Visions of Cody
Selections from the Novel
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Narrated by:
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Graham Parker
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By:
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Jack Kerouac
About this listen
Originally written in 1951–1952, Visions of Cody was an underground classic by the time it was finally published in 1972, three years after Kerouac’s death. Utilizing a radical, experimental form (“the New Journalism fifteen years early,” as Dennis McNally noted in Desolate Angel), Kerouac examines his own New York life in a collection of colorful stream-of-consciousness essays. Always transfixed by Neal Cassady—here named Cody Pomeray—along with Allen Ginsberg and William Burroughs, Kerouac also explores the feelings he had for a man who inspired much of his work.
Transcribing taped conversations between members of their group as they took drugs and drank, Visions of Cody reveals an intimate portrait of people caught up in destructive relationships with substances, and one another, capturing the members of the Beat Generation in the years before any label had been affixed to them.
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Critic reviews
“To read On the Road but not Visions of Cody is to take a nice sightseeing tour but to forgo the spectacular rapids of Jack Kerouac’s wildest writings.”—The New York Times Book Review
“Visions of Cody is [Kerouac's] greatest book, according to his own opinion, and its music is testimony to [his] verbal inventiveness and virtuosity . . . the range and variation of style within his remarkably growing bookshelf is just as remarkable . . . there is a grace, a majesty, and a tenderness to his language . . . both the inspiration and the content of this literature is of an intuitive, emotional, and mystical nature.”—The Village Voice
"The most sincere and holy writing I know of our age."—Allen Ginsburg
“The centerpiece of all [Kerouac’s] novels.”—The Washington Post
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Billy Edgewater is a harbinger of doom. Estranged from his family, discharged from the navy and touched by a rising desperation, he sets out hitchhiking home to East Tennessee, where his father is slowly dying. On the road, separately, are Sudy and Bradshaw, brother and sister, and a one-armed con man named Roosterfish. All, in one way or another, have their pasts and futures embroiled with D. L. Harkness, a predator in all the ways there are.
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One of the finest novels I have read!
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By: William Gay
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Gravity's Rainbow
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Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
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"Time to touch the person next to you"
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E.F. Bloodworth has returned to his home - a forgotten corner of Tennessee - after 20 years of roaming. The wife he walked out on has withered and faded, his three sons are grown and angry. Warren is a womanizing alcoholic, Boyd is driven by jealousy to hunt down his wife's lover, and Brady puts hexes on his enemies from his mamma's porch. Only Fleming, the old man's grandson, treats him with the respect his age commands, and sees past all the hatred to realize the way it can posion a man's soul.
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Story and Narration a perfect match
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"An excellent book by a genius”, said Kurt Vonnegut, Jr., of this now-classic exploration of the 1960s from the founder of New Journalism and author of such influential works as The Electric Kool-Aid Acid Test and The Bonfire of the Vanities. Tom Wolfe explores the style and culture of the 1960s in this dynamic collection of essays - originally stand-alone pieces, many of which were published in Esquire magazine - written in his unique, free-flowing style.
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Tom Wolfe the Astute Observor
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By: Tom Wolfe
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Falconer
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- Unabridged
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A convict named Farragut struggles to remain a man while inside a nightmarish prison. Cheever crafted his most powerful work of fiction out of Farragut's suffering and astonishing salvation.
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Unsettling and beautiful
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Our Story Begins
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Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.
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Great
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Shadow Show
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Ray Bradbury - peerless storyteller, poet of the impossible, and one of America's most beloved authors - is a literary giant whose remarkable career spanned seven decades. Now 26 of today's most diverse and celebrated authors offer new short works in honor of the master; stories of heart, intelligence, and dark wonder from a remarkable range of creative artists.
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THE MAN WHO FORGOT RAY BRADBURY
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Continental Drift
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Now available for the first time in audiobook format, a powerful literary classic from one of contemporary fiction's most acclaimed and important writers. Russell Banks' Continental Drift is a masterful novel of hope lost and gained and a gripping, indelible story of fragile lives uprooted and transformed by injustice, disappointment, and the seductions and realities of the American dream.
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Give up and die
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Stories
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The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.
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Something for Everyone
- By Nicole on 05-24-17
By: Neil Gaiman - author/editor, and others
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What listeners say about Visions of Cody
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Alan
- 04-01-09
cool~~~
the best~~~
sit back and let it blow over you~~~
sit back and just dig it...really.
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5 people found this helpful
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- OBIE
- 09-07-23
good reading by mr parker
a good follow up to the on the road scrolland akey part of the guloz saga
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- Roy
- 12-27-11
Wrong voice for the material.
The narrator may be a successful "Pop Star" but his cockney accent isn't exactly the King's English nor is it the right voice for this most American of material.
It's hard to take and I foud myself dragging through this book in fits and starts only because of my dedication to Kerouac and the story.
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3 people found this helpful
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- Orin
- 05-29-13
Performance is good, but not right
I have read Visions of Cody, I have heard audio of Kerouac reading excerpts. Kerouac has a very unique delivery and cadence that many have tried to emulate, some do it pretty well, some don't. Using his native accent, there is no attempt to imitate the sound of Kerouac reading; the issue being Kerouac's writing is essential tied to the cadence, timbre, and accent he developed being of French Canadian ancestry in Massachusetts. The accent may not be as jarring with another Kerouac book, such as Town and City or Dr. Sax, but this is not a narrative as much as a collection of visions and they just don't work with the cadence and pronunciations painted on them. If the accent isn't bad enough, there is an insistence on aura music in the background of the reading, such as pseudo-bebop jazz riffs, the required beatnik bongos, and japanese flutes wafting zen-like through the words, that just make this feel more of an attempt at performance art than the reading of a book.
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2 people found this helpful
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- Gae
- 03-02-19
Jazz & organ music accompanied the reading--ahhh!
WHY WHY WHY? Kerouac liked jazz but do I have to listen to mixed music when hearing Kerouac's story. WHY is the narrator of this quintessential American fiction British? Want SO much to hear this story. Made 3 attempts and then finally threw in the towel. Hoping Audible will read this and release a Visions of Cody version with no music and a Kerouac style narrator. Thank you Audible. SO WONDERFUL to be back in touch with Jack!!
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1 person found this helpful
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- kevin
- 09-01-19
Kerouac deserves an American narrator and no background music please!
Love the story but the British accent ruined this for me even more than the background music. Big disappointment. Should have read other reviews.
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2 people found this helpful
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- Oakley
- 10-31-11
An American Tale Told in a Strange Cockney Voice
I have to agree with an earlier review. I thought that the accent of the narrator would not bother me. I am a world traveler, but I do know that traveling the states is a different thing all together, and I find this reading to be awful and unlistenable. Very disappointing.
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6 people found this helpful
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- T T
- 10-01-14
What...
This book wasn’t for you, but who do you think might enjoy it more?
This is horrible, it skips every part of the actual book
very disappointed
Annoying British accent...
Would you ever listen to anything by Jack Kerouac again?
yes
What didn’t you like about Graham Parker’s performance?
everything
You didn’t love this book... but did it have any redeeming qualities?
nope
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3 people found this helpful
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Overall
- A. Yerkes
- 07-20-09
Annoying
Why pick a narrator with a British accent to read Kerouac? Why make the jazz background music so prominent and incessant? Why abridge a work whose thorough, thick description is precisely the point? I'm a fan of Kerouac and have loved other readings of his works (I'm partial to Matt Dillon's reading of On the Road,) but I find this one marred by pretentiousness and difficult to appreciate.
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17 people found this helpful
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- Amazon Customer
- 12-10-24
To loud awful narrator
Music is to loud and the narrator sounds awful. Can’t listen to all that noise with that voice
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