He is a brilliant math professor with a peculiar problem - ever since a traumatic head injury, he has lived with only 80 minutes of short-term memory. She is an astute young housekeeper - with a 10-year-old son-who is hired to care for the professor. And every morning, as the professor and the housekeeper are introduced to each other anew, a strange and beautiful relationship blossoms between them.

Yoshie's much-loved musician father died in a suicide pact with an unknown woman. It is only when Yoshie and her mother move to Shimokitazawa, a traditional Tokyo neighborhood of narrow streets, quirky shops, and friendly residents, that they can finally start to put their painful past behind them. However, despite their attempts to move forward, Yoshie is haunted by nightmares in which her father is looking for the phone he left behind on the day he died, or on which she is trying—unsuccessfully—to call him. Is her dead father trying to communicate a message through these dreams?

Tsukiko, 38, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei", in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is 30 years her senior, retired, and presumably a widower. Their relationship develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to a hesitant intimacy, which tilts awkwardly and poignantly into love.

In "Newlywed", an unhappily married young man deliberately misses his stop on the train, only to be questioned by a shape-shifting homeless man about the trials of his marriage. In "Blood and Water", a woman recalls how she left the village she grew up in - which was run by a New Age cult - in order to lead a fulfilling life, even against her parents' wishes. And in the title story, "Lizard", a woman who has never before felt truly secure in her life admits a deep secret to her lover.

With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.

Toru, a serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. As Naoko retreats further into her own world, Toru finds himself drawn to a fiercely independent and sexually liberated young woman.

Yunjae was born with a brain condition called alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends - the two almond-shaped neurons located deep in his brain have seen to that - but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say "thank you", and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.

In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A 30-something-year-old “millennial everywoman”, she has recently left her white-collar desk job - in order to care for her newborn daughter full-time - as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women - alive and even dead, both known and unknown to her.

A young woman walks into an employment agency and requests a job that has the following traits: It’s close to her home, and it requires no reading, no writing, and, ideally, very little thinking. Her first gig - watching the hidden-camera feed of an author suspected of storing contraband goods - turns out to be inconvenient. Her next gives way to the supernatural: announcing advertisements for shops that mysteriously disappear. As she moves from job to job, it becomes increasingly apparent that she's not searching for the easiest job at all but something altogether more meaningful.

The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.

In teeming Victorian London, where lavish wealth and appalling poverty live side by side, Edward Pierce charms the most prominent of the well-to-do as he cunningly orchestrates the crime of the century. Who would suspect that a gentleman of breeding could mastermind the daring theft of a fortune in gold? Who could predict the consequences of making the extraordinary robbery aboard the pride of England's industrial era, the mighty steam locomotive?

The 24 stories that make up Blind Willow, Sleeping Woman generously express the incomparable Haruki Murakami’s mastery of the form. Here are animated crows, a criminal monkey, and an ice man, as well as the dreams that shape us and the things for which we might wish. From the surreal to the mundane, these stories exhibit Murakami’s ability to transform the full range of human experience in ways that are instructive, surprising, and entertaining.

Belva Plain captured readers' hearts with her first novel, Evergreen, which Delacorte published more than 30 years ago. It topped the New York Times best-seller list for 41 weeks and aired as an NBC-TV miniseries. In total, more than 20 of her books have been New York Times best sellers. Today 30 million copies of her books are in print.

Bullied to the point of dropping out of school, Kokoro's days blur together as she hides in her bedroom, unable to face her family or friends. As she spirals into despair, her mirror begins to shine; with a touch, Kokoro is pulled from her lonely life into a resplendent, bizarre fairytale castle guarded by a strange girl in a wolf mask. Six other students have been brought to the castle, and soon this marvelous refuge becomes their playground.

The unicorn lived in a lilac wood, and she lived all alone...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a despondent monarch—and confronting the creature that would drive her kind to extinction....

Yoshie's much-loved musician father died in a suicide pact with an unknown woman. It is only when Yoshie and her mother move to Shimokitazawa, a traditional Tokyo neighborhood of narrow streets, quirky shops, and friendly residents, that they can finally start to put their painful past behind them. However, despite their attempts to move forward, Yoshie is haunted by nightmares in which her father is looking for the phone he left behind on the day he died, or on which she is trying—unsuccessfully—to call him. Is her dead father trying to communicate a message through these dreams?

Tsukiko, 38, works in an office and lives alone. One night, she happens to meet one of her former high school teachers, "Sensei", in a local bar. Tsukiko had only ever called him "Sensei" ("Teacher"). He is 30 years her senior, retired, and presumably a widower. Their relationship develops from a perfunctory acknowledgment of each other as they eat and drink alone at the bar, to a hesitant intimacy, which tilts awkwardly and poignantly into love.

Objects for sale at the Nakano Thrift Shop appear as commonplace as the staff and customers that handle them. But like those same customers and staff, they hold many secrets. If examined carefully, they show the signs of innumerable extravagancies, of immeasurable pleasure and pain, and of the deep mysteries of the human heart.

With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.

C'è un giorno, un giorno soltanto, in cui in condizioni particolari è possibile rivedere i propri cari defunti. Dicono che qualcuno è pure in grado di sentirli e parlar loro. Che sia possibile per Satsuki, che non riesce in alcun modo a scordare il ragazzo perduto, e Hiiragi, che per ricordare Yumiko ne indossa tutti i giorni la divisa alla marinara?

When thirty-four-year-old Ms. Shibata gets a new job to escape sexual harassment at her old one, she finds that as the only woman at her new workplace—a manufacturer of cardboard tubes—she is expected to do all the menial tasks. One day she announces that she can’t clear away her coworkers’ dirty cups—because she’s pregnant and the smell nauseates her. Except Ms. Shibata is not pregnant. But she has a nine-month ruse to keep up. Before long, it becomes all-absorbing, and with every stage of her “pregnancy,” the boundary between her lie and her life begins to dissolve.

Tokyo resident Keiko Furukara has never fit in - neither in her family, nor in school - but when at the age of 18 she begins working at the Hiiromachi branch of national convenience store chain Smile Mart, she realizes instantly that she has found her purpose in life. Delighted to be able to exist in a place where the rules of social interaction are crystal clear (many are laid out line-by-line in the store's manual), Keiko does her best to copy the dress, mannerisms, and mode of speech of her colleagues, playing the part of a "normal" person excellently, more or less.

A young woman walks into an employment agency and requests a job that has the following traits: It’s close to her home, and it requires no reading, no writing, and, ideally, very little thinking. Her first gig - watching the hidden-camera feed of an author suspected of storing contraband goods - turns out to be inconvenient. Her next gives way to the supernatural: announcing advertisements for shops that mysteriously disappear. As she moves from job to job, it becomes increasingly apparent that she's not searching for the easiest job at all but something altogether more meaningful.

As a child, Natsuki doesn’t fit into her family. Her parents favor her sister, and her best friend is a plush toy hedgehog named Piyyut who has explained to her that he has come from the planet Popinpobopia on a special quest to help her save the Earth.

Breasts & Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the 30-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent.

Hailed as a bold foray into new literary territory, Kawakami’s novel is told in the voice of a 14-year-old student subjected to relentless torment for having a lazy eye. Instead of resisting, the boy chooses to suffer in complete resignation. The only person who understands what he is going through is a female classmate who suffers similar treatment at the hands of her tormenters.

The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.

Gourmet cook Manako Kajii sits in the Tokyo Detention House convicted of the serial murders of lonely businessmen, whom she is said to have seduced with her delicious home cooking. The case has captured the nation’s imagination, but Kajii refuses to speak with the press, entertaining no visitors. That is until journalist Rika Machida writes a letter asking for her recipe for beef stew, and Kajii can’t resist writing back.

Yunjae was born with a brain condition called alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends - the two almond-shaped neurons located deep in his brain have seen to that - but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say "thank you", and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.

Sentaro has failed. He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste. Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape.