In the aftermath of Ireland's financial collapse, dangerous tensions surface in an Irish town. As violence flares, the characters face a battle between public persona and inner desires. Through a chorus of unique voices, each struggling to tell their own kind of truth, a single authentic tale unfolds. The Spinning Heart speaks for contemporary Ireland like no other novel. Wry, vulnerable, all-too human, it captures the language and spirit of rural Ireland and with uncanny perception articulates the words and thoughts of a generation.

Ireland 1973, a baby boy is found on the beach of a close-knit fishing village. Fisherman Ambrose Bonnar offers to bring the child into his own family: his son, Declan, wife, Christine, and up the lane, Christine's sister and aging father. The townspeople remain fascinated by the baby, now named Brendan, as he grows into a strange yet charismatic young man.

Twenty-six-year-old Ruth excels at microchip design but decides to get rich the old-fashioned way: robbing banks. She becomes a cybercriminal and devotes five years to siphoning more than $250 million out of the banking system using a hacked firewall chip that she created and only she knows how to access. Then one night an alarm goes off and she realizes she’s been discovered.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby—whom Nick had idolized at Oxford—and Catherine, who is highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

Burnt out and in need of retreat, a middle-aged woman leaves Sydney to return to the place she grew up, taking refuge in a small religious community hidden away on the stark plains of rural Australia. She doesn't believe in God, or know what prayer is, and finds herself living this strange, reclusive existence almost by accident.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

From the bestselling and award-winning author of the Patrick Melrose novels, a hilarious and moving story about a group of wildly different characters whose fates are improbably yet inextricably linked—a novel about extinction and survival, inheritance and loss, written with St. Aubyn’s trademark wit and inimitable style

A memoir by the legendary proprietor of Balthazar, Pastis, Minetta Tavern, and Morandi, taking us from his gritty London childhood in the fifties to his serendipitous arrival in New York, where he founded the era-defining establishments the Odeon, Cafe Luxembourg, and Nell’s. Eloquent and opinionated, Keith McNally writes about the angst of being a child actor, his lack of insights from traveling overland to Kathmandu at nineteen, the instability of his two marriages and family relationships, his devastating stroke, and his Instagram notoriety.

Doctor Jack Troy was born and raised in Faha, but his responsibilities for the sick and his care for the dying mean he has always been set apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow, and remains there, having missed one chance at love – and passed up another offer of marriage from an unsuitable man. But in the Advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy’s lives are turned upside down when a baby is left in their care.

The Aylward women of Nenagh, Tipperary, are mad about each other, but you wouldn’t always think it. You’d have to know them to know that—in spite of what the neighbors might say about raised voices and dramatic scenes—their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It’s a story of terrible betrayals and fierce loyalties, isolation and togetherness, of transgression, forgiveness, desire, and love.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.

A historic presidential campaign changes the trajectory of a young Black man’s life in this “coming of age story that captures the soul of America” (The Washington Post), the debut novel from The New Yorker staff writer and Pulitzer Prize finalist Vinson Cunningham.

1917. On a battlefield near the River Escaut, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory as the snow falls—a chance encounter in a pub by a railway, a hot bath with his lover on a winter night. 1920. John has returned from war to North Yorkshire, near a different river. He is alive but still not whole. Reunited with Helena, an artist, he reopens his photography business and tries to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures

In the aftermath of Ireland's financial collapse, dangerous tensions surface in an Irish town. As violence flares, the characters face a battle between public persona and inner desires. Through a chorus of unique voices, each struggling to tell their own kind of truth, a single authentic tale unfolds. The Spinning Heart speaks for contemporary Ireland like no other novel. Wry, vulnerable, all-too human, it captures the language and spirit of rural Ireland and with uncanny perception articulates the words and thoughts of a generation.

The Aylward women of Nenagh, Tipperary, are mad about each other, but you wouldn’t always think it. You’d have to know them to know that—in spite of what the neighbors might say about raised voices and dramatic scenes—their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It’s a story of terrible betrayals and fierce loyalties, isolation and togetherness, of transgression, forgiveness, desire, and love.

Ireland 1973, a baby boy is found on the beach of a close-knit fishing village. Fisherman Ambrose Bonnar offers to bring the child into his own family: his son, Declan, wife, Christine, and up the lane, Christine's sister and aging father. The townspeople remain fascinated by the baby, now named Brendan, as he grows into a strange yet charismatic young man.

After suffering her first big heartbreak two years earlier, Penelope Lin has built a quiet life with no romantic entanglements. She spends her days cataloging a museum's vast collection of Qing Dynasty bound-foot shoes and in the comfortable company of close friends. One day, she happens to meet Hoang, who confesses to releasing mice from the cancer research lab where he works. Hoang's openness catches Penelope off guard; from then on, she finds her carefully constructed life slowly start to unravel.

Chicky Diaz is everyone’s favorite doorman at the Bohemia, the most famous apartment house in the world, home of celebrities, financiers, and New York’s cultural elite. Up in the penthouse, Emily Longworth has the perfect-looking everything, all except her husband, whom she’d quietly loathed even before the recent revelations about where all the money comes from. But his wealth is immense, their prenup is iron-clad, and Emily can’t bring herself to leave him. Yet.

Three men search for some version of home; their lives move inexorably toward a reckoning that will draw them all together. For Farouk, family is all. He has protected his wife and daughter as best he can from the war and hatred that has torn Syria apart. If they stay, they will lose their freedom. Lampy is distracted; he has too much going on in his small town life in Ireland. He has the city girl for a bit of fun, but she's not Chloe. The game was always the lifeblood coursing through John's veins: manipulating people for his enjoyment. But it was never enough.

Bobbing and weaving across the ever-shifting canvas of a changing country, The Slip is an audacious, daring look at sex and race in America that builds to an unforgettable collision in the center of the ring.

Melody Shee is alone and in trouble. At 33 years old, she finds herself pregnant with the child of a 17-year-old Traveler boy, Martin Toppy, and not by her husband, Pat. Melody was teaching Martin to read, but now he's gone, and Pat leaves, too, full of rage. She's trying to stay in the moment, but the future is looming, while the past won't let her go. It's a good thing that she meets Mary Crothery when she does.

In an isolated outport on Newfoundland's northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe's plans into chaos. That ruthless act of sabotage is the opening salvo in a battle between the man and woman who own Mockbeggar's largest mercantile firms, each fighting for the scarce resources of the north Atlantic fishery, each seeking a measure of revenge on the person they despise most in the world.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James. Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

When his grandfather dies, Jay travels south with his family to the property they’ve inherited, a once flourishing farm that has fallen into disrepair. The trees are diseased, the fields parched from months of drought. Jay’s father, Jack, sends him out to work the land, or whatever land is left. Over the course of these hot, dense days, Jay finds himself drawn to Chuan, the son of the farm’s manager, different from him in every way except for one.

Veteran and private eye Boubacar doesn’t need much—least of all trouble—but trouble always seems to find him. Work has dried up, and he’d rather be left alone to deal with his bills as the Harmattan rolls in to coat the city in dust, but Bouba is a down on his luck deux fois, suspended between two cultures and two worlds.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak—it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, Maggie; Or, a Man and a Woman Walk Into a Bar follows the narrator as she embarks on a journey of grief, healing, and reclamation.

Who is Francis Fox? A charming English teacher new to the idyllic Langhorne Academy, Fox beguiles many of his students, their parents, and his colleagues at the elite boarding school, while leaving others wondering where he came from and why his biography is so enigmatic. When two brothers discover Fox’s car half-submerged in a pond in a local nature preserve and parts of an unidentified body strewn about the nearby woods, the entire community, including Detective Horace Zwender and his deputy, begins to ask disturbing questions about Francis Fox and who he might really be.