Author, poet, screenwriter, and outstanding member of the legendary Algonquin Round Table, Dorothy Parker was known for her quick wit, keen observations, and remarkable insight into the human condition. Regarded as brilliant, but known to be an alcoholic and often depressed, Parker’s work pushes all buttons at once: humor, anger, love, pity, and everything in between...she pulled no punches, writing with pure, unadulterated passion; her work is timeless and as pertinent to today’s society as it was to that of the time she wrote.

She was known for her outrageous one-liners, her ruthless theater criticism, her clever verses and bittersweet stories. But there was another side to Dorothy Parker, a private life set on a course of destruction.

Dorothy Parker's quips and light verse have embedded themselves in the American literary landscape, but it was her prose that proved her star and demonstrated her talent as extending far beyond her time. In her fiction, she not only brought to life the urban milieu that was her bailiwick, but lay bare the uncertainties of ordinary people living ordinary lives, all told in her unflinching and deeply personal voice. In these selected stories, read for you by Elaine Stritch, we have the chance to draw upon her insight into the social and emotional realities of human nature.

Incorrectly signing her name in the marriage registry leads Valeria Woodville to discover further disturbing information about her husband, Eustace Macallan. Each revelation leads to further questions as Valeria’s journey prompts her to defy him, taking the law into her own hands as she endeavours to navigate her way through a series of false clues and obstructions.

Men Without Women is Ernest Hemingway's second collection of short stories and his first publication since the blockbuster debut of The Sun Also Rises. Here, Hemingway revisits and explores several of his familiar genres and locales (including the bullfighting and boxing rings) and adds two stories involving his favorite protagonist, Nick Adams.

Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archaeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet.

Aparna Nancherla is a superstar comedian on the rise—a darling of Netflix and Comedy Central’s comedy special lineups, a headliner at comedy shows and music festivals, a frequenter of late night television and the subject of numerous profiles. She’s also a successful actor who has written a barrage of thoughtful essays published by the likes of the New York Times. If you ask her, though, she’s a total fraud. She’d hate to admit it, but no one does impostor syndrome quite like Aparna Nancherla.

Sasha Samokhina meets the mysterious Farit Kozhennikov under the most peculiar circumstances. The teenage girl is powerless to refuse when this strange and unusual man with an air of the sinister directs her to perform a task with potentially scandalous consequences. He rewards her effort with a strange golden coin. As the days progress, Sasha carries out other acts for which she receives more coins from Kozhennikov. As summer ends, her domineering mentor directs her to move to a remote village and use her gold to enter the Institute of Special Technologies.

One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning.

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.”

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

A 999 line poem in heroic couplets, divided into 4 cantos, was composed - according to Nabokov's fiction - by John Francis Shade, an obsessively methodical man, during the last 20 days of his life.

Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s imperial Russia, Pushkin's novel in verse follows the emotions and destiny of three men - Onegin the bored fop, Lensky the minor elegiast, and a stylized Pushkin himself - and the fates and affections of three women - Tatyana the provincial beauty, her sister Olga, and Pushkin's mercurial Muse.

She Walks in Beauty draws on poetry’s eloquent wisdom to ponder the many joys and challenges of being a woman. Caroline Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman’s life, and she begins each of these sections with an introduction in which she explores and celebrates the most important elements of life’s journey.

Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s imperial Russia, Pushkin's novel in verse follows the emotions and destiny of three men - Onegin the bored fop, Lensky the minor elegiast, and a stylized Pushkin himself - and the fates and affections of three women - Tatyana the provincial beauty, her sister Olga, and Pushkin's mercurial Muse.

She Walks in Beauty draws on poetry’s eloquent wisdom to ponder the many joys and challenges of being a woman. Caroline Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman’s life, and she begins each of these sections with an introduction in which she explores and celebrates the most important elements of life’s journey.

Emily Dickinson was one of the most reclusive of all poets. She spent much of her life in seclusion in her father’s house in Amherst, and only a handful of her 1800 poems were published in her lifetime. Credit for the posthumous publication of her work must be given to her editor and friend Thomas W. Higginson, who reported that, in spite of the voluminous correspondence which passed between himself and Dickinson, he only met her twice in person.

Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence.

Four classic comedies from one of the wittiest playwrights in Western literature: Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband, and The Importance of Being Earnest, all featuring star-studded casts with the likes of Jacqueline Bisset, Miriam Margolyes, James Marsters, Alfred Molina, Roger Rees, Yeardley Smith, Eric Stoltz, and many more. This audio also includes a chilling dramatization of Wilde's sole novel, The Picture of Dorian Gray.

Whether it's a 300-year-old ghost who's scared out of his wits, a tenderhearted statue with a mission of mercy, or the suave Lord Savile who cannot commit a crime, the characters in these stories by witty Oscar Wilde make the tales priceless delights. Absurd, ironic, poignant, or scathing, these small gems of the storyteller's art are sure to become favorites. This collection, narrated by Frank Muller, includes "Lord Arthur Savile's Crime," "The Model Millionaire," "The Nightingale and the Rose," and more.

A bird of good omen is murdered. A fickle crew is punished by supernatural, spectral beings. A skeletal ship is sighted moving against the wind and tide. The figure of Death along with a singular, gruesome companion man the fiendish craft. And as they draw closer, it becomes clear that the two play at dice for the soul of the ancient mariner. The result is nothing short of cataclysmic.

Walt Whitman's celebrated poetry collection, read by Ed Begley.

From the beloved author of Anne of Green Gables, L.M. Montgomery - Emily of New Moon (published in 1923) takes us on a journey of loss, friendship, bullying, family dynamics, acceptance, and self-discovery with Emily Byrd Starr, an orphan who must move in with her reluctant Aunt Elizabeth, her loving Aunt Laura, and her jovial and friendly Cousin Jimmy at New Moon on Prince Edward Island.

When Walt Whitman self-published "Leaves of Grass" in 1855, he rocked the literary world and forever changed the course of poetry. In subsequent editions, Whitman continued to revise and expand his poems - but none matched the raw power and immediacy of the first edition. This volume presents the 1855 "Leaves of Grass" in its entirety, unchanged, along with Ralph Waldo Emerson's famous letter to Whitman.

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

Step into a world of visions, philosophy, and passion in which dreamers, seekers, princesses, and wandering poets dwell. The 6 wonderful, romantic tales in this collection are reminiscent of ancient Oriental and German fairy tales. The selections, "The Poet," "The Flute Dream," "The Dwarf," "Faldum," "Ziegler," and "Dream of the Gods" were hand-picked by the narrator, legendary folk and rock musician Donovan.

Complete and unabridged, and read with meticulous care, in this story Miles Standish and John Alden both seek the hand of the fair Priscilla. See the Mayflower abandon the first settlers as it returns to England. Feel the heated vision of the Indians, perpetually keeping their watch in the dark forest. Love and adventure collide in one of Longfellow's most famous works

Little Women is recognized as one of the best-loved classic children's stories, transcending the boundaries of time and age, making it as popular with adults as it is with young listeners. The beloved story of the March girls is a classic American feminist novel, reflecting the tension between cultural obligation and artistic and personal freedom.

But which of the four March sisters to love best? For every listener must have their favorite. Independent, tomboyish Jo; delicate, loving Beth; pretty, kind Meg; or precocious and beautiful Amy, the baby of the family?