In 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island's shores. A young woman living with her father and her sister (to whom she has reluctantly but devotedly become a mother following the death of their own mother years prior), Manod can't shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations.

1917. On a battlefield near the River Escaut, John lies in the aftermath of a blast, unable to move or feel his legs. Struggling to focus his thoughts, he is lost to memory as the snow falls—a chance encounter in a pub by a railway, a hot bath with his lover on a winter night. 1920. John has returned from war to North Yorkshire, near a different river. He is alive but still not whole. Reunited with Helena, an artist, he reopens his photography business and tries to keep on living. But the past erupts insistently into the present, as ghosts begin to surface in his pictures

Andy loves Jen. Jen loved Andy. And he can't work out why she stopped. Now he is. . . Without a home Waiting for his stand-up career to take off Wondering why everyone else around him seems to have grown up while he wasn't looking. Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend's side of the story…

An exhilarating, twisted tale of desire, suspicion, and obsession between two women staying in the same house in the Dutch countryside during the summer of 1961—a powerful exploration of the legacy of WWII and the darker parts of our collective past.

In the aftermath of Ireland's financial collapse, dangerous tensions surface in an Irish town. As violence flares, the characters face a battle between public persona and inner desires. Through a chorus of unique voices, each struggling to tell their own kind of truth, a single authentic tale unfolds. The Spinning Heart speaks for contemporary Ireland like no other novel. Wry, vulnerable, all-too human, it captures the language and spirit of rural Ireland and with uncanny perception articulates the words and thoughts of a generation.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.

October 1891. A hard winter approaches across the Rocky Mountains. The city of Butte, Montana is rich on copper mines and rampant with vice and debauchery among a hard-living crowd of immigrant Irish workers. Here we find Tom Rourke, a young poet and ballad-maker of the town, but also a doper, a drinker, and a fearsome degenerate. Just as he feels his life is heading nowhere fast, Polly Gillespie arrives in town as the new bride of the extremely devout mine captain Long Anthony Harrington.

Baumgartner’s life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next 40 years, and back to Baumgartner’s youth in Newark and his Polish-born father’s life as a dress-shop owner and failed revolutionary.

Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel’s orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather’s poetry seems to guide her home.

John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

In the aftermath of Ireland's financial collapse, dangerous tensions surface in an Irish town. As violence flares, the characters face a battle between public persona and inner desires. Through a chorus of unique voices, each struggling to tell their own kind of truth, a single authentic tale unfolds. The Spinning Heart speaks for contemporary Ireland like no other novel. Wry, vulnerable, all-too human, it captures the language and spirit of rural Ireland and with uncanny perception articulates the words and thoughts of a generation.

In 1973, 20-year-old Moll Gladney takes a morning bus from her rural home in Ireland and disappears. Bewildered and distraught, Paddy and Kit must confront an unbearable prospect: that they will never see their daughter again. Five years later, Moll returns from London. What - and who - she brings with her will change the course of her family's life forever.

The Aylward women of Nenagh, Tipperary, are mad about each other, but you wouldn’t always think it. You’d have to know them to know that—in spite of what the neighbors might say about raised voices and dramatic scenes—their house is a place of peace, filled with love, a refuge from the sadness and cruelty of the world. Their story begins at an end and ends at a beginning. It involves wives and widows, gunrunners and gougers, sinners and saints. It’s a story of terrible betrayals and fierce loyalties, isolation and togetherness, of transgression, forgiveness, desire, and love.

Melody Shee is alone and in trouble. At 33 years old, she finds herself pregnant with the child of a 17-year-old Traveler boy, Martin Toppy, and not by her husband, Pat. Melody was teaching Martin to read, but now he's gone, and Pat leaves, too, full of rage. She's trying to stay in the moment, but the future is looming, while the past won't let her go. It's a good thing that she meets Mary Crothery when she does.

Paula Spencer is a 39-year-old working-class woman struggling to reclaim her dignity after marriage to an abusive husband and a worsening drinking problem. Paula recalls her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with Charlo, and the marriage to him that left her feeling powerless. Capturing both her vulnerability and her strength, Roddy Doyle gives Paula a voice that is real and unforgettable.

The riotous, raucous, and deeply resonant debut novel from “one of the best story writers in the English language today” (Financial Times), Wild Houses follows two outsiders caught in the crosshairs of a small-town revenge kidnapping gone awry.

He was an ambitious but drifting writer from a prominent Scottish family. She was a tough Nevada silver miner’s wife, with children, when they met. Who could have predicted that Fanny Van de Grift and Robert Louis Stevenson would go on to create one of history’s great literary marriages? From their first encounter in France in 1876, Fanny and Louis’s partnership transcended societal expectations to become a literary union that was progressive, eccentric, and tempestuous, but always animated by a profound mutual respect

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth.

A poet's life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value—art, memory, poetry, music, care—are thrown into sharp relief.

Doctor Jack Troy was born and raised in Faha, but his responsibilities for the sick and his care for the dying mean he has always been set apart from the town. His eldest daughter, Ronnie, has grown up in her father’s shadow, and remains there, having missed one chance at love – and passed up another offer of marriage from an unsuitable man. But in the Advent season of 1962, as the town readies itself for Christmas, Ronnie and Doctor Troy’s lives are turned upside down when a baby is left in their care.