When Dr. Louis Creed takes a new job and moves his family to the idyllic, rural town of Ludlow, Maine, this new beginning seems too good to be true. Yet despite Ludlow's tranquility, there's an undercurrent of danger that lingers...like the graveyard in the woods near the Creeds' home, where generations of children have buried their beloved pets.

Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.

Writer Ben Mears has returned to his hometown of Jerusalem's Lot with the hope that moving into a delapidated mansion, long the subject of town lore, might help him get a handle on his life and provide inspiration for a new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work.

Paul Sheldon is a best-selling novelist who has finally met his number-one fan. Her name is Annie Wilkes, and she is more than a rabid reader - she is Paul's nurse, tending his shattered body after an automobile accident. But she is also furious that the author has killed off her favorite character in his latest book. Annie becomes his captor, keeping him prisoner in her isolated house. Annie wants Paul to write a book that brings Misery back to life - just for her. She has a lot of ways to spur him on.

Judas Coyne is a collector of the macabre. But nothing he possesses is as unlikely or as dreadful as his latest discovery, a thing so terrible-strange, Jude can't help but reach for his wallet. For a thousand dollars, Jude will become the proud owner of a dead man's suit, said to be haunted by a restless spirit. But what UPS delivers to his door in a black heart-shaped box is no imaginary or metaphorical ghost. It's the real thing.

"Ninety-five days, and then I'll be safe. I wonder whether the procedure will hurt. I want to get it over with. It's hard to be patient. It's hard not to be afraid while I'm still uncured, though so far the deliria hasn't touched me yet. Still, I worry. They say that in the old days, love drove people to madness. The deadliest of all deadly things: It kills you both when you have it and when you don't."

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

They're out there...waiting...watching. Unseen by normal eyes, but all too visible to Slim MacKenzie, a young man blessed - or cursed - by Twilight Eyes.

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead.

An intricate tale of love, haunting memories, and renewal, Second Glance begins in current-day Vermont, where an old man puts a piece of land up for sale and unintentionally raises protest from the local Abenaki Indian tribe, who insist it's a burial ground. When odd, supernatural events plague the town of Comtosook, a ghost hunter is hired by the developer to help convince the residents that there's nothing spiritual about the property.

Gerald and Jessie Burlingame have gone to their summer home on a warm weekday in October for a romantic getaway. After being handcuffed to her bedposts, Jessie tires of her husband's games, but when Gerald refuses to stop, the evening ends with deadly consequences. Still handcuffed, Jessie is trapped and alone. Over the next 28 hours, in the lakeside house that has become a prison, Jessie will come face to face with all the things she has ever feared.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

Equal parts haunting and horrifying, this literary horror novel gives listeners insight into the mind of a controlling homicidal man and the son who must stop him. Imagine your father is a monster. Would that mean there are monsters inside you, too? Nineteen-year-old Ry Burke, his mother, and little sister eke out a living on their dying family farm. Ry wishes for anything to distract him from the grim memories of his father’s physical and emotional abuse.

A host of the smartest young adult authors come together in this collection of scary stories and psychological thrillers curated by Between the Devil and the Deep Blue Sea's April Genevieve Tucholke. Each story draws from a classic tale or two - sometimes of the horror genre, sometimes not - to inspire something new and fresh and terrifying. There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat.

In this genre-bending novel, among the first to have launched sci fi into literature, a group of remarkable social outcasts band together for survival and discover that their combined powers render them superhuman. Together, they may represent the next step in evolution - or the final chapter in the history of the human race. As they struggle to find whether they are meant to help humanity or destroy it, Sturgeon explores questions of power and morality, individuality and belonging.