Harry Dresden has been through a lot, and so has his city. After Harry and his allies narrowly managed to save Chicago from being razed to the ground, everything is different—and it’s not just the current lack of electricity. In the battle, Harry lost people he cared about. And that's the kind of loss that takes a toll. Harry being Harry, he’s doing his level best to help the city and his friends recover and rebuild. But it’s a heavy load, and he needs time. But time is one thing Harry doesn’t have. Ghouls are prowling Chicago and taking out innocent civilians.

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.

In 1992, Los Angeles burned. In the aftermath of the Rodney King beating and subsequent riots, a ground-breaking ceremony at the infamous intersection of Florence and Normandie unearths the body of a Korean liquor store owner. Black private eye Ivan Monk searches for the killer—many suspect the motives for the murder were racial. But then another body turns up, and while the FBI and the Rolling Daltons, the largest gang in the city, dog Monk’s trail, Monk questions who the real perpetrators are and whether he can prevent more from dying, including himself, before he uncovers the truth.

Walter Mosley's talent knows no bounds. Inside a Silver Box continues to explore the cosmic questions entertainingly discussed in his Crosstown to Oblivion. From life's meaning to the nature of good and evil, Mosley takes listeners on a speculative journey beyond reality. In Inside a Silver Box, two people brought together by a horrific act are united in a common cause by the powers of the Silver Box.

Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,” but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities. In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind.