Jason and Medeia
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Narrated by:
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Allan Robertson
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By:
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John Gardner
About this listen
A mythological masterpiece about dedication and the disintegration of romantic affection. In this magnificent epic poem, John Gardner renders his interpretation of the ancient story of Jason and Medeia. Confined in the palace of King Creon, and longing to return to his rightful kingdom Iolcus, Jason asks his wife, the sorceress Medeia, to use her powers of enchantment to destroy the tyrant King Pelias. Out of love she acquiesces, only to find that upon her return Jason has replaced her with King Creon's beautiful daughter, Glauce. An ancient myth fraught with devotion and betrayal, deception and ambition, Jason and Medeia is one of the greatest classical legends, and Gardner's masterful retelling is yet another achievement for this highly acclaimed author.
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Not your usual Steinbeck novel
- By Andrew on 06-03-15
By: John Steinbeck, and others
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Shadowmarch
- Shadowmarch, Volume I
- By: Tad Williams
- Narrated by: Dick Hill
- Length: 29 hrs and 19 mins
- Unabridged
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For generations the misty Shadowline has marked the boundary between the lands of men and the lost northern lands that are the lair of their inhuman enemies, the ageless Qar. But now that boundary line is moving outward, threatening to engulf the northernmost land in which humans still live - the kingdom of Southmarch.
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It's the characters that matter...
- By JC on 11-09-10
By: Tad Williams
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Kushiel's Dart
- By: Jacqueline Carey
- Narrated by: Anne Flosnik
- Length: 31 hrs and 5 mins
- Unabridged
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The land of Terre d'Ange is a place of unsurpassing beauty and grace. It is said that angels found the land and saw it was good...and the ensuing race that rose from the seed of angels and men live by one simple rule: Love as thou wilt.
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The Kushiel series in order
- By Glen Gaines on 10-27-09
By: Jacqueline Carey
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The Dreaming Tree
- By: C. J. Cherryh
- Narrated by: Gabra Zackman
- Length: 17 hrs and 15 mins
- Unabridged
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It was that transitional time of the world when man first brought the clang of iron and the reek of smoke to the lands which before had echoed only with fairy voices. In that dawn of man and death of magic, there yet remained one last untouched place - the small forest of Ealdwood - which kept the magic intact and protected the old ways. And there was one who dwelt there, Arafel the Sidhe, who had more pride and love of the world as it used to be than any of her kind.
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mysterious, authentic, beautiful
- By B. Mertz on 12-09-18
By: C. J. Cherryh
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The Mists of Avalon
- By: Marion Zimmer Bradley
- Narrated by: Davina Porter
- Length: 50 hrs and 53 mins
- Unabridged
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A posthumous recipient of the World Fantasy Award for Lifetime Achievement, Marion Zimmer Bradley reinvented - and rejuvenated - the King Arthur mythos with her extraordinary Mists of Avalon series. In this epic work, Bradley follows the arc of the timeless tale from the perspective of its previously marginalized female characters: Celtic priestess Morgaine, Gwenhwyfar, and High Priestess Viviane.
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Davina Porter brings an old favorite back to life!
- By Carolina on 07-13-12
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The Darkness That Comes Before
- The Prince of Nothing, Book One
- By: R. Scott Bakker
- Narrated by: David DeVries
- Length: 20 hrs and 44 mins
- Unabridged
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In a world scarred by an apocalyptic past, evoking a time both 2,000 years past and 2,000 years into the future, untold thousands gather for a crusade. Among them, two men and two women are ensnared by a mysterious traveler, Anasûrimbor Kellhus - part warrior, part philosopher, part sorcerous, charismatic presence - from lands long thought dead. The Darkness That Comes Before is a history of this great holy war, and like all histories, the survivors write its conclusion.
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Finally in audiobook!
- By Andy on 06-28-12
By: R. Scott Bakker
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Irish Fairy Tales
- By: James Stephens - editor
- Narrated by: Kevin Stillwell
- Length: 7 hrs and 30 mins
- Unabridged
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This collection of 10 time-honored tales brims with enchantment, whimsy, and sly humor. Assembled by a renowned poet and student of Gaelic language and culture, this edition includes "The Birth of Bran", "The Little Brawl at Allen", "The Enchanted Cave of Cesh Corran", "Becuma of the White Skin", "Mongan's Frenzy", and other stories.
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Woeful narration.
- By Zarkov on 02-23-19
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The Broken Sword
- By: Poul Anderson
- Narrated by: Bronson Pinchot
- Length: 8 hrs and 26 mins
- Unabridged
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Thor has broken the sword Tyrfing so that it cannot strike at the roots of Yggdrasil, the tree that binds together earth, heaven, and hell. But now the mighty sword is needed again to save the elves in their war against the trolls, and only Skafloc, a human child kidnapped and raised by the elves, can hope to persuade Bölverk the ice-giant to make Tyrfing whole again. But Skafloc must also confront his shadow self, Valgard the changeling, who has taken his place in the world of men.
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A spirited homage to old myths
- By Ryan on 01-25-14
By: Poul Anderson
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The Cutting Edge
- Part One of A Handful of Men
- By: Dave Duncan
- Narrated by: Mil Nicholson
- Length: 12 hrs and 35 mins
- Unabridged
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Beautiful Queen Inos married the loyal stableboy Rap and made him her king. They were very much in love, and they lived happily ever after. Fifteen years went by. Rap and Inos were comfortable, secure, and truly happy, raising their family in the little backwater kingdom of Krasnegar, well removed from the hurly-burly of great affairs.... But in far-off Hub, the old Imperor's health - and, some said, his sanity - deteriorated inexorably. The borderlands were seething....
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High expectations
- By Ryan M. Kelley on 04-08-14
By: Dave Duncan
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The Singer Trilogy
- A Classic Retelling of Cosmic Conflict
- By: Calvin Miller
- Narrated by: Adam Verner
- Length: 5 hrs and 12 mins
- Unabridged
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The Singer quickly became a favorite of evangelists, pastors, artists, students, teachers and readers of all sorts when it was originally published in 1975. Retelling the story of Christ through an allegorical and poetic narrative of a Singer whose Song could not be silenced, Miller's work reinvigorated Christian literature and offered believers and seekers the world over a deeply personal encounter with the gospel.
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A must read for Christians
- By sleeper on 08-27-12
By: Calvin Miller
What listeners say about Jason and Medeia
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- emett holloway barfield III
- 06-02-19
Wonderful
I read this after college and again 18 years ago. Getting to listen to it read so masterfully enthralled me. This is my favorite greek tale and it has been dine justice by Gardner and Robertson.
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- Tad Davis
- 06-16-19
A failed experiment
John Gardner was always an audacious writer. Retell “Beowulf” from Grendel’s point of view? No problem. Write a thick novel arguing for the superiority of Babylonian philosophy? No problem. Write a novel about a farmer whose sister is reading a potboiler — and include the whole potboiler as part of the text? You got it.
Here he does something equally audacious: he's written a 20th century epic poem in hexameters. Having recently read “The Argonautika” of Apollonius for the first time, I decided I was ready to tackle Gardner’s take on the same story.
I wish I could say his bold experiment was as successful as his other ventures, but it isn't. It's neither fish nor fowl: the humdrum detail he includes, like a good novelist, often clashes with the formal beauty of the verse: it's a heroic tale told in heroic meter, but with a 20th-century dirty-dishes mentality. His heroes are unheroic; the sex is icky; and his gods are a nasty lot, a far cry from the jolly deities of Homer.
The story is a familiar one, incorporating large chunks of the Argonautika and of Euripides’ play “Medea” as well. This is wrapped in a double layer of self-referential narrative. The innermost layer is Jason telling the story of the quest for the Golden Fleece to his host, King Creon of Thebes. The outermost layer is a 20th-century balding, bespectacled narrator who is somehow both part of the story and outside the story looking in.
A word about the narration. The narrator, Allan Robertson, is OK, but he has one disconcerting mannerism. He often takes strange pauses in the middle of a sentence: “he clasped his. Hands,” for example, or “he leaned on the window. Frame.” Based on a quick glance at the printed text, I suspect the pauses may often be the reader’s way of signaling line endings. As mentioned before, the whole novel is written in hexameter verse, like Richmond Lattimore’s translations of Homer, except that Gardner doesn't rely much on end-stopped lines. At other times I think the pause is intended to focus the listener’s attention on the word that comes next. Whatever the intention, the result for me sounded disjointed and hesitant.
It helps to have a map of the Voyage of the Argonauts handy, even though Gardner, like Apollonius, fudges the geography once the ship enters the Danube. (It is not, in fact, possible to travel by ship from the west coast of the Black Sea to the Tyrrhenian Sea west of Italy.) It may also help to have a good dictionary handy. I have a pretty good vocabulary, but when Gardner described something as being “ubiquarian as air,” I was left scratching my head.
Bottom line: a rare miss for Gardner, mainly of interest to his diehard fans (like me).
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