London, 1876. Hetty Feather is just a tiny baby when her mother leaves her at the Foundling Hospital. The Hospital cares for abandoned children - but Hetty must live with a foster family until she is big enough to go to school. Life in the countryside is hard but she has 'brothers' Jem and Gideon to play with, and together they sneak off to visit the travelling circus. Hetty is mesmerised by the show, especially Madame Adeline and her performing horses.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

A middle-aged man returns to his childhood home to attend a funeral. He is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock. Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie - magical, comforting, wise beyond her years - promised to protect him, no matter what.

The BFG is no ordinary bone-crunching giant. He is far too nice and jumbly. It's lucky for Sophie that he is. Had she been carried off in the middle of the night by the Bloodbottler, or any of the other giants - rather than the BFG - she would have soon become breakfast. When Sophie hears that the giants are flush-bunking off to England to swollomp a few nice little chiddlers, she decides she must stop them once and for all. And the BFG is going to help her!

In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own.

For centuries, mystical creatures of all description were gathered to a hidden refuge called Fablehaven to prevent their extinction. The sanctuary survives today as one of the last strongholds of true magic in a cynical world. Enchanting? Absolutely. Exciting? You bet. Safe? Well, actually, quite the opposite... Kendra and her brother Seth have no idea their grandfather is the current caretaker of Fablehaven.

Here is the timeless story of Mary Poppins, the world's favorite nanny, and her magical adventures with the Banks family. Mary Poppins is like no other nanny the Banks children have ever seen. It all starts when their new nanny is blown by the east wind onto the doorstep of the Banks house, carrying a parrot-headed umbrella and a magic carpetbag. She becomes a most unusual nanny to Jane, Michael, and the twins.

This is not a fairy tale. This is about real witches. Grandmamma loves to tell about witches. Real witches are the most dangerous of all living creatures on Earth. There's nothing they hate so much as children, and they work all kinds of terrifying spells to get rid of them. Her grandson listens closely to Grandmamma's stories - but nothing can prepare him for the day he comes face-to-face with The Grand High Witch herself!

Beyond the everyday world of King's Cross Station lies an island of oddities and magic. When their infant Prince is stolen, the island's magical residents form a team to rescue him. The only trouble is, they can't get to him for nine years.

Osmo Unknown hungers for the world beyond his small town. With the life that Littlebridge society has planned for him, the only taste Osmo will ever get are his visits to the edge of the Fourpenny Woods where his mother hunts. Until the unthinkable happens: His mother accidentally kills a Quidnunk, a fearsome and intelligent creature that lives deep in the forest.

Zoe has an unconventional pen pal - Mr. Stuart Harris, a Texas Death Row inmate and convicted murderer. But then again, Zoe has an unconventional story to tell. A story about how she fell for two brothers, betrayed one of them, and killed the other. Hidden away in her backyard shed in the middle of the night with a jam sandwich in one hand and a pen in the other, Zoe gives a voice to her heart and her fears after months of silence. Mr. Harris may never respond to Zoe's letters, but at least somebody will know her story...

Even a life on the untamed plains of Africa can't prepare Wilhelmina for the wilds of an English boarding school in this lovely and lyrical novel from the author of Rooftoppers, which Booklist called "a glorious adventure". Wilhelmina Silver's world is golden. Living half-wild on an African farm with her horse, her monkey, and her best friend, every day is beautiful. But when her home is sold and Will is sent away to boarding school in England, the world becomes impossibly difficult.

Nominated for a 2011 Grammy Award for Best Spoken Word Album For Children. Who better to read the novel of the new Nanny McPhee film than Nanny McPhee herself, Emma Thompson, who also wrote both the screenplay and the novel. This delightful audio edition captures the magic and the mayhem of Nanny McPhee’s brand new adventure – it will have you laughing out loud!

Little Lorna Bell is from a notorious family on a rundown estate. Everyone thinks she's a nasty piece of work. The schoolchildren call her a thief. But Lorna's hair is matted, her shoes pinch her feet, and school teacher Claire Penny can't help herself; some kids just need a bit more support, a bit more love, than the rest. As the bond between teacher and pupil grows stronger, Claire sees Lorna's bruises, and digs to uncover the disturbing tale behind them. Heartbroken, Claire knows she has to act. She must make Lorna safe.

When Cora and her little sister, Mimi, are sent to stay with their great-aunt in the isolated village of Bryers Guerdon, they receive a less than warm welcome and are desperate to go back to London. But Auntie Ida’s life was devastated the last time two young girls were at Guerdon Hall, and now her nieces’ arrival has reawakened an evil that has lain in wait for years. A haunting voice in an empty room; a strange, scarred man lurking in the graveyard; mysterious words scrawled on the walls of the abandoned church ... all point to a horrifying truth that has held Bryers Guerdon in its grip for centuries.

Beyond the everyday world of King's Cross Station lies an island of oddities and magic. When their infant Prince is stolen, the island's magical residents form a team to rescue him. The only trouble is, they can't get to him for nine years.

Nominated for a 2011 Grammy Award for Best Spoken Word Album For Children. Who better to read the novel of the new Nanny McPhee film than Nanny McPhee herself, Emma Thompson, who also wrote both the screenplay and the novel. This delightful audio edition captures the magic and the mayhem of Nanny McPhee’s brand new adventure – it will have you laughing out loud!

London, 1876. Hetty Feather is just a tiny baby when her mother leaves her at the Foundling Hospital. The Hospital cares for abandoned children - but Hetty must live with a foster family until she is big enough to go to school. Life in the countryside is hard but she has 'brothers' Jem and Gideon to play with, and together they sneak off to visit the travelling circus. Hetty is mesmerised by the show, especially Madame Adeline and her performing horses.

When Cora and her little sister, Mimi, are sent to stay with their great-aunt in the isolated village of Bryers Guerdon, they receive a less than warm welcome and are desperate to go back to London. But Auntie Ida’s life was devastated the last time two young girls were at Guerdon Hall, and now her nieces’ arrival has reawakened an evil that has lain in wait for years. A haunting voice in an empty room; a strange, scarred man lurking in the graveyard; mysterious words scrawled on the walls of the abandoned church ... all point to a horrifying truth that has held Bryers Guerdon in its grip for centuries.

Even a life on the untamed plains of Africa can't prepare Wilhelmina for the wilds of an English boarding school in this lovely and lyrical novel from the author of Rooftoppers, which Booklist called "a glorious adventure". Wilhelmina Silver's world is golden. Living half-wild on an African farm with her horse, her monkey, and her best friend, every day is beautiful. But when her home is sold and Will is sent away to boarding school in England, the world becomes impossibly difficult.

In Earwig and the Witch, listeners meet Earwig, who is not your typical orphan by any stretch. Unlike most, she loves it at St. Morwald’s Home for Children, where she knows everyone and usually gets her way. So when Earwig gets adopted by a strange woman named Bella Yaga, she wants no part of it - especially after she finds out Bella is an evil witch. Now Earwig will have to use all of her considerable wit and charm (and the help of a talking cat) to get out of this mess and back home safely.

When Molly shows up on Castle Hangnail's doorstep to fill the vacancy for a wicked witch, the castle's minions are understandably dubious. After all, she is 12 years old, barely five feet tall, and quite polite. (The minions are used to tall, demanding evil sorceresses with razor-sharp cheekbones.) But the castle desperately needs a master, or else the Board of Magic will decommission it, leaving all the minions without the home they love.

Molly Moon returns...and bumps into earlier versions of herself, four of them, to be exact, all kidnapped and transported back in time to nineteenth-century India by Molly's most fearsome nemesis yet, an insane maharaja. Molly foiled his plans once already, by stopping Primo Cell from becoming president of the United States. This time around, the maharaja is determined to alter the course of history. The only thing standing in his way is Molly and her brave pug, Petula.

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

Mary Coles and her husband, Graham, have just moved to a cottage on the edge of a small village. The house hasn't been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It's idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.

In Coraline's family's new flat are twenty-one windows and fourteen doors. Thirteen of the doors open and close. The fourteenth is locked, and on the other side is only a brick wall, until the day Coraline unlocks the door to find a passage to another flat in another house just like her own.

Zimbabwe, 2194. General Matsika's three children sneak out of the house on a forbidden adventure and disappear. Immediately,the general calls Africa's most unusual detectives: the Ear, the Eye, and the Arm. Together these three detectives combine their superhuman powers to find the missing children. It's a dangerous mission that leads them from the seedy streets of the Cow's Guts to the swaying top of the Mile-High MacIlwaine Hotel.

Emmy was a good girl—too good, perhaps. The rat, whose cage sat on the counter next to Emmy’s desk, was not so good. On the other hand, he was the only one in Emmy’s class who would talk to her. The rest of the kids barely knew she existed. Even her teacher didn’t seem to know she was there! Only her nanny, the lovely-but-sinister Miss Barmy, really pays her much attention.

In his debut collection of short stories, Robert Sheehan disappears into characters, challenging the complacencies of everyday experience, often from entirely unexpected angles. Informed by the author’s peripatetic life, Disappearing Act reflects on the absurdity of human behaviour. Sheehan delves deep into his characters’ streams of self-talk and self-imposed delusions, exploring the dark impulses that lurk below the shiny surfaces of many outwardly normal lives.

Calamity is confronting two big transitions: the death of her beloved father and the beginning of menopause, a physical shift that has rekindled her gift for finding lost things. Suddenly, she is getting hot flashes that seem to forge objects out of thin air, most notably a four-year old boy. As Calamity takes the child into her care, she discovers that all is not as it seems. Then, Calamity must reawaken to the mysteries surrounding her own childhood and the early disappearance of her mother.