Jimmy Breslin can sniff out a story like he can sniff out a rat. Here, he tells a lifetime of anecdotes in his inimitable New York voice, giving us a view through the keyhole of the people and places that define the Mafia: characters like Sammy the Bull, the original snitch; Gaspipe Casso, named for his weapon of choice; and hangouts like Pep McGuire's, the legendary watering hole where reporters and gangsters (all hailing from the same working-class neighborhoods) rubbed elbows and traded stories.

When Graydon Carter was offered the editorship of Vanity Fair in 1992, he knew he faced an uphill battle—how to make the esteemed and long-established magazine his own. Not only was he confronted with a staff that he perceived to be loyal to the previous regime, but he arrived only a few years after launching Spy magazine, which gloried in skewering the celebrated and powerful—the very people Vanity Fair venerated.

No episode in NYPD history surpasses the depravities of Louis Eppolito and Stephen Caracappa, two decorated detectives who covertly acted as mafia informants and paid assassins in the Scorsese world of 1980s Brooklyn. For more than ten years, Eppolito and Caracappa moonlighted as the mob's early warning alert system, leaking names of mobsters secretly cooperating with the government and crippling investigations by sharing details of surveillance, phone taps, and impending arrests. The Lucchese boss called the two detectives his crystal ball: Whatever detectives knew, the mafia soon learned.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

Packed with jaw-dropping stories of public violence and personal vengeance, vivid insights into the Mafia's way of life, and shocking portraits of America's most wanted crime families, Red Hook is a must-listen for anyone fascinated by the history of organized crime in America.

Fight is the backstage story of bloodsport politics in its rawest form—the clawing, backstabbing, and rabble-rousing that drove Donald Trump into the White House and Democrats into the wilderness. At every turn, the combatants went for the jugular, whether they were facing down rivals in the other party or their own.

Over the course of the last four years, the American public looked on as the former president faced a series of daunting obstacles to return to the White House. The lingering cloud of January 6, a shadow effort within the Republican establishment to defeat him in the primary, multiple indictments, assassination attempts, and an 11th hour change of his opponent all threatened to derail his return to power at any moment.

An urgent, accessible, and important history, Red Scare reveals an all-too-familiar pattern of illiberal conspiracy-mongering and political and cultural backlash that speaks directly to the antagonism and divisiveness of our contemporary moment. Drawing upon newly declassified documents, journalist Clay Risen recounts how politicians like Joseph McCarthy, with the help of an extended network of other government officials and organizations, systematically ruined thousands of lives in their deluded pursuit of alleged Communist conspiracies.

Bestselling historian and Pulitzer Prize finalist H. W. Brands narrates the fierce debate over America's role in the world in the runup to World War II through its two most important figures: President Franklin D. Roosevelt, who advocated intervention, and his isolationist nemesis, aviator and popular hero Charles Lindbergh.

Over the fifty years that Lorne Michaels has been at the helm of Saturday Night Live, he has become a revered and inimitable presence in the entertainment world. He’s a tastemaker, a mogul, a withholding father figure, a genius spotter of talent, a shrewd businessman, a name-dropper, a raconteur, the inspiration for Dr. Evil, the winner of more than a hundred Emmys—and, essentially, a mystery. Generations of writers and performers have spent their lives trying to figure him out, by turns demonizing and lionizing him.

No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the best-selling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's Men, and other films...into the plush offices of Hollywood producers...into the working lives of acting greats such as Redford, Olivier, Newman, and Hoffman...and more.

In "The Five Families of New York," Mafia Library presents a gripping account of the ascension and decline of New York's foremost crime syndicates, from the legendary Lucky Luciano to the notorious Paul Castellano and John Gotti, and beyond. Through vivid storytelling, the book chronicles the relentless assault waged against these five families over two decades, a campaign that stands as the most successful law enforcement effort of the last century.

A Season on the Brink chronicles the basketball season that John Feinstein spent following the Indiana Hoosiers and their fiery coach, Bob Knight. Knight granted Feinstein an unprecedented inside look at college basketball - with complete access to every moment of the season. Feinstein saw and heard it all - practices, team meetings, strategy sessions, and mid-game huddles - during Knight's struggle to avoid a losing season.

For more than fifty years, a power plant in the small town of Kingston, Tennessee,  burned fourteen thousand tons of coal a day, gradually creating a mountain of ashen waste sixty feet high and covering eighty-four acres, contained only by an earthen embankment. In 2008, just before Christmas, that embankment broke, unleashing a lethal wave of coal sludge that covered three hundred acres, damaged nearly thirty homes, and precipitating a cleanup effort that would cost more than a billion dollars—and the lives of more than fifty cleanup workers who inhaled the toxins it released.

As part of the legendary comedy team known as Nichols and May, May revolutionized sketch comedy before striking out on her own to make history as the third woman to be admitted into the Directors Guild of America when she wrote, directed, and starred in 1971’s A New Leaf. Throughout the 1970s and ‘80s, May was one of Hollywood’s top screenwriters and script doctors and one of the only women directing within the studio system. After a box-office bomb, May never directed a feature again, though she continued to write films.