In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana.

Chester Pomeroy is a onetime rock star turned casualty of illicit substances. In the hands of Thomas McGuane, Chester's story is a high-wire act of extravagant emotion and steel-nerved prose. As he haunts Key West, pestering family, threatening a potential in-law with a .38, and attempting to crucify himself on his ex's door out of sheer lovesickness, Chester emerges as the pure archetype of the McGuane hero.

These stories attest to the generous compass of Thomas McGuane's fellow feeling, as well as to his unique way with words. In this collection, filled with grace and humor, the ties of family make for uncomfortable binds: A devoted son is horrified to discover his mother's antics before she slipped into dementia, and a father's outdoor skills are no match for a change in the weather. But complications arise equally in the absence of blood, as when lifelong friends on a fishing trip finally confront their deep dislike for each other.

When James Quinn and Vernor Stanton reunite at the Centennial Club, the scene of many a carefree childhood summer, Stanton marks the occasion by shooting his friend in the heart. The good news is that the bullet is made of wax. The bad news is that the Mephistophelian Stanton wants Quinn to help him wreak havoc upon this genteel enclave of weekend sportsmen: "May I predict that this is not going to be the usual boring, phlegmatic summer?"

From the highly acclaimed author of Ninety-two in the Shade and Cloudbursts comes a collection of alternately playful and exquisite essays—including seven collected here for the first time—borne of a lifetime spent fishing.

The unforgettable voyager of this dark picaresque is I. B. "Berl" Pickett, M.D., whose die was probably cast the moment his mother thought to name him after Irving Berlin. Other insults piled on apace thereafter: the spasms of Pentecostal Sunday worship; the social debilitation of following his parents' itinerant rug-shampooing business; the erotic initiation at the hands of his aunt. It's hard to imagine what would have become of him had he not gone to medical school.

Once again, John Gierach tells the world why the pastime of fly-fishing makes so much sense—except when it doesn't. In sparkling prose, with more than a touch of humor, he recalls the joys of landing that trout he's been watching for the last hour—and then losing an even fatter one a little later. Joy and frustration mix in Gierach's latest appreciation of the fly-fishing life as he takes us from his home waters on the Front Range of the Rockies in Colorado to fishing meccas all over North America.

On January 28, 1742, a ramshackle vessel of patched-together wood and cloth washed up on the coast of Brazil. Inside were thirty emaciated men, barely alive, and they had an extraordinary tale to tell. They were survivors of His Majesty’s Ship the Wager, a British vessel that had left England in 1740 on a secret mission during an imperial war with Spain. While the Wager had been chasing a Spanish treasure-filled galleon known as “the prize of all the oceans,” it had wrecked on a desolate island off the coast of Patagonia.

In September 1960, John Steinbeck and his poodle, Charley, embarked on a journey across America, from small towns to growing cities to glorious wilderness oases. Travels with Charley is animated by Steinbeck’s attention to the specific details of the natural world and his sense of how the lives of people are intimately connected to the rhythms of nature—to weather, geography, the cycles of the seasons. His keen ear for the transactions among people is evident, too, as he records the interests and obsessions that preoccupy the Americans he encounters along the way.

Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, DC, this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.

Duchess Day Radley is a 13-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother.

Set in the wide-open spaces of the American West, The Power of the Dog is a stunning story of domestic tyranny, brutal masculinity, and thrilling defiance from one of the most powerful and distinctive voices in American literature. The novel tells the story of two brothers—one magnetic but cruel, the other gentle and quiet—and of the mother and son whose arrival on the brothers’ ranch shatters an already tenuous peace.

Willa Cather renders the tough inner terrain of a man in mid-life crisis. Bartley Alexander is a master bridge engineer. At 43 he is at the height of his power, comfortable with success and all it brings. Yet he yearns for the lost vibrancy of his youth. He leads a double life, veering between his beautiful, accomplished wife and his mistress, an actress he knew as a student in Paris. The conflict creates a crack in the structure of his life that ultimately undermines him.

It’s February 1976, and Odessa, Texas, stands on the cusp of the next great oil boom. While the town’s men embrace the coming prosperity, its women intimately know and fear the violence that always seems to follow. In the early hours of the morning after Valentine’s Day, 14-year-old Gloria Ramírez appears on the front porch of Mary Rose Whitehead’s ranch house, broken and barely alive. The teenager had been viciously attacked in a nearby oil field - an act of brutality that is tried in the churches and barrooms of Odessa before it can reach a court of law.

Sean was a seventh-grade drop-out, a dishwasher then a construction worker to help his mother and sister scrape by, and a self-described "nobody with a sad story behind him." Yet he cannot deny the glimmers of life's goodness even amid its rough edges. Such goodness becomes even harder to deny when Sean meets the love of his life at a fried chicken church potluck, and harder still when his lifelong love of storytelling leads him to stages across the southeast, where he is known and loved as "Sean of the South."