The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him

At an obscure South Carolina nursing home, a lost world reemerges as a disabled elderly woman undergoes newfangled brain-restoration procedures and begins to explore her environment with the assistance of strap-on robot legs. At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudoreligious dogma of Zen-infused self-help.

When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride. Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart supporters and a motley assortment of museum employees, each on the precipice of collapse or revelation.

Jessica and Linda have been best friends since the first day of school. Both girls are from very different broken homes—and beautiful, wilful Jessica has always ensured their survival. Now eighteen, the two have come to Wilde—an elite university in the heart of Dublin, far away from their troubled childhoods. Jessica thrives immediately, and, with the faithful Linda at her side, finds herself at the heart of a new circle of friends. But then Mark enters the picture.

Derrymore Academy circa 2007 is home to teenagers who have their eyebrows shaped and their sweet sixteens tented. Their first kisses arrive around the same time as their boating licenses and they celebrate getting their braces off with Mediterranean vacations. It is here that Emery Hooper, adopted at birth into the country club set, thrives. The one blight on her otherwise perfect life? Lilah Chang. The Chinese-American student is the embarrassing epitome of every Asian stereotype Emery despises—and is inexplicably determined to become Emery's friend.

As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable.

Room 17 was the last stop on her husband and son’s journey. Eight years after their deaths, Stella books the same room, hoping to commune with their memories. But as she tries to sleep, disturbing and urgent visions blur the lines between reality and the supernatural, and the other side sends a terrifying message.

Down on his luck and still pining for his ex-wife, South Carolina taxidermist Romie Futch spends his evenings drunkenly surfing the Internet before passing out on his couch. In a last-ditch attempt to pay his mortgage, he replies to an ad and becomes a research subject in an experiment conducted by the Center for Cybernetic Neuroscience in Atlanta, Georgia.

Etgar Keret is the world’s most famous living Israeli writer, known for writing short stories that are lean and accessible in style, and whimsical, surrealist, and darkly funny in subject. His work explores life’s smallest, most unremarkable interactions in ways that are profound and unusual. The characters populating his fiction have relatable work and relationship problems.

Funny, whip-smart, and often tender, Bitter Texas Honey introduces us to the unforgettable and indefatigable Joan West: ambitious, full of contradictions, utterly herself. As she wades through it all—addiction, politics, loss, and, notably, her father’s string of increasingly bizarre girlfriends—we witness her confront what it means to be a person, and an artist, in the world.

In the waning months of George W. Bush’s presidency, Neel Chima, a former naval officer and federal prosecutor, is recruited to join a new federal intelligence agency—one with greater than usual powers and fewer than usual restrictions. Neel soon finds himself intimately involved in the surveillance of domestic terrorism suspects and the selection of foreigners for drone assassination—men who often look just like his Sikh family members. As both his ambitions and his moral qualms mount, he is drawn farther and farther away from his wife and two young daughters.

From Lydia Millet—“the American writer with the funniest, wisest grasp on how we fool ourselves” (Chicago Tribune)—comes an inventive new collection of short fiction. Atavists follows a group of families, couples, and loners in their collisions, confessions, and conflicts in a post-pandemic America of artificially lush lawns, beauty salons, tech-bro mansions, assisted-living facilities, big-box stores, gastropubs, college campuses, and medieval role-playing festivals.

Lord Nicholas Monterris is trapped. The only heir to a declining dukedom, Nic is destined for a marriage of convenience. What he doesn’t expect is for his bride to be Lady Leaf Serral, daughter of his father’s hated rival. Tradition dictates the families are confined together while the marriage contract is crafted, which should be the worst part. Until Nic learns the Serrals’ head negotiator is master vowsmith Dashiell sa Vare—beautiful, perfect Dashiell sa Vare—an old flame he has neither forgiven nor forgotten. Nic’s only defense is false smiles and too much wine.

Sensing his mother’s failing health, a struggling teenager pours out his worries in a letter and drops it through the mail slot of an abandoned show house. He’s surprised when a response arrives, promising good fortune for the price of just one name: someone he hates. He’d give anything for his mother. But the true cost may be more than he’s willing to pay.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.