In this first volume subtitled ‘The Stories of Jacob', Mann begins with a meditative prelude named “Descent into Hell”, which contextualises the story against a variety of historical, mythological, and historical contexts, before moving on to the story of Joseph's father Jacob. The following chapters follow Jacob as we learn of him stealing his brother's birthright, before fleeing to his uncle Laban and his later marriages to Rachel and Leah.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Wilhelm Meister’s Apprenticeship was Goethe’s second novel, published 1795-6, almost two decades after The Sorrows of Young Werther. It again focuses on a young man but this time on his growing understanding and maturity as he makes his way in the world. As such, it is regarded as the founding work in the ‘coming of age’ genre: the ‘bildungsroman’ ( a term actually coined some 30 years later), which characterised a philosophical novel tracing the cultural, emotional and educational development of an individual from youth to adulthood.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.

The Pillow Book of Sei Shōnagon is a fascinating, detailed account of Japanese court life in the closing years of the 10th century. Written by a lady of the court at the height of Heian culture, this book enthrals with its lively gossip, witty observations and subtle impressions. Lady Shōnagon was an erstwhile rival of Lady Murasaki, whose novel, The Tale of Genji, fictionalized the elite world Lady Shōnagon so eloquently relates.

Waiter by day, man about Paris by night; the young and good looking Felix Krull has created for himself a personality to charm and deceive the world of wealth. When the Marquis de Venosta makes him a proposal that he can't refuse, the young Felix finds himself on the pathway that will elevate him into the world of riches.

Sigmund Freud (1856-1939) is remembered as the father of psychoanalysis. Civilization and Its Discontents (1930) is one of his key works, written three decades after his seminal book The Interpretation of Dreams. In it he considers the conflict between the needs of the individual acting both egotistically and altruistically in the pursuit of happiness and the myriad demands of civilised society and the ensuing tensions this clash of needs and demands generates.

Justine is the first volume in the Alexandria Quartet, four interlinked novels set in the sensuous, hot environment of Alexandria just before the Second World War. Within this polyglot setting of richly idiosyncratic characters is Justine, wild and intense, wife to the wealthy businessman Nessim, a Mari complaisant. Her emotional and sexual wildness fuels a highly charged atmosphere.

Stan Parker, with only a horse and a dog for companions, journeys to a remote scrubby patch of land that he has inherited in the Australian hills. When the land is cleared enough for a rudimentary house to be built, Stan brings his new wife, Amy, to the wilderness. Together they struggle to establish a home for themselves and their growing family.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

The Thomas Mann Collection includes unabridged recordings of Thomas Mann's 3 greatest works of fiction in one audiobook.

The Good Soldier Švejk, written shortly after the First World War, is one of the great antiwar satires - and one of the funniest books of the 20th (or any) century. In creating his eponymous hero, Jaroslav Hašek produced an unforgettable character who charms and infuriates and bamboozles his way through the conflagration that tore through the heart of Europe, upending empires and changing social history. It is the closing period of the Austro-Hungarian Empire. The assassination at Sarajevo has just occurred and armies are on the march.

One of the finest German medieval epic poems, The Lay of the Nibelungs is perhaps best known now as one of the principal sources for Wagner’s four-part music drama The Ring of the Nibelung. It is easy to see how Wagner was enthralled by the story and the poetry for the power of the tale drives the narrative: intense love, loyalty, jealousy, murder, duty, honour and massacre are all interwoven into a classic.

Immanuel Kant’s Critique of Pure Reason can lay claim to being the most important single work of modern philosophy, a work whose methodology, if not necessarily always its conclusions, has had a profound influence on almost all subsequent philosophical discourse. In this work Kant addresses, in a groundbreaking elucidation of the nature of reason, the age-old question of philosophy: “How do we know what we know?” and the limits of what it is that we can know with certainty.

In this first volume subtitled ‘The Stories of Jacob', Mann begins with a meditative prelude named “Descent into Hell”, which contextualises the story against a variety of historical, mythological, and historical contexts, before moving on to the story of Joseph's father Jacob. The following chapters follow Jacob as we learn of him stealing his brother's birthright, before fleeing to his uncle Laban and his later marriages to Rachel and Leah.

In this third volume of Thomas Mann’s monumental retelling of the biblical story, Joseph in Egypt follows Joseph after he is sold by his jealous brothers to Ishmaelite traders. They bring him to Egypt, where he’s eventually purchased by Potiphar. Joseph's intelligence, charisma, and integrity soon earn him Potiphar’s trust, and he rises to become the overseer of Potiphar’s household.

Joachim Neugroschel’s brilliant new translation lets you enjoy the work of Nobel-Laureate Thomas Mann as never before. By using creative, contemporary language, Neugroschel reinterprets Mann for modern English-speaking audiences. The author’s superb literary craftsmanship, his psychological insight, and the deeply erotic content of his work shine forth in this definitive English-language version of some of his most celebrated short works. This collection features the world masterpiece

Death in Venice....

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.

Waiter by day, man about Paris by night; the young and good looking Felix Krull has created for himself a personality to charm and deceive the world of wealth. When the Marquis de Venosta makes him a proposal that he can't refuse, the young Felix finds himself on the pathway that will elevate him into the world of riches.

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

In a blossoming garden located far outside all worlds, a group of aging Greek gods have gathered to discuss the nature of existence, the mystery of mind, and whether there is a transcendent God from whom all things come. Turning to Eros, Psyche asks, "Do you see this flower, my love?"