Summer and her family always spend relaxed summers in Alberta, Canada, on the reservation where her mom’s family lives. But this year is turning out to be an eye-opening one. First, Summer has begun to have vivid dreams in which she's running away from one of the many real-life residential schools that tore Native children from their families and tried to erase their Native identities. Not long after that, she learns that unmarked children’s graves have been discovered at the school her grandpa attended as a child.

Set in New York City in the ’90s, Angela Shanté’s poems and stories paint a mosaic of childhood that is shaped by the past and reverberates into the present. As Shanté navigates the city through memory, this timeless book illuminates the places where Black girls are nurtured or boxed in, through stories and poems about expectations, exploitation, love, loss, and self-realization.

Seventh grade begins, and Kareem’s already fumbled it. His best friend moved away, he messed up his tryout for the football team, and because of his heritage, he was voluntold to show the new kid—a Syrian refugee with a thick and embarrassing accent—around school. Just when Kareem thinks his middle school life has imploded, the hotshot QB promises to get Kareem another tryout for the squad. There’s a catch: to secure that chance, Kareem must do something he knows is wrong.

It's August 1999. For twelve-year-old Michael Rosario, life at Fox Run Apartments in Red Knot, Delaware, is as ordinary as ever—except for the looming Y2K crisis and his overwhelming crush on his fifteen-year-old babysitter, Gibby. But when a disoriented teenage boy named Ridge appears out of nowhere, Michael discovers there is more to life than stockpiling supplies and pining over Gibby.

Ariel is afraid of her own mind. She already feels like she is too big, too queer, too rough to live up to her parents' exacting expectations, or to fit into what the world expects of a “good girl.” And as violent fantasies she can’t control take over every aspect of her life, she is convinced something much deeper is wrong with her. Ever since her older sister escaped to college, Ariel isn't sure if her careful rituals and practiced distance will be enough to keep those around her safe anymore.

From the author of the National Book Award finalist Patron Saints of Nothing comes an emotionally charged, moving novel about four generations of Filipino American boys grappling with identity, masculinity, and their fraught father-son relationships.

It’s the last few months of eighth grade, and Isaiah feels lost. He thought his summer was going to be him and his boys Drew and Darius, hanging out, doing wheelies, watching martial arts movies, and breaking tons of Guinness World Records before high school. But now, more and more, Drew seems to be fading from their friendship, and though he won’t admit it, Isaiah knows exactly why. Because Darius is…gone.

Zaire. Late 90's. Mobutu's thirty-year reign is tottering. In Lubumbashi, the stubbornly homeless Sanza has fallen in with a trio of veteran street kids led by the devious Ngungi. A chance encounter with the mysterious Monsieur Guillaume seems to offer a way out . . . Meanwhile in Angola, Molakisi has joined thousands of fellow Zairians hoping to make their fortunes hunting diamonds, while Austrian Franz finds himself roped into writing the memoirs of the charismatic Tshiamuena, the "Madonna of the Cafunfo Mines."

A debut collection of stories set in a hauntingly reimagined Lagos where characters vie for freedom from ancestral ties.

Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft and contend with the works of writers overrepresented in textbooks and anthologies and those often underrepresented.

In Northern Sámi, the word Ædnan means the land, the earth, and my mother. These are all crucial forces within the lives of the Indigenous families that animate this groundbreaking book: an astonishing verse novel that chronicles a hundred years of change: a book that will one day stand alongside Halldór Laxness’s Independent People and Sigrid Undset’s Kristin Lavransdatter as an essential Scandinavian epic.

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.

Whiskey Tender traces how a mixed tribe native girl—born on the California Yuma reservation and raised in Navajo territory in New Mexico—comes to her own interpretation of identity, despite her parent’s desires for her to transcend the class and “Indian” status of her birth through education, and despite the Quechan tribe’s particular traditions and beliefs regarding oral and recorded histories.

Dear Wendy's Sophie and Jo, two aromantic and asexual college students, engage in an online feud while unknowingly becoming friends in real life, in this dual POV Young Adult contemporary debut from Ann Zhao.

Blending intimate stories with the trenchant analysis that has become her signature, Manne shows why fatphobia has become a vital social justice issue. Over the last several decades, implicit bias has waned in every category, from race to sexual orientation, except one: body size. Manne examines how anti-fatness operates—how it leads us to make devastating assumptions about a person’s attractiveness, fortitude, and intellect, and how it intersects with other systems of oppression.