We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future. Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician.

Yasmin Ghorami is 26, in training to be a doctor (like her Indian-born father), and engaged to the charismatic, upper-class Joe Sangster, whose formidable mother, Harriet, is a famous feminist. The gulf between families is vast. So, too, is the gulf in sexual experience between Yasmin and Joe. As the wedding day draws near, misunderstandings, infidelities, and long-held secrets upend both Yasmin’s relationship and that of her parents, a “love marriage”, according to the family lore that Yasmin has believed all her life.

Awaiting the return of her husband and young son from a road trip, Obiajulu Ejiofor receives shattering news. There’s been a fatal car crash, and one of them is dead. In Where the Children Take Us, Obiajulu’s daughter, Zain E. Asher, tells the story of her mother’s harrowing fight to raise four children as a widowed immigrant in South London. There is tragedy in this tale, but it is not a tragedy. Drawing on tough-love parenting strategies, Obiajulu teaches her sons and daughters to overcome the daily pressures of poverty, crime and prejudice—and much more.

Leah and McKenna have never met, though they have parallel lives. They don’t—ever—find themselves in the same train carriage or meet accidentally at the gym or the coffee shop. They don’t—ever—discuss their problems and find common ground. They don’t—ever—acknowledge to each other that although their lives have all the trappings of success, wealth and happiness, they are, in fact, trapped.

Sharp-tongued (and secretly soft-hearted) Kiki Banjo has just made a huge mistake. As an expert in relationship-evasion and the host of the popular student radio show Brown Sugar, she’s made it her mission to make sure the women of the African-Caribbean Society at Whitewell University do not fall into the mess of “situationships”, players, and heartbreak. But when the Queen of the Unbothered kisses Malakai Korede, the guy she just publicly denounced as “The Wastemen of Whitewell,” in front of every Blackwellian on campus, she finds her show on the brink.

For Baba Segi, his collection of wives and gaggle of children are a symbol of prosperity, success, and a validation of his manhood. All is well in this patriarchal home, until Baba arrives with wife number four, a quiet, college-educated, young woman named Bolanle. Jealous and resentful of this interloper who is stealing their husband’s attention, Baba’s three wives begin to plan her downfall. How dare she not know her place, they whisper. How dare she offer to teach them to read. They will teach her instead, they vow, and open their husband's eyes to this wicked wind.

Independent, stunning, and smart, Kell Jameson has the life she's always dreamed about. A partner at a tiny Atlanta law firm that represents famous - if guilty - clients, she's far from her days as a lonely orphan in rural Georgia. But one frantic phone call will bring her back to the place she's spent years trying to escape. The head of her childhood orphanage has been accused of murder, and Kell is her only hope for freedom.

Funmi, Enitan, and Zainab first meet at university in Nigeria and become friends for life despite their differences. Funmi is beautiful, brash, and determined; Enitan is homely and eager, seeking escape from her single mother's smothering and needy love; Zainab is elegant and reserved, raised by her father's first two wives after her mother's death in childbirth. Their friendship is complicated but enduring, and over the course of the novel, the listener learns about their loves and losses.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Snyder was eight years old when her mother died, and her distraught father thrust the family into an evangelical, cult-like existence halfway across the country. Furiously rebellious, she was expelled from school and home at age sixteen. Living out of her car and relying on strangers, Rachel found herself masquerading as an adult, talking her way into college, and eventually traveling the globe.

When fourteen-year-old Lamya H realizes she has a crush on her teacher—her female teacher—she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: When Maryam learned that she was pregnant, she insisted no man had touched her.

For as long as she can remember, Patience Adewale, the eldest daughter of Chief Kolade Adewale, has been waiting for confirmation that she is loved, that there is a place where she truly belongs. Patience lives a sheltered life within the secure walls of the family’s mansion in Ibadan, but finds no comfort from her distant father and stepmother Modupe. Her only ally is her younger sister, yet even Margaret’s love and support cannot overcome Patience’s insecurity and uncertainty.

In her most intimate and seamlessly crafted work to date, Chimamanda Ngozi Adichie turns her penetrating eye on America in 12 dazzling stories that explore the ties that bind men and women, parents and children, Africa and the United States.

Nicole Oruwari has the perfect life: a handsome husband, a palatial house in the heart of Lagos, and a glamorous group of friends. She left gloomy London and a troubled family past behind for sunny Lagos, becoming part of the Nigerwives—a community of foreign women married to Nigerian men. But when Nicole disappears without a trace after a boat trip, the cracks in her alleged perfect life start to show. As the investigation turns up nothing but dead ends, her auntie Claudine decides to take matters into her own hands.

Debut novelist Shilpi Somaya Gowda pens this compelling tale about two families, worlds apart, linked by one Indian child. After giving birth to a girl for a second time, impoverished Kavita must give her up to an orphanage. The baby, named Asha, is adopted by an American doctor and raised in California. But once grown, Asha decides to return to India.

How to Be an American Housewife is a novel about mothers and daughters and the pull of tradition. It tells the story of Shoko, a Japanese woman who married an American GI, and her grown daughter, Sue, a divorced mother whose life as an American housewife hasn't been what she'd expected. When illness prevents Shoko from traveling to Japan, she asks Sue to go in her place. The trip reveals family secrets that change their lives in dramatic and unforeseen ways.

Seven-year-old Chellamuthu's life - and his destiny - is forever changed when he is kidnapped from his village in Southern India and sold to the Lincoln Home for Homeless Children. His family is desperate to find him, and Chellamuthu anxiously tells the Indian orphanage that he is not an orphan, he has a mother who loves him. But he is told not to worry, he will soon be adopted by a loving family in America.

Winner of a Pushcart Prize for poetry and an American Book Award for her short stories, Chitra Banerjee Divakaruni explores themes of women, immigration, and her vibrant Indian culture to great effect. Divakaruni expands on these ideas in One Amazing Thing, a project long in the making and full of electric prose.

An experienced psychologist, Maggie carefully maintains emotional distance from her patients. But when she meets a young Indian woman who tried to kill herself, her professional detachment disintegrates. Cut off from her family in India, Lakshmi is desperately lonely and trapped in a loveless marriage. Moved by her plight, Maggie treats Lakshmi in her home office for free, quickly realizing that the despondent woman doesn't need a shrink; she needs a friend.

Best-selling author and PEN and Beyond Margins Award finalist Thrity Umrigar’s acclaimed novels “resonate with rich prose and vibrant depictions of India” ( Booklist). In The World We Found, Armaiti, Laleh, Kavita, and Nishta - once friends at the University of Bombay - reconnect 30 years later when Armaiti is diagnosed with cancer. Coming together, all four women are forced to reexamine their lives.

Find Me Unafraid tells the uncommon love story between two uncommon people whose collaboration sparked a successful movement to transform the lives of vulnerable girls and the urban poor. With a foreword by Nicholas Kristof.

Max doesn't remember his mother, who was murdered by burglars before they emigrated from Beirut to New Jersey. He lives with his father, Rasheed, who is enamored of his concept of American culture - baseball and barbeques - and tries to shed his Lebanese heritage completely.

Mahmoud’s passion for his wife, Fereiba, a schoolteacher, is greater than any love she’s ever known. But their happy, middle-class world implodes when their country is engulfed in war and the Taliban rises to power. Mahmoud, a civil engineer, becomes a target of the new fundamentalist regime and is murdered. Forced to flee Kabul with her three children, Fereiba must find a way to cross Europe and reach her sister’s family in England. With forged papers and help from kind strangers they meet along the way, Fereiba make a dangerous crossing into Iran under cover of darkness.

Tamila Soroush wanted it all. But in the Islamic Republic of Iran, dreams are a dangerous thing for a girl. Tami abandons them…until her twenty-seventh birthday, when her parents give her a one-way ticket to America, hoping she will “go and wake up her luck.” If they have their way, Tami will never return to Iran…which means she has three months to find a husband in America.

These nine globe-trotting, unforgettable stories from Mia Alvar, a remarkable new literary talent, vividly give voice to the women and men of the Filipino diaspora. Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere - and sometimes turning back again.

Two sisters, ages 10 and 16, are exiled from Brooklyn to Bird Hill in Barbados, after their mother can no longer care for them. The young Phaedra and her older sister, Dionne, live, for the summer of 1989, with their grandmother, Hyacinth, a midwife and practitioner of the local spiritual practice of obeah. Dionne spends the summer in search of love, testing her grandmother's limits, and wanting to go home. Phaedra explores Bird Hill, where her family has lived for generations.

In 1935, Dottie Krasinsky is the epitome of the modern girl. A bookkeeper in midtown Manhattan, Dottie steals kisses from her steady beau, meets her girlfriends for drinks, and eyes the latest fashions. Yet at heart, she is a dutiful daughter, living with her Yiddish-speaking parents on the Lower East Side. So when, after a single careless night, she finds herself in a family way by a charismatic but unsuitable man, she is desperate: unwed, unsure, and running out of options.

In her best-selling memoir North of Normal, Cea wrote with grace about her unconventional childhood - her early years living in a tipi in Alberta with her pot-smoking, free-loving counterculture family. But her struggles do not end when she leaves her family at the age of 13 to become a model. Honest and daring, Nearly Normal reveals the many ways that Cea's unconventional childhood continues to reverberate through the years.

For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Maus creator Art Spiegelman, and even more than most mothers, hers - French-born New Yorker art director Françoise Mouly - exerted a force over reality that was both dazzling and daunting. As Nadja's body changed and "began to whisper to the adults around me in a language I did not understand", their relationship grew tense.

For Baba Segi, his collection of wives and gaggle of children are a symbol of prosperity, success, and a validation of his manhood. All is well in this patriarchal home, until Baba arrives with wife number four, a quiet, college-educated, young woman named Bolanle. Jealous and resentful of this interloper who is stealing their husband’s attention, Baba’s three wives begin to plan her downfall. How dare she not know her place, they whisper. How dare she offer to teach them to read. They will teach her instead, they vow, and open their husband's eyes to this wicked wind.

Young Esi Agyekum is the unofficial "secret keeper" of her family, as tight-lipped about her father's adultery as she is about her half-sisters' sex lives. But after she is humiliated and punished for her own sexual exploration, Esi begins to question why women's secrets and men's secrets bear different consequences. It is the beginning of a journey of discovery that will lead her to unexpected places. Against a fraught political climate, Esi fights to carve out her own identity, and learns to manifest her power in surprising and inspiring ways.

In this remarkable short story collection, Damilare Kuku takes us deep into the heart of modern Lagos, Nigeria’s largest city, and the lives of a collection of audacious women who cope with romantic difficulties by brilliantly turning the tables on the men who wrong them.

In Only Big Bumbum Matters Tomorrow, Damilare Kuku brings her signature humor, boldness, and compassion to each member of this loveable but exasperating family, whose lives reveal the ways in which a woman’s physical appearance can dictate her life and relationships and show just how sharp the double-edged sword of beauty can be.

Lola is twenty-one, and her life in Senegal couldn’t be better. An aspiring writer and university graduate, she has a great job, a nice apartment, a vibrant social life, and a future filled with possibility. But fate disrupts her world when she falls for Armand, an American Marine stationed at the U.S. Embassy. Her mother, a high court judge in Ghana, disapproves of her choice, but nothing will stop Lola from boarding a plane for Armand and America.

Powerful marketing executive Kemi Adeyemi has finally found the man she needs, but Tobias Wikström thinks she’s the most selfish woman he has ever met for asking him to give up his life in Sweden and move to the US for her own comfort. Will Kemi be forced to stay if she wants to keep him while chipping away at her hard-earned career? As things begin to sour and challenge her relationship with Tobias, someone else moves back into the picture.

On March 3, 2017, Amy Krouse Rosenthal penned a Modern Love column for the New York Times - "You May Want to Marry My Husband". It appeared 10 days before her death from ovarian cancer. A heartbreaking, wry, brutally honest, and creative play on a personal ad - in which a dying wife encouraged her husband to go on and find happiness after her demise - the column quickly went viral, reaching more than five million people worldwide.

For 25 years, Debby Irving sensed inexplicable racial tensions in her personal and professional relationships. As a colleague and neighbor, she worried about offending people she dearly wanted to befriend. As an arts administrator, she didn't understand why her diversity efforts lacked traction. As a teacher, she found her best efforts to reach out to students and families of color left her wondering what she was missing.

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

For years, Christena Cleveland spoke about racial reconciliation to congregations, justice organizations, and colleges. But she increasingly felt she could no longer trust in the God she’d been implicitly taught to worship—a white male God who preferentially empowered white men despite his claim to love all people. A God who clearly did not relate to, advocate for, or affirm a Black woman like Christena.