Seventh grade begins, and Kareem’s already fumbled it. His best friend moved away, he messed up his tryout for the football team, and because of his heritage, he was voluntold to show the new kid—a Syrian refugee with a thick and embarrassing accent—around school. Just when Kareem thinks his middle school life has imploded, the hotshot QB promises to get Kareem another tryout for the squad. There’s a catch: to secure that chance, Kareem must do something he knows is wrong.

Ever since cancer invaded his adoptive mother’s life, Brett feels like he’s losing everything, most of all control. To cope, Brett fuels all of his anxieties into epic fantasies, including his intergalactic Kid Condor comic book series, which features food constellations and characters not unlike those in his own life. But lately Brett’s grip on reality has started to lose its hold. The fictions he’s been telling himself—about his unattractive body, the feeling that he’s a burden to his best friend, that he’s too messed up to be loved—have consumed him completely.

Twenty-four months ago: Neon gets chased by a dog all around the parking lot of a church. Not his finest moment. And definitely one he would have loved to forget if it weren’t for the dog’s owner: Aria. Dressed in sweats, a t-shirt, hair in a ponytail. Aria. Way more than fine. Twenty-four weeks ago: Neon’s dad insists on talking to him about tenderness and intimacy. Neon and Aria are definitely in love, and while they haven’t taken that next big step…yet, they’ve starting talking about…that.

It's 2017 at the University of Arkansas. Millie Cousins, a senior resident assistant, wants to graduate, get a job, and buy a house. So when Agatha Paul, a visiting professor and writer, offers Millie an easy yet unusual opportunity, she jumps at the chance. But Millie's starry-eyed hustle becomes jeopardized by odd new friends, vengeful dorm pranks, and illicit intrigue.

A gripping new novel in verse by the author of the Printz Honor-winning Starfish, featuring a poverty-stricken boy who bravely rides out all the storms life keeps throwing at him.

In this “eloquent understanding of how death is viewed through many spiritual traditions” (Publishers Weekly, starred review), Bart Ehrman recounts the long history of the afterlife, ranging from The Epic of Gilgamesh up to the writings of Augustine, focusing especially on the teachings of Jesus and his early followers. He discusses ancient guided tours of heaven and hell, in which a living person observes the sublime blessings of heaven for those who are saved and the horrifying torments of hell for those who are damned.

As a young femme in 1990s Manila, Geena Rocero heard, “Bakla, bakla!,” a taunt aimed at her feminine sway, whenever she left the tiny universe of her eskinita. Eventually, she found her place in trans pageants, the Philippines’ informal national sport. When her competitors mocked her as a “horse Barbie” due to her statuesque physique, tumbling hair, long neck, and dark skin, she leaned into the epithet. By seventeen, she was the Philippines’ highest-earning trans pageant queen.

A slender novel of epic power, Orbital deftly snapshots one day in the lives of six women and men hurtling through space—not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below.

When a high school student started a private Instagram account that used racist and sexist memes to make his friends laugh, he thought of it as “edgy” humor. Over time, the edge got sharper. Then a few other kids found out about the account. Pretty soon, everyone knew. Ultimately no one in the small town of Albany, California, was safe from the repercussions of the account’s discovery. Not the girls targeted by the posts. Not the boy who created the account. Not the group of kids who followed it. Not the adults—educators and parents—whose attempts to fix things too often made them worse.

When journalist Annabelle Tometich picks up the phone one June morning, she isn’t expecting a collect call from an inmate at the Lee County Jail. And when she accepts, she certainly isn’t prepared to hear her mother’s voice on the other end of the line. However, explaining the situation to her younger siblings afterwards was easy; all she had to say was, “Mom shot at some guy. He was messing with her mangoes.” They immediately understood.

Jay Reguero plans to spend the last semester of his senior year playing video games before heading to the University of Michigan in the fall. But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte's war on drugs, and no one in the family wants to talk about what happened, Jay travels to the Philippines to find out the real story. Hoping to uncover more about Jun and the events that led to his death, Jay is forced to reckon with the many sides of his cousin before he can face the whole horrible truth - and the part he played in it.

Summer and her family always spend relaxed summers in Alberta, Canada, on the reservation where her mom’s family lives. But this year is turning out to be an eye-opening one. First, Summer has begun to have vivid dreams in which she's running away from one of the many real-life residential schools that tore Native children from their families and tried to erase their Native identities. Not long after that, she learns that unmarked children’s graves have been discovered at the school her grandpa attended as a child.

Ever since cancer invaded his adoptive mother’s life, Brett feels like he’s losing everything, most of all control. To cope, Brett fuels all of his anxieties into epic fantasies, including his intergalactic Kid Condor comic book series, which features food constellations and characters not unlike those in his own life. But lately Brett’s grip on reality has started to lose its hold. The fictions he’s been telling himself—about his unattractive body, the feeling that he’s a burden to his best friend, that he’s too messed up to be loved—have consumed him completely.

You wake up floating. Not in the air, but horizontally in a coffin-sized chamber filled with blue gelatinous fluid. You do not remember what this is. You do not remember why you are here. You do not remember who you are.

Ariel is afraid of her own mind. She already feels like she is too big, too queer, too rough to live up to her parents' exacting expectations, or to fit into what the world expects of a “good girl.” And as violent fantasies she can’t control take over every aspect of her life, she is convinced something much deeper is wrong with her. Ever since her older sister escaped to college, Ariel isn't sure if her careful rituals and practiced distance will be enough to keep those around her safe anymore.

Wilson Moss entered the town’s top-secret contest in the hopes of resurrecting her ex-best friend Annie LeBlanc, but that doesn’t mean she thought she’d actually win. Now Annie’s back and Wil’s ecstatic—does it even really matter that Annie ghosted her a year before she died…? But like any contest, there are rules, and the town’s resurrected dead can only return for thirty days. When Wil discovers a loophole that means Annie might be able to stay for good, she’s desperate to keep her alive. The potential key? Their third best friend, Ryan.

Ellie’s Deaf boarding school just shut down, forcing her to leave the place she considered home and return to her hearing family. But being mainstreamed into public school isn't exactly easy. So her guidance counselor pairs her with Jackson, a student who’s supposed to help her adjust. Can the boy who tries to say the right things, and gets it all wrong, be the lifeline Ellie needs?

Adriana knows that if she can manage to keep her head down for the next seven months, she might be able to get through her sentence in the Compass juvenile detention center. Thankfully, she’s allowed to keep her journal, where she writes down her most private thoughts when her feelings get too big. Until the day she opens her journal and discovers that her thoughts are no longer so private. Someone has read her writings—and has written back. A boy who lives on the other side of the gender-divided detention center. A boy who sparks a fire in her to write back.

After her dad abruptly abandons her family and her mom moves them a million miles from their Chicago home, Noor Khan is forced to start the last quarter of her senior year at a new school, away from everything and everyone she knows and loves. Reeling from being uprooted and deserted, Noor is certain the key to survival is to keep her head down and make it to graduation.

Poet, essayist, novelist, fiction writer, and labor organizer, Carlos Bulosan (1911-1956) wrote one of the most influential working class literary classics about the US pre-World War II, a period and setting similar to that of Steinbeck's The Grapes of Wrath and Cannery Row. Bulosan's semi-autobiographical novel America Is in the Heart begins with the narrator's rural childhood in the Philippines and the struggles of land-poor peasant families affected by US imperialism after the Spanish-American War of the late 1890s.

Hanalei of Tamarind is the cherished daughter of an old island family. But when her father steals a seadragon egg meant for an ailing princess, she is forced into a life of exile. In the years that follow, Hanalei finds solace in studying the majestic seadragons that roam the Nominomi Sea. Until, one day, an encounter with a female dragon offers her what she desires most. A chance to return home, and to right a terrible wrong.

Raisa of Upper Earth has only lived a life of privilege and acquiescence. Ever dutiful, she accepts her father’s arrangement of her marriage to Lein, Crown Prince of the corrupt, volatile lands of Lower Earth. Though Lein is a stranger, Raisa knows the wedding will unite their vastly different worlds in a pact of peace: an infusion of Upper Earth technology will usher in the final age of enlightenment, ending war between humans forever.

Set in New York City in the ’90s, Angela Shanté’s poems and stories paint a mosaic of childhood that is shaped by the past and reverberates into the present. As Shanté navigates the city through memory, this timeless book illuminates the places where Black girls are nurtured or boxed in, through stories and poems about expectations, exploitation, love, loss, and self-realization.

Seventy-seven-year-old Dorothy Darling has lived in Shelley House longer than any of the other residents, and if you take their word for it, she’s as cantankerous as they come. But Dorothy has her reasons for spying. And none of them require justifying herself to Kat Bennett. Twenty-five-year-old Kat has never known a place where she felt truly at home, and crumbling Shelley House is no different. Her neighbors find her prickly and unapproachable, but beneath her tough exterior, Kat’s plagued by a guilty secret from her past.

Calvin knows how to pass for white. He's done it plenty of times before. For his friends in Chicago, when they wanted food but weren't allowed in a restaurant. For work, when he and his dad would travel for the Green Book. This is different. After a tragedy in Chicago forces the family to flee, they resettle in an idyllic all-white suburban town in search of a better life. Calvin's father wants everyone to embrace their new white lifestyles, but it's easier said than done.