As the solitary child of mild and gentle parents, Jane is fascinated and astounded by her exotically European aunt, Dolly. Dolly’s ways are certainly not her parents’ ways, yet she is an object of interest and dread to her beleaguered relatives. It is clear that they have nothing in common: Jane feels no affection for Dolly, and Dolly clearly dislikes children. Yet the two are fated to go through life in uneasy harness, until such time as their alliance is accepted by both as not only inevitable, but as something of great value. Read by Fiona Shaw.

Elizabeth and Betsy are old school friends. Born in 1948 and unready for the sixties, they had high hopes of the lives they would lead, even though their circumstances were so different. When they meet again in their thirties, Elizabeth, married to the safe, older Digby, is relieving the boredom of a cosy but childless marriage with an affair. Betsy seems to have found real romance in Paris. Are their lives taking off, or are they just making more of the wrong choices without even realising it?

A novel about human relationships, focusing, unusually for Brookner, on two male characters. Hartmann and Fibich met at school and 40 years later they can no more think of living apart than of divorcing their wives. This book deals with their gradual coming to terms with the emotional gaps in their lives.

When Anna Durrant is reported missing her friends seem unconcerned at her disappearance. After all, her life has been one of concealment. For years Anna submitted to the protective dependence of her mother, and even after Amy Durrant’s death she simply conformed to the expectations of others. Increasingly, Anna feels herself trapped by these expectations.

Moving between Nice and London, The Bay of Angels makes the point that not everyone needs conventional relationships to be happy. It relates the story of Zoe, whose life changes when her widowed mother marries a wealthy older man and moves to Nice.

Beatrice considers herself to be delicate and sensitive, idle and confused. Forced into early retirement, she has an unashamed and romantic desire to be rescued by the ideal man. But Beatrice's only family is her orderly sister, Miriam.

Born to elegant but frivolous parents, Harriet grows up ignored and unguided, and retains a curious innocence that neither her marriage to Freddie Lytton, nor her friendship with the beautiful Tessa can dispel. Freddie is far older than she is - a companion rather than a lover - and slightly disapproving of Tessa and her irresponsible, attractive husband, Jack. Yet all four are bound together: by their backgrounds, their children, by Harriet’s unspoken feelings for Jack and by the tragedy that lies in wait for all of them.

When Rachel becomes involved in the lives of the Livingstones it is with an acute appreciation of their home - beautifully furnished and richly decorated. They have won an undisclosed amount of money on the football pools. But rather than enjoy their new-found wealth, seem sadly resigned to it. They do, however, appear to take pleasure in the association between Rachel and their daughter Heather, seeing Rachel as a good influence. However, no one can foresee their own destiny.

At seventy-three, Herz is facing an increasingly bewildering world. He cannot see his place in it or even work out what to do with his final years. Questions and misunderstandings haunt Herz like old ghosts. Should he travel, sell his flat, or propose marriage to a friend he has not seen in thirty years? The letters he writes and does not send and the passers-by he encounters remind him how out of touch he is, how detached from the modern world.

A predecessor to such monumental works such as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoyevsky's writing towards the more political side.

In this work, we follow the unnamed narrator of the story, who, disillusioned by the oppression and corruption of the society in which he lives, withdraws from that society into the underground.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

When the world is still counting the cost of the Second World War and the Iron Curtain has closed, eleven-year-old Roland Baines's life is turned upside down. 2,000 miles from his mother's protective love, stranded at an unusual boarding school, his vulnerability attracts piano teacher Miss Miriam Cornell, leaving scars as well as a memory of love that will never fade.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery that forces him to confront both his past and the complicit silences of a town controlled by the church.

This is Kazuo Ishiguro's profoundly compelling portrait of a butler named Stevens. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the "great gentleman," Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's "greatness," and much graver doubts about the nature of his own life.

Mrs. Harris is a salt-of-the-earth London charlady who cheerfully cleans the houses of the rich. One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life—a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her and she's never wanted anything as much before. Determined to make her dream come true, Mrs. Harris scrimps, saves, and slaves away until one day, after three long, uncomplaining years, she finally has enough money to go to Paris.

When Anna Durrant is reported missing her friends seem unconcerned at her disappearance. After all, her life has been one of concealment. For years Anna submitted to the protective dependence of her mother, and even after Amy Durrant’s death she simply conformed to the expectations of others. Increasingly, Anna feels herself trapped by these expectations.

Born to elegant but frivolous parents, Harriet grows up ignored and unguided, and retains a curious innocence that neither her marriage to Freddie Lytton, nor her friendship with the beautiful Tessa can dispel. Freddie is far older than she is - a companion rather than a lover - and slightly disapproving of Tessa and her irresponsible, attractive husband, Jack. Yet all four are bound together: by their backgrounds, their children, by Harriet’s unspoken feelings for Jack and by the tragedy that lies in wait for all of them.

This is a journey of both escape and discovery for four exquisitely different women, a month of bliss and privacy for four weary souls. Their refuge on the Italian Riviera provides the perfect backdrop for a story about the search for spiritual harmony within and without.

Swann’s Way is the first of seven volumes in Remembrance of Things Past. It sets the scene with the narrator’s memories being famously provoked by the taste of that little cake, the madeleine, accompanied by a cup of lime-flowered tea. It is an unmatched portrait of fin-de-siècle France.

The subject of Kokoro, which can be translated as 'the heart of things' or as 'feeling,' is the delicate matter of the contrast between the meanings the various parties of a relationship attach to it. In the course of this exploration, Soseki brilliantly describes different levels of friendship, family relationships, and the devices by which men attempt to escape from their fundamental loneliness. The novel sustains throughout its length something approaching poetry, and it is rich in understanding and insight.

Elinor Dashwood, an architecture student, values patience and reliability. Her impulsive sister, Marianne, takes after their mother, Belle, and is fiery and creative, filling the house with her dramas and guitar playing while dreaming of going to art school. But when their father, Henry Dashwood, dies suddenly, his whole family finds itself forced out of Norland Park, their beloved home for twenty years.

Madrid, 1980. Juan de Vere, nearly finished with his university degree, takes a job as personal assistant to Eduardo Muriel, an eccentric, once-successful film director. Urbane, discreet, irreproachable, Muriel is an irresistible idol to the young man. But Muriel's voluptuous wife, Beatriz, inhabits their home like an unwanted ghost, and on the periphery of their lives is Dr. Jorge Van Vechten, a family friend implicated in unsavory rumors that Muriel now asks Juan to investigate.

Damian Baxter is hugely wealthy and dying. He lives alone in a big house in Surrey, England, looked after by a chauffeur, butler, cook and housemaid. He has but one concern--his fortune in excess of 500 million and who should inherit it on his death.

Reissued for the 20th anniversary of Diana's death, this sensational best seller is an explosive account of her life, from the man who was by her side throughout its most turbulent period. In 1981 Lady Diana Spencer was seen by many as a lifeline for the outdated Windsor line. But Diana didn't follow the script. Instead she brought a revolution. Patrick Jephson was Diana's closest aide and adviser during her years of greatest public fame and deepest personal crisis.

Beautiful, sophisticated and endlessly ambitious Lily Bart endeavours to climb the social ladder of New York's elite by securing a good match and living beyond her means. Now nearing 30 years of age and having rejected several proposals, forever in the hope of finding someone better, her future prospects are threatened. A damning commentary of 20th-century social order, Edith Wharton's tale established her as one of the greatest British novelists of the 1900s.

This remarkable memoir is the classic account of the transgender journey. It is all the more extraordinary because it is the life story of a figure who, it seemed, seamlessly and publicly charted a course through the English establishment - James Morris, outstanding journalist, historian and travel writer, famed for a peerless writing style. But all the while he was concealing a very different inner world: from the age of four he felt that, despite his body, he was really a girl.

This is Kazuo Ishiguro's profoundly compelling portrait of a butler named Stevens. Stevens, at the end of three decades of service at Darlington Hall, spending a day on a country drive, embarks as well on a journey through the past in an effort to reassure himself that he has served humanity by serving the "great gentleman," Lord Darlington. But lurking in his memory are doubts about the true nature of Lord Darlington's "greatness," and much graver doubts about the nature of his own life.

Jennie Gerhardt is the tragic story of an innocent, caring, beautiful young girl from an extremely poor family who throughout her life is drawn into affairs with two different men from a much higher social class. How members of her family, the family of one of the wealthy men, and society in general react to her situation is the basis of this classic story.

Veteran con artist Roy spots an obvious easy mark when he meets Betty, a wealthy widow, online. In no time at all, he's moved into Betty's lovely cottage and is preparing to accompany her on a romantic trip to Europe. Betty's grandson disapproves of their blossoming relationship, but Roy is sure this scheme will be a success. He knows what he's doing. As this remarkable feat of storytelling weaves together Roy's and Betty's futures, it also unwinds their pasts.

For anyone who ever wondered what Marcel Proust had in mind when he wrote the one-and-a-quarter-million words of In Search of Lost Time (while bedridden no less), Alain de Botton has the answer. For, in this stylish, erudite and frequently hilarious book, de Botton dips deeply into Proust’s life and work - his fiction, letter, and conversations – and distils from them that rare self-help manual: one that is actually helpful.