A dead teenager, another missing. One hell of a case. Meet DS Vicky Dodds. Settling down for a nice Hogmanay with her daughter and her best friend, a phone call pulls DS Vicky Dodds into work and to a deadly new case. A teenage girl, her body cooling in a cold, dark supermarket car park. Found next to her friend’s car, but the driver’s missing too — has the killer taken her? Or is she the killer?

Met cop DI Rob Marshall is hot on the trail of the serial killer known as the Chameleon, who has abducted, tortured and killed a series of young women in Northwest London. As they close in, the Chameleon—who switches identity to get close to his victims—shoots Marshall’s partner and escapes.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.