On November 22, 1963, three shots rang out in Dallas, President Kennedy died, and the world changed. What if you could change it back? In this brilliantly conceived tour de force, Stephen King - who has absorbed the social, political, and popular culture of his generation more imaginatively and thoroughly than any other writer - takes listeners on an incredible journey into the past and the possibility of altering it.

Four gripping novellas tied together by the changing of seasons. Hope Springs Eternal - "Rita Hayworth and the Shawshank Redemption": An unjustly imprisoned convict seeks a strange and startling revenge...the basis for the Best Picture Academy Award nominee The Shawshank Redemption.

A master storyteller at his best - the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Magnificent, eerie, utterly compelling, these stories comprise one of King's finest gifts to his constant fan. "I made them especially for you," says King. "Feel free to examine them, but please be careful. The best of them have teeth."

"I believe there is another man inside every man, a stranger...." writes Wilfred Leland James in the early pages of the riveting confession that makes up "1922", the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness.

The first collection of stories Stephen King has published since Nightmares & Dreamscapes nine years ago, Everything's Eventual includes one O. Henry Prize winner, two other award winners, four stories published by The New Yorker, and "Riding the Bullet", King's original e-book, which attracted over half a million online readers and became the most famous short story of the decade. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.

A star-studded cast of readers present unabridged tales of horror and suspense from Stephen King's classic best-selling short story collection.

Thad Beaumont would like to say he is innocent. He'd like to say he has nothing to do with the twisted imagination that produced his best-selling novels. He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad deny the ultimate embodiment of evil that goes by the name he gave it - and signs its crimes with Thad's bloody fingerprints?

Welcome to the Monkey House is a collection of Kurt Vonnegut's shorter works. Originally printed in publications as diverse as The Magazine of Fantasy and Science Fiction and The Atlantic Monthly, what these superb stories share is Vonnegut's audacious sense of humor and extraordinary range of creative vision.

From America's most inventive novelist, Jonathan Lethem, comes this compelling and compulsive riff on the classic detective novel. Lionel Essrog is Brooklyn's very own Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank, the charismatic King of Brooklyn, would be unimaginable.

Billy Halleck commits vehicular manslaughter when his lack of attention results in the death of an old gypsy lady on the street. Overweight Halleck is a lawyer with connections, though, and he gets off with a slap on the wrist. After the trial, the victim's ancient father curses him with a single word: "thinner". Shedding weight by the week, Halleck is desperate enough for one last gamble...one that will lead him to a nightmare showdown with the forces of evil melting his flesh away.

Artemus Black doesn't believe in fate...but even a hardened Hollywood PI can question destiny when cases turn ugly. With an assistant who mocks him relentlessly, an obese cat that loathes him, a romantic life that's deader than Elvis, money problems, booze, nicotine, and anger management issues, how much worse can it get? The answer is plenty, and Black finds himself in a web of deceit, betrayal, and murder - and bad hair days.

The Bartender' s Tale stars Tom Harry and his 12-year-old son, Rusty, who live alone and run a bar in a small Montana town in the early 1960s. Their lives are upended when Proxy, a woman from Tom's past, and her beatnik daughter, Francine, breeze into town. Is Francine, as Proxy claims, the unsuspected legacy of her and Tom’s past? Without a doubt she is an unsettling gust of the future, upending every certainty in Rusty’s life and generating a mist of passion and pretense that seems to obscure everyone’s vision but his own.

A curmudgeon. A loner. That's how people describe Garrison Gage, and that's when they're being charitable. After his wife's brutal murder in New York, and Gage himself is beaten nearly to death, the crippled private investigator retreats 3,000 miles to the quaint coastal town of Barnacle Bluffs, Oregon. He spends the next five years in a convalescent stupor, content to bide his time filling out crossword puzzles and trying to forget that his wife's death is his fault. But all that changes when he discovers the body of a young woman washed up on the beach....

Barton Dawes' unremarkable but comfortable existence suddenly takes a turn for the worst. A new highway extension is being built right over the laundry plant where he works - and right over his home. Dawes isn't the sort of man who will take an insult of this magnitude lying down. His steadfast determination to fight the inevitable course of progress drives his wife and friends away while he tries to face down the uncaring bureaucracy that has destroyed his life.

They knew us before we began to walk upright. Shamans called them guardians, mythmakers called them tricksters, pagans called them gods, churchmen called them demons, folklorists called them shape-shifters. They've obligingly taken any role we've assigned them, and, while needing nothing from us, have accepted whatever we thought was their due?