
Great American Music: Broadway Musicals
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Narrated by:
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Bill Messenger
About this listen
Revisit the standards, originally written for the stage, that have both delighted and helped mend the broken hearts of Americans for decades. These 16 delightful lectures immerse you in the world of Broadway, exploring the intricacies of musical composition and song construction-and how they were used to create specific effects - as well as the social and historical backdrop against which musical theater must be considered.
Much as we often concentrate on the so-called "golden age" of the 1950s, American musical theater spans the history of two vibrant centuries: the era of the minstrel show-whose contributions to American music were immense, in spite of the embarrassment we still feel at many of its images-vaudeville, ragtime, the revue; and the age of fully integrated book musicals launched by the 1927 production of Show Boat.
With examples at the piano, Professor Messenger shows you the soundtrack of America - and for millions of us, the soundtrack of our lives. This insightful and sublimely enjoyable learning experience can forever change the way you experience musical theater.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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He seems particularly dismissive of Sondheim (and Sondheim's fans), giving him no credit for advancing the musical score and lyric writing and absolutely no mention of his work in West Side Story and Gypsy. At one point he claims that Webber's shows continue to fill Webber's coffers while Sondheim's shows never make money. Um....West Side Story, the movie????
And he credits' Company as the first "concept" musical. It wasn't. Cabaret was. And just because company is non-linear doesn't make it concept. Anyway....
And why would you take the time to highlight David Merrick's horrible behavior on the opening night of 42nd Street and NOT mention that his leading lady was Gower Champion's girlfriend at the time? That's a pivotal detail in highlighting the horror of that night.
Also, for a man who seems deeply connected to the performing arts in the Baltimore area, I am shocked that he couldn't find a better vocalist. This singer's pitch is suspect and his vibrato too wide. Surely there were other choices for your demo guy!
But, having said that, I truly enjoyed the informative sections early on regarding the very earliest decades of Musical Theatre and its roots. THAT'S where he sails as a scholar, combining his musical knowledge with historical fact.
Interesting to a point
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Broadway Musicals will live forever
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I thought Bill,s Piano playing was great and I get that we does not sing very well. His enthusiasm for the music is a delight.
Sing a happy tune
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encore!
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What did you love best about Great American Music: Broadway Musicals?
It offered much background on how today's broadway evolved over the last 200 years. Dry interesting how it has origins to African Americans followed by variety shows ultimately evolving into what we know broadway as today.What other book might you compare Great American Music: Broadway Musicals to and why?
How to listen and understand opera from the great courses is a similar book and one can even draw comparisons of opera to broadway potentially!Which scene was your favorite?
The discussions about St James theater and its beginnings were amazingWas this a book you wanted to listen to all in one sitting?
NoAny additional comments?
If you ever wondered how to appreciate broadway plays as well as how they evolved over the last two hundred years this will be a book for you to purchase.Great history of broadway
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Some inaccurate information but good lessons
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More than just a lesson on Musical Theatre!!!
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An eye opening listen.
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Highly recommended
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Compelling and comprehensive
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