Location scout and Jane Austen enthusiast, Kate Sharp, is thrilled when the company she works for lands the job of finding locations for a new film adaptation of Pride and Prejudice, but then her boss fails to return from a scouting trip to England. Kate travels to England to salvage the company’s reputation.

Olive Belgrave needs a job. Despite her aristocratic upbringing, she’s penniless. Determined to support herself, she jumps at an unconventional job—looking into the background of her cousin’s fiancé, Alfred. Alfred burst into the world of London’s high society, but his answers to questions about his past are decidedly vague. Before Olive can gather more than the basics, a murder occurs at a posh party. Suddenly, every Bright Young Person in attendance is a suspect, and Olive must race to find the culprit because a sly murderer is determined to make sure Olive’s first case is her last.

It’s 1924, and Blix Windway has made a career out of her wanderlust, giving lectures to ladies’ groups about everything from the flora of the American desert to the beauty of the Swiss Alps, but she needs new material for her talks. She strikes what seems to be an ideal agreement with an eccentric older lady. Blix will be her travel companion during a journey to Egypt, helping to smooth the way through customs and coordinate sightseeing tours.

England. 1923. After a year away at finishing school where she learned etiquette, deportment, and the difference between a fish fork and a salad one, Kitty Worthington is eager to return home. But minutes after she and her brother Ned board the Golden Arrow, the unthinkable happens. A woman with a mysterious connection to her brother is poisoned, and the murderer can only be someone aboard the train. When Scotland Yard hones on Ned as the main suspect, Kitty sets out to investigate.

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.

Meet Whitney Whitaker. A hopeless romantic when it comes to real estate, she knows what it takes to find - and flip - the home of one’s dreams. A fixer-upper is like catnip to Whitney: She can’t resist the challenge of turning an eyesore into a priceless work of art. So when one of her clients decides to liquidate a crumbling property, Whitney seizes the opportunity to purchase it for a song. But soon a curious incident of the cat in the night-time leads to a change in tune.

Moving four times in five years has honed air force wife Ellie Avery's packing and unpacking skills. But moving with a newborn daughter and husband Mitch in tow, during a heat wave, is enough to make her turn to chocolate for comfort. And when Ellie finds a local environmentalist dead on the side of the road, her instincts tell her this was no accident.

From the authors of the best-selling series "Cherringham". This compilation contains episodes 1-3. "A shot in the dark": Sussex, England, 1929. Mydworth is a sleepy English market town just 50 miles from London. But things are about to liven up there considerably, when young Sir Harry Mortimer returns home from his government posting in Cairo, with his unconventional American wife - Kat Reilly. "A little Night murder": A young poacher is found shot dead in the woods of a grand estate near Mydworth. A sad accident it would seem.

In the seaside town of Lighthouse Cove, everyone knows the best man for the job is actually a woman - contractor Shannon Hammer. But while Shannon can do wonders with a power drill and a little elbow grease, her love life needs work. On a blind date with real estate agent Jerry Saxton, she has to whip out a pair of pliers to keep Jerry from getting too hands on.Shannon is happy to put her rotten date behind her, but when Jerry's found dead in a run-down Victorian home that she's been hired to restore, the town's attractive new police chief suspects that her threats may have laid the foundation for murder.

In 1920s England, private detective Henry Fleming is visiting his friend, retired author Lily Riley, in the quintessentially English village of Fulbridge. Tragedy strikes when a resident is murdered, stabbed through the heart, in the historic local church. When an inexperienced Scotland Yard detective arrives to investigate the case, Lily is accused of the terrible crime. With no sign of a murder weapon, and no obvious motive, Fleming realises it will fall to him to prove his friend's innocence and solve the baffling case.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.