The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.

One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji, widely considered the world's first novel, during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki's tale came to occupy a central place in Japan's remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

Natsume Soseki's Kusamakura - meaning “grass pillow” - follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot-spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty", is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki's word painting.

Set in the early postwar years, it probes the destructive effects of war and the transition from a feudal Japan to an industrial society. Ozamu Dazai died, a suicide, in 1948. But the influence of his book has made "people of the setting sun" a permanent part of the Japanese language, and his heroine, Kazuko, a young aristocrat who deliberately abandons her class, a symbol of the anomie which pervades so much of the modern world.

Bookish high school student Rintaro Natsuki is about to close the secondhand bookstore he inherited from his beloved bookworm grandfather. Then, a talking cat appears with an unusual request. The feline asks for — or rather, demands — the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and the cat and Rintaro must liberate them from their neglectful owners.

With simple yet descriptive prose, this novel gives voice to Nana the cat and his owner, Satoru, as they take to the road on a journey with no other purpose than to visit three of Satoru's longtime friends. Or so Nana is led to believe. With his crooked tail - a sign of good fortune - and adventurous spirit, Nana is the perfect companion for the man who took him in as a stray. And as they travel in a silver van across Japan, with its ever-changing scenery and seasons, they will learn the true meaning of courage and gratitude, of loyalty and love.

After missing the last bus home following a day trip to the seashore, an amateur entomologist is offered lodging for the night at the bottom of a vast sand pit. But when he attempts to leave the next morning, he quickly discovers the locals have other plans. Held captive with seemingly no chance of escape, he is tasked with shoveling back the ever-advancing sand dunes that threaten to destroy the village. His only companion is an odd young woman. Together, their fates become intertwined as they work side-by-side at this Sisyphean task.

The postman’s days are numbered. Estranged from his family, living alone with only his cat, Cabbage, to keep him company, he was unprepared for the doctor’s diagnosis that he has only months to live. But before he can tackle his bucket list, the Devil appears to make him an offer: In exchange for making one thing in the world disappear, our narrator will get one extra day of life. And so begins a very bizarre week....

For the last 20 years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs, paintings come alive, deadly spectral brides haunt the living and a samurai delivers the baby of a Shinto goddess with mystical help. Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods.

Heralded as an instant classic of fantasy literature, Maguire has written a wonderfully imaginative retelling of The Wizard of Oz told from the Wicked Witch's point of view. More than just a fairy tale for adults, Wicked is a meditation on the nature of good and evil.

The Book of God reads like a novel, dramatizing the sweep of biblical events, bringing to life the men and women of this ancient book in vivid detail and dialogue. From Abraham wandering in the desert to Jesus teaching the multitudes on a Judean hillside, this award-winning bestseller follows the biblical story from start to finish.

Lively, absorbing, often outrageously funny, Chaucer's The Canterbury Tales is a work of genius, an undisputed classic that has held a special appeal for each generation of readers. The Tales gathers 29 of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble Plowman. This unabridged work is based on the new translation.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

The Voyage Out is Virginia Woolf's haunting tale about a naïve young woman's sea voyage from London to a small resort on the South American coast. In symbolic, lyrical, and intoxicating prose, her outward journey begins to mirror her internal voyage into adulthood as she searches for her personal identity, grapples with love, and learns how to face life intellectually and emotionally. Its wit and exquisiteness, and its profound depth and insight into humanity, will capture the imagination of the listener.

An amateur production of The Tempest provides a colorful backdrop for a hilarious look at unrequited love. Mathematics teacher Hector Mackilwraith, stirred and troubled by Shakespeare's play, falls in love with the beautiful Griselda Webster. When Griselda shows she has plans of her own, Hector despairs on the play's opening night.

One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues.

'Ah for darkness...not the darkness of a house which coops up a man among furniture, but the darkness where he can be free!' Maurice Hall knows he must choose between living life in the shadows or denying himself a chance at love and fulfilment. Aware of his attraction to the same sex, in a time where it was considered unlawful and immoral to have homosexual desires, Maurice must decide whether to battle or submit to a prejudiced 20th-century English society.

The scene of this entertaining story is laid in a charming English village. The plot centres round Miss Barbara Buncle, a maiden lady who was obliged to write a book because – as she naively explained – her dividends were so poor. Unfortunately, Miss Buncle had no imagination, so she wrote about her friends – quite kindly and truthfully, of course, for she was a benevolent and veracious soul.

Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full. The listener is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story ("Pages from a Young Girl's Journal") but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

When George Abbershaw is invited to Black Dudley Manor for the weekend, he has only one thing on his mind - proposing to Meggie Oliphant. Unfortunately for George, things don't quite go according to plan. A harmless game turns decidedly deadly and suspicions of murder take precedence over matrimony. Trapped in a remote country house with a murderer, George can see no way out. But Albert Campion can.

The first three mysteries for Dorothy L. Sayers' aristocratic sleuth: first, a body is discovered in a Battersea bathroom, wearing nothing but a pair of pince-nez, on the same night that financier Sir Reuben Levy disappears from his Park Lane home. Then, Wimsey returns to England when his brother, the Duke of Denver, is accused of murdering the fiance of their sister, Lady Mary, and a trial in the House of Lords looms; and finally, an overheard conversation in a restaurant begins an investigation of the strangely premature death of wealthy and terminally ill old lady Miss Agatha Dawson.

To Those who Appreciate Wisteria and Sunshine. Small medieaval Italian Castle on the shores of the Mediterranean to be Let Furnished for the month of April. This small advertisement sparks something long dormant in the reluctant hearts of two downcast London women - the possibility of happiness.

Written before she began her experiments in the writing of fiction, Virginia Woolf's second novel, Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: For her it was the beginning, leading on to a prolonged engagement with her search for the means to express the "inner life".

In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.

Since her mother's death, Jennifer has devoted years of her life to her father, managing the family home. After the sudden announcement that he has taken a new wife, Jennifer, at 33, seizes the opportunity to lead an independent life. Quickly she secures the lease of Rose Cottage and turns her attention to her own interests. While Jennifer is desperate to experience life on her own terms within her reduced financial means, her neighbour, Alice, is pre-occupied with ensuring her position as head of her brother's household is never challenged.

A Suitable Boy is Vikram Seth's epic love story set in India. Funny and tragic, with engaging, brilliantly observed characters, it is as close as you can get to Dickens for the twentieth century. The story unfolds through four middle class families: the Mehras, Kappoors, Khans, and Chatterjis. Lata Mehra, a university student, is under pressure from her mother to get married. But not to just anyone she happens to fall in love with.

The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.

Natsume Soseki's Kusamakura - meaning “grass pillow” - follows its nameless young artist-narrator on a meandering walking tour of the mountains. At the inn at a hot-spring resort, he has a series of mysterious encounters with Nami, the lovely young daughter of the establishment. Nami, or "beauty", is the center of this elegant novel, the still point around which the artist moves and the enigmatic subject of Soseki's word painting.

One of Soseki's most beloved works of fiction, the novel depicts the 23-year-old Sanshiro leaving the sleepy countryside for the first time in his life to experience the constantly moving 'real world' of Tokyo, its women and university. In the subtle tension between our appreciation of Soseki's lively humour and our awareness of Sanshiro's doomed innocence, the novel comes to life. Sanshiro is also penetrating social and cultural commentary.

A humble clerk and his loving wife scrape out a quiet existence on the margins of Tokyo. Resigned, following years of exile and misfortune, to the bitter consequences of having married without their families' consent, and unable to have children of their own, Sosuke and Oyone find the delicate equilibrium of their household upset by a new obligation to meet the educational expenses of Sosuke's brash younger brother. While an unlikely new friendship appears to offer a way out of this bind, it also soon threatens to dredge up a past that could once again force them to flee the capital.

No collection of Japanese literature is complete without Natsume Soseki's Kokoro, his most famous novel and the last he completed before his death. Published here in the first new translation in more than 50 years, Kokoro - meaning "heart" - is the story of a subtle and poignant friendship between two unnamed characters, a young man and an enigmatic elder whom he calls "Sensei".

With simple yet descriptive prose, this novel gives voice to Nana the cat and his owner, Satoru, as they take to the road on a journey with no other purpose than to visit three of Satoru's longtime friends. Or so Nana is led to believe. With his crooked tail - a sign of good fortune - and adventurous spirit, Nana is the perfect companion for the man who took him in as a stray. And as they travel in a silver van across Japan, with its ever-changing scenery and seasons, they will learn the true meaning of courage and gratitude, of loyalty and love.

Sentaro has failed. He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste. Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape.

Bookish high school student Rintaro Natsuki is about to close the secondhand bookstore he inherited from his beloved bookworm grandfather. Then, a talking cat appears with an unusual request. The feline asks for — or rather, demands — the teenager’s help in saving books with him. The world is full of lonely books left unread and unloved, and the cat and Rintaro must liberate them from their neglectful owners.

Best-selling and beloved Japanese author Hiromi Kawakami (The Nakano Thrift Shop) tells the story of an enigmatic man through the voices of 10 remarkable women who have loved him. Each woman has succumbed, even if only for an hour, to that seductive, imprudent, and furtively feline man who drifted so naturally into their lives. Still clinging to the vivid memory of his warm breath and his indecipherable sentences, 10 women tell their stories as they attempt to recreate the image of the unfathomable Nishino.

Botchan es un indiscutible clásico de la moderna literatura japonesa y, desde hace más de cien años, una de las novelas más celebradas por los lectores de aquel país. Considerada el Huckleberry Finn nipón, y comparada también con El guardián entre el centeno, narra las aventuras de Botchan, un joven tokiota descreído y cínico, alter ego de Soseki, al que mandan como profesor a una escuela rural situada en la remota isla de Shikoku.

Yoshie's much-loved musician father died in a suicide pact with an unknown woman. It is only when Yoshie and her mother move to Shimokitazawa, a traditional Tokyo neighborhood of narrow streets, quirky shops, and friendly residents, that they can finally start to put their painful past behind them. However, despite their attempts to move forward, Yoshie is haunted by nightmares in which her father is looking for the phone he left behind on the day he died, or on which she is trying—unsuccessfully—to call him. Is her dead father trying to communicate a message through these dreams?