
Everything Matters!
A Novel
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Narrated by:
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Abby Craden
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Hillary Huber
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Mark Deakins
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Lincoln Hoppe
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Arthur Morey
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Doug Wert
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By:
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Ron Currie Jr.
About this listen
In infancy, Junior Thibodeaux is encoded with a prophesy: A comet will obliterate life on Earth in 36 years. Alone in this knowledge, he comes of age in rural Maine grappling with the question: Does anything I do matter?
While the voice that has accompanied him since conception appraises his choices, Junior's loved ones emerge with parallel stories - his anxious mother; his brother, a cocaine addict turned pro-baseball phenomenon; his exalted father, whose own mortality summons Junior's best and worst instincts; and Amy, the love of Junior's life and a North Star to his journey through romance and heartbreak, drug-addled despair, and superheroic feats that could save humanity. While our recognizable world is transformed into a bizarre nation at endgame, where government agents conspire in subterranean bunkers, preparing citizens for emigration from a doomed planet, Junior's final triumph confounds all expectation, building to an astonishing and deeply moving resolution.
Ron Currie, Jr., gets to the heart of character, and the voices who narrate this uniquely American tour de force leave an indelible, exhilarating impression.
©2009 Ron Currie (P)2009 PenguinListeners also enjoyed...
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Editorial reviews
Everything Matters! tidily places Ron Currie, Jr. among the most talented and creative new American novelists. In his first novel since the story collection God Is Dead, Currie reveals a style not unlike Vonnegut dry, but deadly funny, irreverent, and wholly meaningful. The storytelling is delicately but deliberately choppy, filled with impending dread and lingering hope. In utero, Junior Thibodeaux learns of a catastrophic, world-ending event some 30 years in his future. A voice explains the inevitability of the event, and Junior is born with the crippling knowledge of the impending doom he and everyone he'll grow to love will face. The voice is never explained it could be a group of all-knowing beings (the voice refers to "we") or it could be the author himself, but it remains ever-present in Junior's life.
This mysterious voice reveals important and otherwise unknowable details about the world to Junior, and becomes an established character, however vague and unknowable. Spoken with authority by Mark Deakins, the voice can be likened to that of a gently persistent psychiatrist. It reveals almost no opinion about Junior's choices. In neutral tones, Deakins lends the voice a feeling of all-knowing and all-seeing non-participation it does not step in to prevent or spark any decision by Junior. At the same time, the soft, steady narration includes subtleties of inflection that color the listener's perception. When Junior partakes in some dangerous activity, Deakins sounds almost imperceptibly disappointed and even a little concerned. This act of subtlety injects compassion and calm to what could have been a very cold, omnipresent voice.
Throughout the timeline of the novel, Currie pops in and out of the first person narratives of Junior, his parents, his girlfriend, and his brother, performed by several talented actors. These include Lincoln Hoppe (Junior), Hillary Huber (Junior's girlfriend Amy), Abby Craden (Junior's mother), Arthur Morey (Junior's father), and Doug Wert (Junior's brother Ron). Each narrator brings a unique voice perfectly matched to Currie's nonchalant, matter-of-fact tone. Hoppe deserves additional praise for exercising vocal restraint as the main character. Junior goes through a heck of a lot and is saddled with the emotional baggage of knowing the fate of the world, but Hoppe never lays it on thick in his narration. Instead he gives Junior a mentally exhausted, resigned tone that matches Currie's earlier description of Junior as a "serious child". Hoppe especially shines when the emotional weight of losing his girlfriend and his family start to wear Junior down. Josh Ravitz
Critic reviews
"Mr. Currie is a startlingly talented writer whose book will pay no heed to ordinary narrative conventions.... He survives the inevitable, apt comparisons to Kurt Vonnegut and writes in a tenderly mordant voice of his own.... Throughout the story there is the sheer delight of Mr. Currie's fresh, joltingly funny imagery.... Above all Everything Matters! radiates writerly confidence. The excitement that drives the reader from page to page is not about the characters. It's about seeing what Mr. Currie will try next." (Janet Maslin, New York Times)
"Currie's novel is extraordinary, a lively narrative that slaloms from the exhilerating to the numinous to the achingly sad, all tied together by the author's sharp, funny voice." (NPR)
"Superb.... Some scenes make you laugh out loud. There are passages of beauty and wicked turns of phrase...marvelously, Currie suffuses his unhappy and disparate characters with salvation." (The Los Angeles Times)
my favorite book
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Everything Is A Plot Twist!
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Moving and engrossing
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A Treasure I Needed to Read
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could not finish it - stopped caring...
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That said, I thought Everything Matters did a flawed job of living up to its own ambition. At times, it sucked me in with its soulful character studies, but other times, it felt like a string of self-indulgent, slightly unbelievable vignettes of the sort a gifted but amateur writer might bring to a workshop. Currie clearly wants readers to respond emotionally to his story, and pummels us with one piece of drama after another. On a page-by-page level, it's involving and sometimes sadly moving, but as a whole, the story seemed a bit unreal and the characters' motives somewhat arbitrary. As I progressed, I wondered if Currie had really known where he was going with his book, or was just fumbling around for plot ideas and trying to keep the reader's sense of incredulity from catching up. Now that I've finished it, I can't totally disown this impression.
But, I will say that Everything Matters at least tries for something different, even if it falls a little short in execution. Currie asks some serious questions and doesn't wrap everything up neatly -- in fact, the bleak but beautiful ending wasn't the one I would have seen coming at the beginning. You may find yourself, when all is said and done, pondering the choice the main character makes about three quarters of the way through the book, wondering what other paths he (or the author) might have taken. I'll give this book a thumbs up for that, even if it won't make any of my top ten lists.
good idea, imperfect execution
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Better than I expected
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Narration was amazing and the production had the perfect compression and equalization.
Good Premise - Weak Ending
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Existential comfort
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Excellent!
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