Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Chicky Diaz is everyone’s favorite doorman at the Bohemia, the most famous apartment house in the world, home of celebrities, financiers, and New York’s cultural elite. Up in the penthouse, Emily Longworth has the perfect-looking everything, all except her husband, whom she’d quietly loathed even before the recent revelations about where all the money comes from. But his wealth is immense, their prenup is iron-clad, and Emily can’t bring herself to leave him. Yet.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

Elise and her boyfriend, Tom, set off for Minnesota, hoping the paycheck from the sugar beet harvest will cover the rent on their Brooklyn apartment. Amidst the grueling work and familiar anxieties about her finances, Elise starts noticing strange things: threatening phone calls, a mysterious rash, and snatches of an ominous voice coming from the beet pile. When Tom and other coworkers begin to vanish, Elise is left alone to confront the weight of her past, the horrors of her uncertain future, and the menacing but enticing siren song of the beets.

It begins with hallucinations. From their living room window, Leo sees a man on stilts, an acting troupe, a pair of swans paddling on the Manhattan streets below. Initially, Leo believes the visions are related to his terrible eyesight, something he and his wife, Addie, joke about. Then, he starts to experience occasional, but fleeting, oddities. He's unable to perform simple tasks and he hears things that aren’t real. The doctors have no answers, and his erratic disturbances multiply.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for twenty-one days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

Clara and her brother, Teddy, grew up on a small island in Maine in the shadow of their parents’ tragic deaths, haunted by rumors and paparazzi. Fourteen years later, they’ve mostly put their turbulent past to rest. Teddy has married Clara’s best friend, Jess, and the three of them have moved back home to take over the sprawling, remote family mansion known as Vantage Point. Then Teddy decides to run for the Senate—an unnerving prospect made much worse when intimate videos of Clara are leaked online.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation - he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

The daughter of a Taiwanese father and white mother, Vi Liu has never quite fit into her Midwestern college town. Aimless after getting dumped by her boyfriend and dropping out of college, Vi works at the front desk of a hotel where she greets guests, refills cucumber water samovars, and tries to evade her bubbly blond coworker, Rachel. Little does Vi know her life is about to be permanently transformed when she agrees to a night out with Rachel. In the alley outside the bar, Vi discovers a strange blob—a small living creature with beady black eyes.

It is the summer of ‘97 and the repressed Scottish town of Pitlaw is itching for change. Enter the Freakslaw―a travelling carnival of deviant queers and architects of mayhem. There’s Gloria, fortune teller and worm charmer; her daughter Nancy, a contortionist witch; big-hearted tightrope walker, Werewolf Louie; not to mention illusionists and conjoined twins, Cass and Henry, and tattooed human pincushion, Pin Gal.

In a plague-stricken medieval convent, a nun works on a forbidden mystic manuscript. In rural South Carolina, an alligator named Dragon becomes a beloved pet for a precocious, tough-talking twelve-year-old. During a long, muggy July, an adolescent girl finds unexpected power as her family obsesses over the horror film The Exorcist. On the outskirts of a Southern college town, a young woman resists the tyranny of a shape-shifting older professor as she develops her own sorceress skills.

It is 1998; Lilith, Sash, and Abraxa are teenagers, and they are making Saga of the Sorceress, a game that will change everything, if only for the three of them. 18 years later, Saga of the Sorceress still exists only on the scattered drives of its creators.

With all the narrative power and intellectual authority that have distinguished his earlier books, V.S. Naipaul explores the life, the culture, the ferment inside the nations of Islam–in a book that combines the fascinations of great travel literature with the insights of a uniquely sharp, original and idiosyncratic political mind.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table.

Nick Carraway―paper soldier and novelist―has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922. On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him.

The Space Race of the Sixties, at the height of the Cold War, had been nail-biting—until the Soviet Union forfeited. In the thirties—amid a second Cold War—China is not about to lose the race to Mars. Nor is the United States. Nor, quite the wildcard, is a secretive cabal drawn from among the world's multi-billionaires. All of them are scrambling to launch deep-space missions on a schedule that makes the Sixties contest appear lackadaisical. This competition could only continue on the Red Planet.

A historic hotel long past its prime and huddled along The Cut, a questionable Lake Erie beach, isn’t Sadie Miles’ ideal place to raise a toddler while also navigating her second pregnancy. After finally fleeing her abusive ex-fiancé, though, Sadie’s new housekeeping position and free room at L’Arpin Hotel are the best she can manage. On her first night, Sadie runs to help a guest struggling in the hotel’s pool only to find the water calm and empty when she gets there, leaving her with a lingering unease.

Stained glass artist Juno McKay is forced to confront the events that shattered the intense friendship between herself, her best friend, Christine, and her husband, Neil, when she discovers, after years of absence, that Christine is to deliver a lecture at their college reunion. Despite her misgivings, Juno finds herself compelled to attend the lecture about the history of one of Penrose College's most hallowed works of art.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

The world has been overrun by hitherto unknown beasts. Society has collapsed: the power is gone, cars are abandoned across the highways, and anyone left is hiding from the terrifying creatures—and one another. Thirteen-year-old Abdi and his five-year-old sister Alva are on the run, their last hope to escape through the forest and to the sea. As they recall the strange events that led to the beasts' arrival, and how the two of them got to where they were, they must ask themselves who they can trust—and what they will do to survive.

In the authoritarian Federation, there is a plot to assassinate and replace the President, a man who has downloaded his mind to a succession of new bodies to maintain his grip on power. Meanwhile, on the fringes of a Western Europe that has renounced human governance in favor of ostensibly more efficient, objective, and peaceful AI Prime Ministers, an experimental artificial mind is malfunctioning, threatening to set off a chain of events that may spell the end of the Western world.

This is the never-before-told story of a unique time in San Francisco as well as in book industry history, when Bay Area small presses—armed with arrogance and personal computers—took the publishing field. At Foghorn Press, Vicki Morgan was an ambitious woman publisher, young and brash, coming-of-age while quixotically building a book publishing company from scratch with her eccentric brother to help.

At the Manhattan High School for the Arts, where everyone is “different” and everyone is “special,” Gretchen Yee feels ordinary. She’s the kind of girl who sits alone at lunch, drawing pictures of Spider-Man, so that she won’t have to talk to anyone; who has a crush on Titus but won’t do anything about it; who has no one to hang out with when her best (and only real) friend, Katya, is busy.