Valentine Weis is a salvager in the future wastelands of Utah. Wrestling with body dysphoria, he dreams of earning enough money to afford citizenship in Salt Lake City—a utopia where the testosterone and surgery he needs to transition are free, the food is plentiful, and folks are much less likely to be shot full of arrows by salt pirates. But earning that kind of money is a pipe dream until he meets the exceptionally handsome Osric.

Ada Lamarr may have gotten to the spaceship wreck first, but looter’s rights won’t get her far when she’s got a hole in the side of her ship and her spacesuit is almost out of air. Fortunately for her, help arrives in the form of a government salvage crew—and while they rescue her from certain death, they are not pleased to have an unexpected passenger along on their classified mission. But Ada doesn’t care—all that matters to her is enjoying their fine food and sweet, sweet oxygen—until Rian White, the government agent in charge, starts to suspect that there’s more to Ada than meets the eye.

Powerless witch Saika is ready to enact her sister's final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous, knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate's caretakers. Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika's been disconnected from her magic since her sister's death two years prior.

A scandalous ex-porn star demon and a morally shady billionaire vampire walk into a bar… But this is no joke. It's opening day at the SOS Hotel and that lust demon? He's my business partner. I know. What was I thinking? The sexy, suave vampire, however? He's something else… Creating a sanctuary for the supernaturals left here when the tear in the veil sealed was always going to be difficult, but it's all I have, and I'm going to make it work. Despite the murders, the missing humans, and the psychotic real estate mogul who wants to bulldoze the hotel.

Misha knows that chasing success in Hollywood can be hell. But finally, after years of trying to make it, his big moment is here: an Oscar nomination. And the executives at the studio for his long-running streaming series know just the thing to kick his career to the next level: kill off the gay characters, "for the algorithm," in the upcoming season finale.