After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.

When a trip into the forest to collect a rare mushroom goes horribly wrong, I find myself falling through a fairy portal and straight into the arms of the Unseelie Fae prince. The dangerously unhinged and handsome Unseelie Fae prince. What could be more horrible than that? He thinks I'm an assassin sent by the humans to kill him, not a biologist. Determined to kill me first and rid himself of the human he has unwillingly grown obsessed with, yet also needing to entertain his people, the villain challenges me to three deadly trials.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Daisy sees dead people—something impossible to forget in bustling, ghost-packed Toronto. She usually manages to deal with her unwanted ability, but she’s completely unprepared to be dumped by her boyfriend. So when her mother inherits a secluded mansion in northern Ontario where she spent her childhood summers, Daisy jumps at the chance to escape. But the house is nothing like Daisy expects, and she begins to realize that her experience with the supernatural might be no match for her mother’s secrets, nor what lurks within these walls…

Twenty years after a baby is stolen from a stroller, a woman is murdered in a care home. The two crimes are somehow linked, and a good bad girl may be the key to discovering the truth. Edith may have been tricked into a nursing home, but at eighty-years-young, she’s planning her escape. Patience works there, cleaning messes and bonding with Edith, a kindred spirit. But Patience is lying to Edith about almost everything. Edith’s own daughter, Clio, won’t speak to her. And someone new is about to knock on Clio’s door…and their intentions aren’t good.

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

A world with no hunger, no disease, no war, no misery: Humanity has conquered all those things and has even conquered death. Now Scythes are the only ones who can end life - and they are commanded to do so in order to keep the size of the population under control. Citra and Rowan are chosen to apprentice to a scythe - a role that neither wants. These teens must master the "art" of taking life, knowing that the consequence of failure could mean losing their own.

A carnival rolls in sometime after the midnight hour on a chill Midwestern October eve, ushering in Halloween a week before its time. A calliope's shrill siren song beckons to all with a seductive promise of dreams and youth regained. In this season of dying, Cooger & Dark's Pandemonium Shadow Show has come to Green Town, Illinois, to destroy every life touched by its strange and sinister mystery.

17-year-old Quell has lived her entire life on the run. She and her mother have fled from city to city, in order to hide the deadly magic that flows through Quell’s veins. Until someone discovers her dark secret. To hide from the assassin hunting her, and keep her mother out of harm’s way, Quell reluctantly inducts into a debutante society of magical social elites called the Order that she never knew existed.

Adina Walker has known this the entire time she’s been on scholarship at the prestigious Edgewater Academy—a school for the rich (and mostly white) upper class of New England. It’s why she works so hard to be perfect and above reproach, no matter what she must force beneath the surface. Even one slip can cost you everything.

Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night.

Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business. But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after.

Ten years ago, four students lost their lives in the infamous unsolved North Tower murders at the elite Carvell Academy of the Arts, forcing the school to close its doors. Now Carvell is reopening, and fearless freshman Lottie Fitzwilliam is determined to find out what really happened. But when her beautiful but standoffish roommate, Alice Wolfe, stumbles upon a sinister soul-splitting ritual in a book hidden in Carvell’s library, the North Tower claims another victim. Is there a killer among them . . . or worse, within them?

Tonight, Riverview Theaters is closing forever, the last remaining business in a defunct shopping mall. The moviegoers have left, and Jo and her six coworkers have the final shift, a shift that quickly takes a dark turn. First a stranger arrives with a chilling accusation. Then the power goes out and their manager disappears, along with the keys to the lobby doors and the theater safe, where the crew's phones are locked each shift. The crew's tension turns to terror when Jo discovers the dead body of one of her co-workers.

"Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be.

Ruby is terrified to cave to her feelings for Sean and risk him crushing her heart. Sean is pumped to spend a week with Ruby in Paris on their senior class trip, and he’ll wait however long until she’s ready to take things further. But when Ruby’s best friend sneaks out the first night to meet a mysterious French boy, Ruby goes after her with two classmates, but caves to another temptation: attending mystery boy’s exclusive party in the Paris catacombs, the intricate web of tunnels beneath the city, home to six million long-dead Parisians. Only they never reach the party.

Charity Curtis has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, Curse of Camp Mirror Lake. The more realistic the fear, the better for business. But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after.

In a world where females are scarce and are hunted, then bought and sold at market for their breeding rights, 15-year-old Aya has learned how to hide. With a ragtag bunch of other women and girls, she has successfully avoided capture and eked out a nomadic but free existence in the mountains. But when Aya's luck runs out and she's caught by a group of businessmen on a hunting expedition, fighting to survive takes on a whole new meaning.

Eric Ross is on the run from a mysterious past with his two daughters in tow. Having left his wife, his house, his whole life behind in Maryland, he's desperate for money—it's not easy to find steady, safe work when you can't provide references, you can't stay in one place for long, and you're paranoid that your past is creeping back up on you.

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more - Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants...until Mouse encounters some of the terrifying things he described for herself.