Meet Aimee Sinclair: the actress everyone thinks they know but can’t remember where from. Except one person. Someone knows Aimee very well. They know who she is and they know what she did. When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she is - but perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows.

Burned-out by both her marriage and work, Liz is desperate for an escape. More than that, she craves an adventure, a total reset. So, when she plans a vacation with her three best friends, she persuades them to spend four nights camping in the stunning mountains of Norway. Following a trail that climbs through lush valleys, towering peaks, and past jewel-blue lakes, Liz is sure that the hike is just what they need. But as they stride farther from civilization, it becomes clear that the women are not the only ones looking to lose themselves in the mountains.

After years of avoiding each other, Daisy Darker’s entire family is assembling for Nana’s 80th birthday party in Nana’s crumbling gothic house on a tiny tidal island. Finally back together one last time, when the tide comes in, they will be cut off from the rest of the world for eight hours. The family arrives, each of them harboring secrets. Then at the stroke of midnight, as a storm rages, Nana is found dead. And an hour later, the next family member follows…

Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Twenty-two-year-old Olivia has been missing for one day…and counting. She was last seen on CCTV, entering a dead-end alley. And not coming back out again. Julia, the detective heading up the search for Olivia, thinks she knows what to expect. A desperate family, a ticking clock, and long hours away from her husband and daughter. But she has no idea just how close to home this case is going to get.

There are two sides to every story: yours and mine, ours and theirs, his and hers. Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep.

Amber wakes up in a hospital. She can't move. She can't speak. She can't open her eyes. She can hear everyone around her, but they have no idea. Amber doesn't remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from 20 years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Welcome to Stanhope. A safe neighborhood. A place for families. William Wooler is a family man, on the surface. But he’s been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter, Avery, unexpectedly home from school, William loses his temper. Hours later, Avery’s family declares her missing. Suddenly Stanhope doesn’t feel so safe. And William isn’t the only one on his street who’s hiding a lie.

High-powered businesswoman Lana Rubicon has a lot to be proud of: her keen intelligence, impeccable taste, and the L.A. real estate empire she’s built. But when she finds herself trapped 300 miles north of the city, convalescing in a sleepy coastal town with her adult daughter Beth and teenage granddaughter Jack, Lana is stuck counting otters instead of square footage—and hoping that boredom won’t kill her before the cancer does.

Catherine Sterling thinks she knows her mother. Ruth Sterling is quiet, hardworking, and lives for her daughter. All her life, it's been just the two of them against the world. But now, Catherine is ready to spread her wings, move from home, and begin a new career. And Ruth Sterling will do anything to prevent that from happening.

Lane McCord wakes up in a hospital having survived a near-fatal fall at a North Carolina beach cottage. Her boyfriend, Kyle, wasn’t so lucky. A senseless tragedy on their first romantic getaway. All Lane remembers is lying at the bottom of the stairs in Kyle’s pooling blood. Confused and grieving, Lane plans to return to the cottage, collect her personal belongings, and get out. Until a winter rainstorm leaves her stranded and vulnerable, but not alone. A concerned neighbor, who claims he heard a violent argument before the accident, has come out of the storm.

Masterfully blending elements of psychological suspense and true crime, Jessica Knoll—bestselling author of Luckiest Girl Alive and the writer behind the Netflix adaptation starring Mila Kunis—delivers an “unflinching and evocative” (Laura Dave, New York Times bestselling author) thriller in Bright Young Women. The book opens on a Saturday night in 1978, hours before a soon-to-be-infamous murderer descends upon a Florida sorority house with deadly results. The lives of those who survive, including a sorority president and key witness, Pamela Schumacher, are forever changed.

Reclusive Sally Diamond is thrust into the media spotlight when she tries to incinerate her dead father, causing widespread outrage. Now she’s the center of attention, not only from hungry reporters and police detectives, but also a sinister voice from a past she does not remember. As she begins to discover the repressed memories of her horrific early childhood, Sally steps into the world for the first time, making new friends, big decisions, and learning that people don’t always mean what they say.

I only try on one of Nina’s pristine white dresses once. Just to see what it’s like. But she soon finds out...and by the time I realize my attic bedroom door only locks from the outside, it’s far too late. But I reassure myself: The Winchesters don’t know who I really am. They don’t know what I’m capable of....

Simon and Vicky couldn’t seem more normal: a wealthy Chicago couple, he a respected law professor, she an advocate for domestic violence victims. A stable, if unexciting marriage. But one thing’s for sure: absolutely nothing is what it seems. The pair are far from normal, and one of them just may be a killer. When the body of a beautiful socialite is found hanging in a mansion in a nearby suburb, Simon and Vicky’s secrets begin to unravel. A secret whirlwind affair. A twenty-million-dollar trust fund about to come due.

Meet Aimee Sinclair: the actress everyone thinks they know but can’t remember where from. Except one person. Someone knows Aimee very well. They know who she is and they know what she did. When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she is - but perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows.

After years of avoiding each other, Daisy Darker’s entire family is assembling for Nana’s 80th birthday party in Nana’s crumbling gothic house on a tiny tidal island. Finally back together one last time, when the tide comes in, they will be cut off from the rest of the world for eight hours. The family arrives, each of them harboring secrets. Then at the stroke of midnight, as a storm rages, Nana is found dead. And an hour later, the next family member follows…

There are two sides to every story: yours and mine, ours and theirs, his and hers. Which means someone is always lying. When a woman is murdered in Blackdown, a quintessentially British village, newsreader Anna Andrews is reluctant to cover the case. Detective Jack Harper is suspicious of her involvement, until he becomes a suspect in his own murder investigation. Someone isn’t telling the truth, and some secrets are worth killing to keep.

When Adam and Amelia Wright win a weekend away to Scotland, it might be just what their marriage needs. Self-confessed workaholic and screenwriter Adam Wright has lived with face blindness his whole life. He can’t recognize friends or family, or even his own wife. Each year Adam’s wife writes him a letter that she never lets him read. Until now. They both know this weekend will make or break their marriage, but they didn’t randomly win this trip. One of them is lying, and someone doesn’t want them to live happily ever after.

Amber wakes up in a hospital. She can't move. She can't speak. She can't open her eyes. She can hear everyone around her, but they have no idea. Amber doesn't remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from 20 years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Eden Fox, an artist on the brink of her big break, sets off for a run before her first exhibition. When she returns to the home she recently moved into, Spyglass, an enchanting old house in Hope Falls, nothing is as it should be. Her key doesn’t fit. A woman, eerily similar to her, answers the door. And her husband insists that the stranger is his wife.

Burned-out by both her marriage and work, Liz is desperate for an escape. More than that, she craves an adventure, a total reset. So, when she plans a vacation with her three best friends, she persuades them to spend four nights camping in the stunning mountains of Norway. Following a trail that climbs through lush valleys, towering peaks, and past jewel-blue lakes, Liz is sure that the hike is just what they need. But as they stride farther from civilization, it becomes clear that the women are not the only ones looking to lose themselves in the mountains.

Stephanie and Jessica have nothing and everything in common. The two women don’t know each other but are on the same plane heading to California. Stephanie is on a business trip and Jasmine is fleeing an abusive relationship. After a few days, they text their friends the same exact messages about the same man—the messages becoming stranger and more erratic. And then the two women vanish. The texts go silent, the red flags go up, and the panic sets in. When Stephanie and Jasmine are each declared missing and in danger, it begs the questions: Who is Trent McCarthy?

Mi nombre es Amber Reynolds. Hay tres cosas que debes saber de mí: 1. Estoy en coma; 2. Mi marido ya no me ama; 3. En algunas ocasiones miento. Amber despierta en un hospital. No puede moverse. No puede hablar. No puede abrir sus ojos. Es capaz de escuchar a todos los que la rodean, pero ellos no lo saben. Amber no recuerda que fue lo que le sucedió, pero sospecha que su marido tuvo algo que ver en ello.

Louise has had to watch her husband, Andrew, start a new family in the four years since he left her. The ‘other woman’ is now his wife - but Louise isn’t ready to let Caz enjoy the life that was once hers or to let go of the man she still loves. As Louise starts to dig into Caz’s past, the two women’s pretence of civility starts to slip. But in trying to undermine each other, they discover more about the man they both married. And when Andrew is murdered at a family party, both women are found standing over the body. It’s always the wife. But which one?

Isolated and embroiled in a custody battle, Mary is desperate for a friend. So when she meets the charming and enigmatic Willa at a Brooklyn playground, their connection feels fated. But during a margarita-fueled moms’ night out, Mary shares her darkest secret about her ex, George, and the next morning Willa simply disappears. No calls, no texts, nothing.

It was meant to be Caitlin's perfect summer, but betrayed by her best friend and her boyfriend, she finds herself hitchhiking home alone, heartbroken, and penniless. When a smiling family pulls up on the roadside to help her on her way, she's relieved at first - they seem friendly, normal. And when they offer her a warm bed in their cottage for the night, she's grateful - it's not safe for young women travelling alone in the dark, and she's in no rush to get home, where she knows a grave secret is due to blow her family apart.

We all have that friend—the one who doesn't quite belong. Dinah Marshall is that person and knows it. After someone drops out, she's invited to spend the weekend at a luxury holiday home with women she's known since university. However, the gulf between them has widened since then, and Dinah is conscious of being the only one with no money, career, partner or children. Feeling like an outsider, she takes to snooping around the house.

Trois suspects. Deux meurtres. Une seule victime. Vingt ans après l’enlèvement d’un bébé, une mort suspecte frappe une maison de retraite, révélant un lien inattendu entre ces deux drames. Quatre femmes aux secrets bien gardés se retrouvent alors impliquées dans l’enquête : Edith, une pétillante octogénaire résidente de l’établissement qui cherche à s’en évader et Patience, sa jeune et énigmatique aide-soignante. Clio, la fille d’Edith et Frankie, une mère en quête de son adolescente fugueuse. Le jour du meurtre, elles se retrouvent au mauvais endroit, au mauvais moment.

It seems like an ordinary Wednesday, until the phone rings. A mysterious caller with a chilling threat. Journalist Alice Henderson hangs up, ready to dismiss it as a hoax against the newspaper. But the next Wednesday, the stalker makes another move - and it becomes clear that this is all about Alice. Someone wants her to suffer, but for what? Her articles have made her a popular local champion - could it be her past rather than her work that’s put her life in danger?