
Good Guys
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Narrated by:
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Kevin T. Collins
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By:
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Steven Brust
A snarky, irreverent tale of secret magic in the modern world, the first solo stand-alone novel in two decades from Steven Brust, The New York Times best-selling author of the Vlad Taltos series
Donovan was shot by a cop. For jaywalking, supposedly. Actually, for arguing with a cop while black. Four of the nine shots were lethal - or would have been, if their target had been anybody else. The Foundation picked him up, brought him back, and trained him further. “Lethal” turns out to be a relative term when magic is involved.
When Marci was 15, she levitated a paperweight and threw it at a guy she didn't like. The Foundation scooped her up for training too.
“Hippie chick” Susan got well into her Foundation training before they told her about the magic, but she's as powerful as Donovan and Marci now.
They can teleport themselves thousands of miles, conjure shields that will stop bullets, and read information from the remnants of spells cast by others days before. They all work for the secretive Foundation...for minimum wage. Which is okay, because the Foundation are the good guys. Aren't they?
©2018 Steven Brust (P)2018 TantorListeners also enjoyed...




















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Brust is always fun.
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A good detective style novel.
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Another Brust Adventure
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An unexpected surprise!
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Brust sets a high bar for himself
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great book a solid read fun and exciting
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Great narrator, simple but interesting story
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It’s rare to see a true original.
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Overall a fun, original story with interesting characters and a magical twist to this modern day mystery.
Nothing is too graphic and F bombs are kept to a minimum.
“If we were bad guys, we’d be getting paid more than minimum wage.”
I went in expecting something MIB-ish, but it was nothing like that. No aliens. No super hero schticks. Instead, it had the feel of Tarantino’s earlier works, where you need to pay attention and aren’t clear on who’s on whose side, or what exactly is going on, but you dig the style nonetheless. It’s also a slow buildup to a bloody, Reservoir Dog-ish, finale.
“Catch and release- that’s what makes us the good guys.”
The three MCs are Donovan, Marcy, and Susan. They have very distinctive powers, however two things kept them from leaping off the page like, say, Vincent and Jules in Pulp Fiction. First, this author tends to skimp on describing his characters. Tall or short? Lithe or muscular? Flashy style or office practical?
If there’s any description at all, it will happen once, so listen carefully. Second, the narrator doesn’t differentiate enough between the MCs and the somewhat large cast of supporting characters. Although Donovan’s voicing was distinct, I often couldn’t tell Becker from Matt, or Marcy from Susan. Any accents were reserved for characters with far less screen time. This would be fantastic in graphic audio.
“We’re the good guys … we hope.”
I’m still not sure I understood the magic system, or why Donovan survived getting shot, or why some of the people were motivated to do the things they did. But, I understood enough to be entertained and would look forward to a sequel, if there ever was one.
Tarantino-ish plot deserved more distinctive MCs
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I could not get into the narrator’s performance
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