In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades.

Ralph and Anna Eldred are an exemplary couple, devoting themselves to doing good. 30 years ago as missionaries in Africa, the worst that could happen did. Shattered by their encounter with inexplicable evil, they returned to England, never to speak of it again. But when Ralph falls into an affair, Anna finds no forgiveness in her heart, and 30 years of repressed rage and grief explode, destroying not only a marriage but also their love, their faith, and everything they thought they were.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden - and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter.

London, 1782: center of science and commerce, home to the newly rich and the desperately poor. In the midst of it all is the Giant, O'Brien, a freak of nature, a man of song and story who trusts in myths, fairies, miracles, and little people. He has come from Ireland to exhibit his size for money. O'Brien's opposite is a man of science, the famed anatomist John Hunter, who lusts after the Giant's corpse as a medical curiosity, a boon to the advancement of scientific knowledge.

Ten years have passed since Muriel Axon was locked away for society's protection, but psychiatric confinement has only increased her malice and ingenuity. At last free, she sets into motion an intricate plan to exact revenge on those who had her put away. Her former social worker, Isabel, and her old neighbors have moved on, but Muriel, with her talent for disguise, will infiltrate their homes and manipulate their lives, until all her enemies are brought together for a gruesome finale.

Evelyn Axona is a medium by trade; her daughter, Muriel, is a half-wit by nature. Barricaded in their crumbling house, surrounded by the festering rubbish of years, they defy the curiosity of their neighbors and their social worker, Isabel Field. Isabel is young and inexperienced and has troubles of her own: an elderly father who wanders the streets, and a lover, Colin, who wants her to run away with him. But Colin has three horrible children and a shrill wife who is pregnant again - how is he going to run anywhere?

As a panicked world goes into lockdown, Lucy Barton is uprooted from her life in Manhattan and bundled away to a small town in Maine by her ex-husband and on-again, off-again friend, William. For the next several months, it’s just Lucy, William, and their complex past together in a little house nestled against the moody, swirling sea. Rich with empathy and emotion, Lucy by the Sea vividly captures the fear and struggles that come with isolation, as well as the hope, peace, and possibilities that those long, quiet days can inspire.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront both his past and the complicit silences of a town controlled by the church.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding, Lucrezia is thrust into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must make her way in a court whose customs are opaque and where her arrival is not universally welcomed.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.

When the world is still counting the cost of the Second World War and the Iron Curtain has closed, eleven-year-old Roland Baines's life is turned upside down. 2,000 miles from his mother's protective love, stranded at an unusual boarding school, his vulnerability attracts piano teacher Miss Miriam Cornell, leaving scars as well as a memory of love that will never fade.

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.

Ralph and Anna Eldred are an exemplary couple, devoting themselves to doing good. 30 years ago as missionaries in Africa, the worst that could happen did. Shattered by their encounter with inexplicable evil, they returned to England, never to speak of it again. But when Ralph falls into an affair, Anna finds no forgiveness in her heart, and 30 years of repressed rage and grief explode, destroying not only a marriage but also their love, their faith, and everything they thought they were.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

The unsolved murder of a farm family haunts the small, white, off-reservation town of Pluto, North Dakota. The vengeance exacted for this crime and the subsequent distortions of truth transform the lives of Ojibwe living on the nearby reservation and shape the passions of both communities for the next generation.

Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.

From the Booker Prize-winning author of The Sea and Ancient Light, a new novel - at once trenchant, witty, and shattering - about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown and a petty thief who does not steal for profit and has never before been caught.

On a balmy midsummer's evening in 1923, a young woman - foreign, dishevelled and heavily pregnant - is found unconscious just off the railway tracks in the tiny logging community of Woody Creek. The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives.

Imagine an alternate universe where romance and technology reign. Where tinkerers and dreamers craft and recraft a world of automatons, ornate clockworks, calculating machines, and other marvels that. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, and intrepid orphans - decked out in corsets, clockwerk suits, and tall black boots - solve dastardly crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

When Noel Bostock - aged 10, no family - is evacuated from London to escape the Nazi bombardment, he lands in a suburb northwest of the city with Vera Sedge - a 36-year-old widow drowning in debts and dependents. Always desperate for money, she's unscrupulous about how she gets it.

In this atmospheric and profoundly moving debut, Cathy and Daniel live with their father, John, in the remote woods of Yorkshire, in a house the three of them built themselves. John is a gentle brute of a man, a former enforcer who fights for money when he has to, but who otherwise just wants to be left alone to raise his children. When a local landowner shows up on their doorstep, their precarious existence is threatened, and a series of actions is set in motion that can only end in violence.

The first novel Nabokov wrote while living in America, and the most overtly political novel he ever wrote, Bend Sinister is a modern classic. While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state. Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man.

Owls Do Cry is Janet Frame's first novel. She describes her idea behind it in the second volume of her autobiography: 'Pictures of great treasure in the midst of sadness and waste haunted me and I began to think, in fiction, of a childhood, home life, hospital life, using people known to me as a base for main characters, and inventing minor characters.'

Magical realism, lyrical prose, and the pain and passion of human love haunt this hypnotic generational saga. Foolish love appears to be the Roux family birthright, an ominous forecast for its most recent progeny, Ava Lavender.

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.

These nine globe-trotting, unforgettable stories from Mia Alvar, a remarkable new literary talent, vividly give voice to the women and men of the Filipino diaspora. Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere - and sometimes turning back again.

In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next.

London, 1782: center of science and commerce, home to the newly rich and the desperately poor. In the midst of it all is the Giant, O'Brien, a freak of nature, a man of song and story who trusts in myths, fairies, miracles, and little people. He has come from Ireland to exhibit his size for money. O'Brien's opposite is a man of science, the famed anatomist John Hunter, who lusts after the Giant's corpse as a medical curiosity, a boon to the advancement of scientific knowledge.

One dark and stormy night in 1956, a stranger named Fludd mysteriously turns up in the dismal village of Fetherhoughton. He is the curate sent by the bishop to assist Father Angwin - or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action.

It is 1789, and three young provincials have come to Paris to make their way. Georges-Jacques Danton, an ambitious young lawyer, is energetic, pragmatic, debt-ridden - and hugely but erotically ugly. Maximilien Robespierre, also a lawyer, is slight, diligent, and terrified of violence. His dearest friend, Camille Desmoulins, is a conspirator and pamphleteer of genius. A charming gadfly, erratic and untrustworthy, bisexual and beautiful, Camille is obsessed by one woman and engaged to marry another, her daughter.

One of the 21st century's most celebrated authors, Hilary Mantel won the Booker Prize twice: for 2009's Wolf Hall, the first in her phenomenally successful Thomas Cromwell trilogy, and its 2012 sequel Bring Up the Bodies. The third novel in the series, 2020's The Mirror and the Light, won the Walter Scott Prize for Historical Fiction. This collection includes three of her best works of contemporary fiction, ranging from the Gothic to the blackly comic.

When Frances Shore joins her engineer husband in Jeddah, she is warned not to ask questions. But bored, she begins to speculate about her neighbors and the empty flat above her. At first she believes the flat is being used as a lover's tryst - then she suspects something more sinister.

One of the most accomplished, acclaimed, and garlanded writers, Hilary Mantel delivers a brilliant collection of contemporary stories. Cutting to the core of human experience, Mantel brutally and acutely writes about marriage, class, family, and sex. Unpredictable, diverse, and sometimes shocking, The Assassination of Margaret Thatcher displays a magnificent writer at the peak of her powers.

Evelyn Axona is a medium by trade; her daughter, Muriel, is a half-wit by nature. Barricaded in their crumbling house, surrounded by the festering rubbish of years, they defy the curiosity of their neighbors and their social worker, Isabel Field. Isabel is young and inexperienced and has troubles of her own: an elderly father who wanders the streets, and a lover, Colin, who wants her to run away with him. But Colin has three horrible children and a shrill wife who is pregnant again - how is he going to run anywhere?

Carmel McBain is the only child of working-class Irish-Catholic parents. Her mother aspires to something more for her than what life in their depressed mill town has to offer, determined that Carmel slip through England's rigid social barriers. And so, early on, she pushes Carmel, first to gain a scholarship to the local convent school, then to sit the exams for a place at London University. It sets her on a lonely journey that will take her as far as possible from where she began, uprooting her from the ties of class and place, of family and faith, and ultimately from her own self.