Los Angeles in the '60s was a hotbed of political and social upheaval. The city was a launchpad for Black Power - where Malcolm X and Angela Davis first came to prominence and the Watts uprising shook the nation. The city was home to the Chicano Blowouts and Chicano Moratorium, as well as being the birthplace of “Asian American” as a political identity. It was a locus of the antiwar movement, gay liberation movement, and women’s movement, and, of course, the capital of California counterculture.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day.

The classic account of the LA Canyons scene between 1967 and 1976, featuring Joni Mitchell; Crosby, Stills, Nash, and Young; The Eagles; James Taylor; and Jackson Browne. Ambition, betrayal, drugs and genius all combine with great music making.

In August of 1969, during two bloody evenings of paranoid, psychedelic savagery, Charles Manson and his dystopic communal family helped to wreck the dreams of the Love Generation. At least nine people were murdered, among them Sharon Tate, the young, beautiful, pregnant, actress and wife of Roman Polanski.

Henry Winkler, launched into prominence as “The Fonz” in the beloved Happy Days, has transcended the role that made him who he is. Brilliant, funny, and widely regarded as the nicest man in Hollywood (though he would be the first to tell you that it’s simply not the case, he’s really just grateful to be here), Henry shares in this achingly vulnerable memoir the disheartening truth of his childhood, the difficulties of a life with severe dyslexia, the pressures of a role that takes on a life of its own, and the path forward once your wildest dream seems behind you.

Los Angeles in the 1960s: riots in Watts and on the Sunset Strip, wild weekends in Malibu, late nights at The Daisy discotheque, openings at the Ferus Gallery, and the convergence of pop art, rock and roll, and the New Hollywood. At the center of it all, one inspired, improbable, and highly combustible couple—Dennis Hopper and Brooke Hayward—lived out the emblematic love story of ’60s L.A.

This is the memoir music fans have been waiting for. Half of one of the greatest partnerships in popular music, Bernie Taupin is the man who wrote the lyrics for Elton John, who conceived the ideas that spawned countless hits, and sold millions and millions of records. Together, they were a duo, a unit, an immovable object. Their extraordinary, half-century-and-counting creative relationship has been chronicled in biopics (like 2019's Rocketman) and even John's own autobiography, Me. But Taupin, a private person, has kept his own account of their adventures close to his chest, until now.

Originally published in 1978 as The Beach Boys and the California Myth, this groundbreaking study was both the first full-length book on the band and the first to recognize Brian Wilson as one of the most significant and influential artists of the twentieth century. Covering the turbulent family strife and internal conflicts as well as giving proper attention to the remarkable music, the book was an instant classic.

Since 1929, Hollywood’s brightest stars have flocked to the Chateau Marmont as if it were a second home. An apartment building-turned-hotel, the Chateau has been the backdrop for generations of gossip and folklore: where director Nicholas Ray slept with his 16-year-old Rebel Without a Cause star Natalie Wood; Jim Morrison swung from the balconies; John Belushi suffered a fatal overdose; and Lindsay Lohan got the boot after racking up nearly $50,000 in charges in less than two months. Much of what has happened inside the Chateau’s walls has eluded the public eye - until now.

Malcolm Evans, the Beatles’ long-time roadie, personal assistant, and devoted friend, was an invaluable member of the band’s inner circle. A towering figure in horn-rimmed glasses, Evans loomed large in the Beatles’ story, contributing at times as a performer and sometime lyricist, while struggling mightily to protect his beloved “boys.” He was there for the whole of the group’s remarkable, unparalleled story: from the Shea Stadium triumph through the creation of the timeless cover art for Sgt. Pepper’s Lonely Hearts Club Band and the famous Let It Be rooftop concert.

The smooth veneer of the duo's songs made Steely Dan popular and famous in the 1970s, but the polish glossed over the underlying layers of anger, disappointment, sleaze, and often downright weirdness lurking just beneath the surface. The elliptical lyrics—were—and continue to be-an endless source of fascination. What kind of person was capable of writing such songs? Donald Fagen has always kept his true self hidden behind walls of irony, confounding most journalistic enquiries. Nightfly cracks open the door to reveal the life behind the lyrics.

Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote.

Gold Dust Woman gives "the gold standard of rock biographers" (the Boston Globe) his ideal topic: Nicks' work and life are equally sexy and interesting, and Davis delves deeply into each, unearthing fresh details from new, intimate interviews and interpreting them to present a rich new portrait of the star. Just as Nicks (and Lindsay Buckingham) gave Fleetwood Mac the "shot of adrenaline" they needed to become real rock stars - according to Christine McVie - Gold Dust Woman is vibrant with stories and with a life lived large and hard.

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie", The Rolling Stones' "Brown Sugar", The Who's "Baba O'Riley", Zeppelin's "Stairway to Heaven", and more.

They were the DeMeo gang - the most deadly hit men in organized crime. Their Mafia higher-ups came to know, use, and ultimately fear them as the Murder Machine. They killed for profit and for pleasure, following cold-blooded plans and wild whims, from the mean streets of New York to the Florida Gold Coast, and from coast to coast. Now complete with personal revelations of one of the key players, this is the savage story that leaves no corpse unturned in its terrifying telling.

Laurel Canyon was the neighborhood perched above the clubs and record companies of Sunset Strip where Joni Mitchell, Jim Morrison, Graham Nash, Cass Elliot, Carole King, Don Henley, and Peter Tork, just to name a few, lived and collaborated to make an indelible mark on our music and our culture.

The classic account of the LA Canyons scene between 1967 and 1976, featuring Joni Mitchell; Crosby, Stills, Nash, and Young; The Eagles; James Taylor; and Jackson Browne. Ambition, betrayal, drugs and genius all combine with great music making.

Decades after the rise of rock music in the 1950s, the rock concert retains its allure and its power as a unifying experience - and as an influential multibillion-dollar industry. In Rock Concert, acclaimed interviewer Marc Myers sets out to uncover the history of this compelling phenomenon, weaving together groundbreaking accounts from the people who were there. Rock Concert provides a fascinating, immediate look at the evolution of rock 'n' roll through the lens of live performances.

A thoroughly engaging biography of an incredible band who was so impressive they became favorably compared to the Beatles. Ironically, they were discovered by the same Fab Four’s roadie, Mal Evans, then mentored by Paul McCartney. Subsequently they were hired to session for all four Beatles members. Ultimately, they were controlled in release by the entire Apple Corps Ltd. empire. The group even started to surpass commercially the Fab Four’s solo successes with their major worldwide hits such as “Come And Get It,” “No Matter What,” “Day After Day,” “Baby Blue” and a ...

"Surely make you lose your mind . . ." So the Eagles warn us about the outrageous and ruthless lifestyle of the ambitious rock-n-roller. In fact, Don Henley could barely listen to the track "Life in the Fast Lane" when they were recording it. He was so high that it made him sick. The band that embodied the American dream with globe-straddling success, impossibly luxurious lives, and almost supernatural talent also descended into nightmare with betrayal, hate-filled hubris, the skeletons of perceived enemies, brutally discarded lovers and former band mates left unburied in the road behind them.

As an A&R man at Epic Records, Tom Werman helped introduce the world to REO Speedwagon, Boston, Ted Nugent, and Cheap Trick; he also discovered KISS, Rush, and Lynyrd Skynyrd, but his record label passed on all of them. Then, as an independent producer, he oversaw landmark albums by Mötley Crüe, Twisted Sister, Lita Ford, Jeff Beck, Poison, and many more. All in all, his record-making resume includes twenty-three gold- or platinum-selling albums and cumulative sales of more than fifty-two million copies.

From Graham Nash - the legendary musician and founding member of the iconic bands Crosby, Stills & Nash and The Hollies - comes a candid and riveting autobiography that belongs on the reading list of every classic rock fan.

The first and most complete narrative biography of Crosby, Stills, Nash and Young, by acclaimed music journalist and Rolling Stone senior writer David Browne.

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie", The Rolling Stones' "Brown Sugar", The Who's "Baba O'Riley", Zeppelin's "Stairway to Heaven", and more.

John Glatt tells the story of the Fillmores through the lives of Bill Graham, Janis Joplin, Grace Slick, Carlos Santana, and an all-star supporting cast. Chronicling the East and West Coast cultures of the late 1960s and early 1970s-New York City with its speed, heroin, and the Velvet Underground versus San Francisco with the LSD-drenched Summer of Love - Glatt reveals how Graham made it all possible. But why did Graham shutter both Fillmores within weeks of each other in 1971, during the height of their popularity?

Born just outside London in 1942, Glyn Johns was 16 years old at the dawn of rock and roll. His big break as a producer came on the Steve Miller Band's debut album, Children of the Future. He went on to engineer or produce iconic albums for the best in the business, including Abbey Road with the Beatles. Even more impressive, Johns was perhaps the only person on a given day in the studio who was entirely sober, and so he is one of the most reliable and clear-eyed insiders to tell these stories today.

Stanley Booth, a member of the Rolling Stones’ inner circle, met the band just a few months before Brian Jones drowned in a swimming pool, in 1969. He lived with them throughout their 1969 American tour, staying up all night together listening to blues, talking about music, ingesting drugs, and consorting with groupies. His thrilling account culminates with their final concert at Altamont Speedway - a nightmare of beating, stabbing, and killing that would signal the end of a generation’s dreams of peace and freedom.

The members of Led Zeppelin are major deities in the pantheon of rock gods. The first and heaviest of the heavy metal monsters, they violently shook the foundations of rock music and took no prisoners on the road. Their tours were legendary, their lives were exalted, and their music transcendent. No band ever flew as high as Led Zeppelin or suffered so disastrous a fall. And only some of them lived to tell the tale. Originally published in 1985, and last updated in 2008, Hammer of the Gods is considered the ultimate word on Led Zeppelin.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day.

An in-depth biography of Led Zeppelin guitarist Jimmy Page by the acclaimed biographer of Bob Marley and Joe Strummer, based upon the author's extensive research and interviews.