It all starts on New Year's Eve. A night that has to be a success, whatever the cost. For Joni and her friends, it'll be a party that promises all the high stakes and glamour of any other, but by sunrise, they'll be dealing with something darker than the usual post-party comedown. Not that they let this stand in their way. For this is their year to revel in all that the playground of London has to offer: sneaking into places they shouldn't, breaking every rule, falling in love with the wrong people. All the while avoiding one undeniable truth: it's not if the party ends, it's how.

Following a scalding row with her mother, 15-year-old Holly Sykes slams the door on her old life. But Holly is no typical teenage runaway: A sensitive child once contacted by voices she knew only as "the radio people," Holly is a lightning rod for psychic phenomena. Now, as she wanders deeper into the English countryside, visions and coincidences reorder her reality until they assume the aura of a nightmare brought to life.

For Lucy Riddick, Venice has always been the dream destination, the ideal place to lose herself. And now she needs to do just that. The secret she's been keeping has finally caught up with her and Lucy needs to disappear - fast. But what if, when she sets foot in Venice, Lucy finds the one thing she has been running from?

Simon's memoir reveals her remarkable life, beginning with her storied childhood as the third daughter of Richard L. Simon, the co-founder of publishing giant Simon & Schuster; her musical debut as half of The Simon Sisters, performing folk songs with her sister, Lucy, in Greenwich Village; to a meteoric solo career that would result in 13 top 40 hits, including the number-one song "You're So Vain".

Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: About rhythm and time, about Black bodies and Black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early 20s, never to be revisited, but never quite forgotten, either. Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live.

If I'm going to tell the story of a life, my life, then I need to tell it warts and all. If the tale is too saccharine sweet then what can the reader take away from it? What do they learn about you? I've written everything down. The shit, the death, fun, naughtiness, addiction, laughter, laughter, laughter, some tears and lots of love and happiness. That, to me, is a better reflection of a human's life.

When the partner of Emmy Award–winning screenwriter Abi Morgan abruptly collapsed from a mysterious illness, doctors were concerned that he would not survive. Then, six months later, Jacob woke from his coma, to the delight and relief of his family and friends—except this proved to be anything but a Hollywood ending. Because to Jacob, the woman standing at his bedside, who had cared for him all these months, was not his partner. Not his children’s mother. Not the woman he loved. Sure, she looked like his Abi, but this was an imposter, living someone else’s life.

Following in the grand tradition of such Irish memoirs as Angela’s Ashes and Are You Somebody?, Liam Clancy relates his life’s story in a raucously funny and star-studded account of moving from provincial Ireland to the bars and clubs of New York City, to the cusp of fame as a member of Tommy Makem and the Clancy Brothers.

Cured is not only the first insider account of the early days of the band, it is a revealing look at the artistic evolution of the enigmatic Robert Smith, the iconic lead singer, songwriter, and innovative guitarist at the heart of The Cure. A deeply rebellious, sensitive, tough, and often surprisingly "normal" young man, Smith was from the start destined for stardom, a fearless nonconformist and provocateur who soon found his own musical language through which to express his considerable and unique talent.

Daniel Weir used to be a famous - not to say infamous - rock star. Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone.

An intimate memoir in essays by an award-winning Israeli writer who travels the world, from New York to India, searching for love, belonging, and an escape from grief following the death of her father when she was a young girl. With fierce, emotional prose, Ayelet Tsabari crafts a beautiful meditation about the lengths we will travel to try to escape our grief, the universal search to find a place where we belong, and the sense of home we eventually find within ourselves.

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

Julie Walters has been described as the nation's most popular actress and comedienne. She has been delighting us on screen and on stage for over 25 years and - thanks to her undoubted talent, infectious spirit and self-deprecating humour - we have taken her to our hearts. Now she tells us her own story, in her own words. She was born in 50s Birmingham, daughter of an austere Irish Catholic mother.

In the spirit of Zoë Heller’s Notes on a Scandal and Tom Perrotta’s Mrs. Fletcher, an explosive and thought-provoking novel about the far-reaching repercussions of an illicit relationship between a young girl and a man 20 years her senior. Masterfully told from three diverse viewpoints - victim, perpetrator, and witness - Putney is a subtle and enormously powerful novel about consent, agency, and what we tell ourselves to justify what we do, and what others do to us.

Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.