Jane McCaffrey is only back in her hometown of Seneca Falls because of her father’s death. She swears she’ll leave again forever—it’s not like her childhood home holds any happy memories. But Jane hadn’t planned on bumping into Nik… The boy she fell hard for was a skinny teenager with messy hair and his glasses askew. Now he’s broad-shouldered and stands well over six feet tall: but his deep brown eyes are just the same. And when he breathes her name and caresses the fresh bruise on her cheek—like he can’t help but touch her—Jane is thrown right back to the best and worst time of her life.

Anna works two jobs to get herself through college and never, ever talks about her family. It’s easier to keep her distance from everyone until she can finally leave her old life behind. That is, until chance throws her together with Gabe....

I never expected to have to uproot my family to go live in my parents’ isolated cottage on Lost Lake. It’s twenty miles to the nearest town, an insignificant speck in endless pine forests. Nobody’s lived here for a decade. Now, I pick up a rusty pail from its nest of autumn leaves and turn to my daughter. Suddenly, I recall how I used to help my own mother pick wild strawberries up here as a little girl. Maybe, this isn’t a punishment. Maybe this place will be the making of our family.

Everyone thinks I’m living the perfect life. I have my dream job, a stunning apartment, and glamourous friends – who know nothing about my dark past. So I’m shocked when I run into Anna, who I haven’t seen in eighteen years. Everything about her reminds me of the life I’ve left behind. But as her eyes fill with tears and she tells me she’s lost her job and can’t pay her rent, I reluctantly offer her my spare room.

For as long as they can remember, Jessica, Norah, and Alicia have been told how lucky they are. As young girls they were rescued from family tragedies and raised by a loving foster mother, Miss Fairchild, on an idyllic farming estate and given an elusive second chance at a happy family life. But their childhood wasn’t the fairy tale everyone thinks it was. Miss Fairchild had rules. Miss Fairchild could be unpredictable. And Miss Fairchild was never, ever to be crossed. In a moment of desperation, the three broke away from Miss Fairchild and thought they were free.

Gemma Ballantine is getting ready for work one morning when her eldest child comes running down the stairs saying the words every mother dreads. The front door is open. And her six-year-old daughter has disappeared. Frantic with fear, Gemma starts a nail-biting search for her little girl. After what feels like forever, her mother-in-law, Diane, finds Katie wandering lost a few streets away. Relieved to have her youngest child back in her arms, breathing in the sweet scent of her hair, Gemma thinks the nightmare is over. But then her perfect family starts to fall apart....

When single mom Jo Dykstra was at her lowest—jobless and penniless—her childhood friend Dana McFarlane helped her out big-time by securing her a teaching job and thus an opportunity for a new life in the affluent Pacific Northwest town of Glebes Bay. So, when Jo gets a frantic late-night call from Dana, sobbing and desperate for help, it feels like a chance to help her friend in return.

Lucy Sharpe is larger than life. Magnetic, addictive. Bold and dangerous. Especially for Margot, who meets Lucy at the end of their freshman year at a liberal arts college in South Carolina. Margot is the shy one, the careful one, always the sidekick and never the center of attention. But when Lucy singles her out at the end of the year, a year Margot spent studying and playing it safe, and asks her to room together, something in Margot can't say no—something daring, or starved, or maybe even envious.

When Paige Nichols meets her husband’s glamorous new colleague at a faculty mixer, she instantly knows they’re having an affair. It’s the way he looks at her, like she’s the only woman in the world. Aaron used to look at her like that, too. And with her beautiful, knowing smile, Cara Morton seems to enjoy flaunting their romance right under her nose.

Nadine Walsh’s summer garden party is in full swing. The neighbors all have cocktails, the catered food is exquisite—everything’s going according to plan. But Nadine—devoted wife, loving mother, and doting daughter—finds herself standing over a dead body in her basement while her guests clink glasses upstairs. What happened? How did it come to this?

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.