David Horowitz was one of the founders of the New Left and an editor of Ramparts, the magazine that set the intellectual and revolutionary tone for the movement. From his vantage point at the center of the action, he provides vivid portraits of people who made the radical decade.

From Howard Zinn’s A People’s History of the United States to the New York Times' 1619 project, the modern Left views American history through the lens of competing oppressions, replacing the traditional understanding that all Americans are part of a shared journey toward the perfection of universal ideals. Their attacks on the values that built our nation, from the rights to free speech and self-defense to the importance of marriage and faith communities, are insidious because they replace each of them with nothing beyond an increased reliance on the government.

The Vision of the Anointed is a devastating critique of the mindset behind the failed social policies of the past thirty years. Thomas Sowell sees what has happened not as a series of isolated mistakes, but as a logical consequence of a vision whose defects have led to disasters in education, crime, family disintegration, and other social pathology. In this book, "politically correct" theory is repeatedly confronted with facts-and sharp contradictions between the two are explained in terms of a whole set of self-congratulatory assumptions held by political and intellectual elites.

“I can’t breathe.” These three words rocked the nation in the spring of 2020. The historic eruption of lawlessness and violence that followed George Floyd’s death opened new fault lines in the nation’s cultural and political landscape, threatening a radical reshaping of American society.

Radical liberals want to make America a better place, but their utopian social engineering leads, ironically, to greater human suffering. From Karl Marx to Barack Obama, Horowitz shows how the idealistic impulse to make the world a better place gives birth to the twin cultural pathologies of cynicism and nihilism and is the chief source of human suffering. A former liberal himself, Horowitz recounts his own brushes with radicalism and offers unparalleled insight into the disjointed ideology of liberal elites through case studies of well-known radial leftists, including Christopher Hitchens, feminist Bettina Aptheker, leftist academic Cornel West, and others.

One battle is over, but there are many more to come. This book is an indispensable guide to fighting the opponents of the conservative restoration. It identifies who the adversaries are, as well as their methods, motivations, and agenda, including the particular issues with which they will try to advance their destructive goal - and it lays out a strategy to defeat all of it.

In The War on the West, Douglas Murray shows how many well-meaning people have been fooled by hypocritical and inconsistent anti-West rhetoric. After all, if we must discard the ideas of Kant, Hume, and Mill for their opinions on race, shouldn’t we discard Marx, whose work is peppered with racial slurs and anti-Semitism? Embers of racism remain to be stamped out in America, but what about the raging racist inferno in the Middle East and Asia?

The Strange Death of Europe is a highly personal account of a continent and culture caught in the act of suicide. Declining birth rates, mass immigration, and cultivated self-distrust and self-hatred have come together to make Europeans unable to argue for themselves and incapable of resisting their own comprehensive alteration as a society and an eventual end.

In The Madness of Crowds Douglas Murray investigates the dangers of ‘woke’ culture and the rise of identity politics. In lively, razor-sharp prose he examines the most controversial issues of our moment: sexuality, gender, technology and race, with interludes on the Marxist foundations of ‘wokeness’, the impact of tech and how, in an increasingly online culture, we must relearn the ability to forgive.

Critical race theory is one of the hottest and most controversial topics in the world today, but what is it, really? Rightly understood, critical race theory is a reinvention of an older, terrible idea, Marxism, using race "as the central construct for understanding inequality" in place of economic class. That is, critical race theory is race Marxism. The evidence of this claim is so overwhelming upon even casual examination that it is a shock that it isn't immediately plain to everyone who encounters it.

Who is killing America? Is it really Donald Trump and a GOP filled with white supremacists? In this audiobook, Dinesh D’Souza makes the provocative case that Democrats are the ones killing America by turning it into a massive nanny state modeled on the Southern plantation system. Death of a Nation's bracing alternative vision of American history explains the Democratic Party's dark past, reinterprets the roles of figures like Van Buren, FDR, and LBJ, and exposes the hidden truth that racism comes not from Trump or the conservative right but rather from Democrats.

Investigative journalist Lee Smith's The Plot Against the President tells the story of how Congressman Devin Nunes uncovered the operation to bring down the commander-in-chief. While popular opinion holds that Russia subverted democratic processes during the 2016 elections, the real damage was done not by Moscow or any other foreign actor. Rather, this was a slow-moving coup engineered by a coterie of the American elite, the "deep state," targeting not only the president, but also the rest of the country.

What is "the big lie" of the Democratic Party? That conservatives - and President Donald Trump in particular - are fascists. Nazis, even. In a typical comment, MSNBC host Rachel Maddow says the Trump era is reminiscent of "what it was like when Hitler first became chancellor." But in fact, this audacious lie is a complete inversion of the truth. Yes, there is a fascist threat in America - but that threat is from the Left and the Democratic Party.

Black Americans have long been shackled to the Democrats. Seeing no viable alternative, they have watched liberal politicians take the Black vote for granted without pledging anything in return. In Blackout, Owens argues that this automatic allegiance is both illogical and unearned. She contends that the Democrat Party has a long history of racism and exposes the ideals that hinder the Black community’s ability to rise above poverty, live independent and successful lives, and be an active part of the American dream.

Seldom does a book have the impact of Michelle Alexander’s The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it helped inspire the creation of the Marshall Project and the new $100 million Art for Justice Fund; it has been the winner of numerous prizes, including the prestigious NAACP Image Award; and it has spent nearly 250 weeks on the New York Times best seller list.