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Love's Labor's Lost: The Arkangel Shakespeare
- Narrated by: Alex Jennings, Emma Fielding, Samantha Bond, Greg Wise, Alan Howard
- Length: 2 hrs and 26 mins
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Publisher's summary
A play replete with puns and double-entendres, this is one of Shakespeare's earliest and most lighthearted.
The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.
Berowne is played by Alex Jennings and Rosaline by Emma Fielding. Samantha Bond is the princess, and Greg Wise the king of Navarre. Alan Howard plays Don Armado.
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Featured Article: 50+ Timeless Shakespeare Quotes
From knock-knock jokes to the wild goose chase, we owe many of our most-used and best-loved phrases to the talent of the Bard. His words are timeless in their direct wisdom, their witty humor, and their surprising applicability to modern life: its nature, its purpose, and its pitfalls. We’ve collected some of our favorite William Shakespeare quotes for when you want to think about life’s big questions, wax poetic on the nature of love, or just need a good laugh. Immerse yourself in these Shakespeare quotes to dive into the comedies and tragedies penned by the Bard of Avon.
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Here is a grotesque and carnivalesque collection of exuberant, fantastical stories that takes us from the ancient world through to the European Renaissance. At the heart of these tall tales are the giant Gargantua and his equally seismic son, Pantagruel. Containing magical adventures, maniacal punning, slapstick humor, erudite allusions, and just about any bodily function one can think of, here is quite possibly the zaniest, most risqué book ever written.
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The king of all the narrators
- By amazon on 02-13-20
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Faust
- By: Johann Wolfgang von Goethe
- Narrated by: David McCallion
- Length: 5 hrs and 6 mins
- Unabridged
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Faust by Johann Wolfgang von Goethe, is a poem, translated by Bayard Taylor, which tells the beautiful and emotional story of a man who has seen and done it all. However, despite all of his learning and education, his life still feels empty and unaccomplished. He believes wholeheartedly that there is something else out there. Faust, having exhausted all other fields of study, turns to magic for fulfillment. He summons the devil and makes a pact - that if the devil can show him something rewarding and fulfilling, he will give the devil his soul.
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Misleading
- By Grant Pajak on 03-29-17
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Don Quixote (Adapted for Modern Listeners)
- By: Miguel de Cervantes
- Narrated by: Johnny Heller
- Length: 4 hrs and 39 mins
- Abridged
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Quixotic is a word that the dictionary defines as "extravagantly chivalrous or romantic; visionary...." and that is a fitting definition, indeed, for this charming retelling of Don Quixote, the 17t- century Spanish classic by Miguel de Cervantes, now updated for the modern listener. The gallant and fragile Quixote will touch listeners, as will his faithful squire Sancho Panza and the tragically beautiful heroine of the gentle Don’s chivalries, the fair Dulcinea.
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Great way in
- By pxriver on 07-12-18
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Don Quixote
- By: John Ormsby - translator, Miguel de Cervantes
- Narrated by: Roy McMillan
- Length: 36 hrs and 5 mins
- Unabridged
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The most influential work of the entire Spanish literary canon and a founding work of modern Western literature, Don Quixote is also one of the greatest works ever written. Hugely entertaining but also moving at times, this episodic novel is built on the fantasy life of one Alonso Quixano, who lives with his niece and housekeeper in La Mancha. Quixano, obsessed by tales of knight errantry, renames himself ‘Don Quixote’ and with his faithful servant Sancho Panza, goes on a series of quests.
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More than funny
- By Colin on 08-21-11
By: John Ormsby - translator, and others
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Tales from Shakespeare
- By: Charles Lamb, Mary Lamb
- Narrated by: David McCallion
- Length: 9 hrs and 56 mins
- Unabridged
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Tales from Shakespeare by Charles and Mary Lamb is a retelling of 20 of Shakespeare’s most beloved stories. Within the pages of this book, the 19th-century authors bring to life the Shakespearean plots and characters of another age in an easy-to-understand prose of a newer generation.
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A classic
- By Jacque Eddy on 10-07-19
By: Charles Lamb, and others
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Sir Gawain and the Green Knight
- By: Jessie L. Weston
- Narrated by: Jack Chekijian
- Length: 2 hrs and 2 mins
- Unabridged
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This is the classic tale of a knight from King Arthur's Round Table who makes a dangerous deal with a mysterious visitor. The production is based on Jessie L. Weston's 1900 prose edition of a 14th-century poem.
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Great reader
- By alec on 03-06-24
By: Jessie L. Weston
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Don Quixote
- Translated by Edith Grossman
- By: Edith Grossman - translator, Miguel de Cervantes
- Narrated by: George Guidall
- Length: 39 hrs and 37 mins
- Unabridged
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Sixteenth-century Spanish gentleman Don Quixote, fed by his own delusional fantasies, takes to the road in search of chivalrous adventures. But his quest leads to more trouble than triumph. At once humorous, romantic, and sad, Don Quixote is a literary landmark. This fresh edition, by award-winning translator Edith Grossman, brings the tale to life as never before.
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My Fourth Try at an Audible Quixote
- By James on 12-24-12
By: Edith Grossman - translator, and others
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Medea
- By: Euripides
- Narrated by: Jonathan Waters
- Length: 1 hr and 28 mins
- Unabridged
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Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the "barbarian" kingdom of Colchis, and the wife of Jason; she finds her position in the Greek world threatened as Jason leaves her for a Greek princess of Corinth. Medea takes vengeance on Jason by murdering Jason's new wife as well as her own children, after which she escapes to Athens to start a new life.
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Great Narrator makes this story work
- By cosmitron on 08-02-18
By: Euripides
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The Canterbury Tales: A Retelling
- By: Peter Ackroyd
- Narrated by: Keith Moore, Toby Leonard Moore, Colin McPhillamy, and others
- Length: 16 hrs and 55 mins
- Unabridged
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Author Peter Ackroyd has won the Somerset Maugham Award, the Whitbread Novel of the Year, and the Guardian Fiction Prize, and was shortlisted for the Booker Prize. Based on Geoffrey Chaucer’s immortal work, this retelling of The Canterbury Tales follows a party of travelers as they tell stories amongst themselves about love and chivalry, saints and legends, travel and adventure. Through allegory, satire, and humor, the tales help pass the time during their journey.
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WOW
- By Mitchell Drimmer on 02-25-15
By: Peter Ackroyd
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The Plays of Sophocles
- Oedipus the King, Oedipus at Colonus, and Antigone
- By: Sophocles
- Narrated by: David McCallion
- Length: 5 hrs and 2 mins
- Unabridged
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Sophocles was born at Colonus, near Athens in about 496 BC and is considered to be one of the premier playwrights of Greek tragedy. His stories may have been filled with strife, but Sophocles himself was prosperous and came from a good family. It is said that he was handsome, wealthy, and a highly respected citizen of Athens. During his life, he wrote over 120 plays and was instrumental in how plays would eventually be performed, including the addition of stage props.
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Bad Dialogue
- By Zoe Olvera on 08-12-18
By: Sophocles
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Idylls of the King
- By: Alfred Tennyson
- Narrated by: Charlton Griffin
- Length: 12 hrs and 31 mins
- Unabridged
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The Arthurian legend of Camelot has been told many times, but never better than by Alfred Tennyson. Employing some of the most stirring and beautiful blank verse ever written, Tennyson crafted his version of the Knights of the Round Table over the course of nearly fifty years, completing it in 1885. Despite the length of time, Tennyson managed to maintain a high level of style and continuity throughout.
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Beautiful poetry
- By Roger on 01-15-08
By: Alfred Tennyson
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This shattering drama of isolation and loss is one of the greatest tragedies in world literature. King Lear of Britain has three daughters: the hard-hearted Goneril and Regan, and the good and gentle Cordelia. He determines to divide his kingdom between them, giving the largest share to she who can say she loves him the best. Lear's tragic lack of judgment and self-knowledge is paralleled by the blindness of the loyal Gloucester who is persuaded to reject his virtuous son, Edgar, in favor of the villainous Edmund.
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I wasted time, and now doth time waste me.
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Well played!
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What listeners say about Love's Labor's Lost: The Arkangel Shakespeare
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Tad Davis
- 03-18-16
Not Shakespeare's best
The Arkangel team gives this the old college try, but it's not one of Shakespeare's better efforts. There's not much plot, and most of the humor depends on double entendres that are buried so deep in Elizabethan slang they're incomprehensible.
Of all of his plays, this is one best listened to with a good annotated text at hand. How else to make any sense of (for example) someone having an "incony vulgar wit"? Or the reference to "honorificatudinatatibus"?
That's not to say there aren't pleasures to be had. In one scene, the four men who have forsworn the company of women are caught, one by one, reciting love poems to the women they've just fallen in love with. The staging is deliriously symmetrical. In another scene, the men disguise themselves as Muscovites and present a Russian dance to the women.
But the play ends on a sad note: one of the women, a princess, receives word that her father has died. The romance is suspended; Jack hath not Jill, as one of the characters says. The women get ready to leave, but promise to return in a year and see if the men have been suitably serious in the meantime.
In fact, there's some evidence that Shakespeare did write a sequel, called "Love's Labor's Won," but if he did, it's lost. And that makes me almost as sad as the play.
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2 people found this helpful
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- Anonymous User
- 01-08-20
Great Shakesearean theater...
Really funny and very well-produced. Love the parody of scholarship (e.g. "how many inches in a mile?"), and I am a professor!
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- Andrew E. Yarosh
- 11-11-14
Cast list? Scene breaks?
What made the experience of listening to Love's Labor's Lost: The Arkangel Shakespeare the most enjoyable?
The performance is splendid and very engaging.
Who was your favorite character and why?
Samantha Bond as the Princess of France. Her voice is unique and her delivery always has an undercurrent of deliciousness.
On the other hand, she's the only character I recognize, and since Amazon/Audible doesn't think it is important to credit all the players with their parts in recordings of theatrical works, I might single out another character/performer but I have no idea who they are.
Amazon/Audible: are actors just fungible? Do they not matter? Why is a cast list (by character) not provided with EVERY recording of a play or other theatrical work?
What about the narrators’s performance did you like?
Well this question itself demonstrates Amazon/Audible's lack of understanding of what recorded drama is. THERE IS MORE THAN ONE NARRATOR!!!!!
Duh!
But, the players in this recording are all wonderful, speaking freely, clearly and with great engagement. Their tone is contemporary, clear, and playful.
Just great theatre!
If you were to make a film of this book, what would the tag line be?
Love's Labor's Lost. Duh!!! Why does it need a tag line?
Any additional comments?
In addition to my comments above referencing the way Amazon/Audible obscures the actors and their roles in these recorded plays (yes, its that way with EVERY Shakespeare recording you sell), it is beyond frustrating to have this recording delivered with two "chapters" and no option for a proper Act/Scene breakdown. Each Act and Scene should be a separate track, so that you can easily listen to just a particular scene.
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4 people found this helpful
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- Darwin8u
- 03-29-17
Honorificabilitudinitatibus!
The plot was a bit underwhelming but the dialogue was nearly razor sharp. Sometimes, Shakespeare's early plays just seem like discoing dervishes in a mirror-adorned room. As a reader we are amazed, dazzled, and distracted by all that is going on, by the spinning virtuosity of Shakespeare's words, by his absolute mastery of the English language, by his dash, his deft slight-of-tongues, but there just doesn't seem to be enough central narrative gravity to IT to pull the reader completely through it. It just seems heavy on the baroque icing and less focused on narrative complexity.
Shakespeare data dumps his genius for wit, flirtatious innuendo, and language with some fantastic lines, but wasn't flirting with a fully developed form yet. I feel like I'm looking at early, beautiful Picasso sketches, Da Vinci cartoons. But I want more. It really isn't you Shakespeare it is me.
Still, the play is fun, a frolic, a half-jest and nudge. It is also Shakespeare playing with the comedic form. He is rejecting and twisting the form to suit his wishes. Not yet the master of the English World, he is playing the master he will soon be.
I can't disagree too much with Harold Bloom: "Love's Labour's Lost is a festival of language, an exuberant fireworks display in which Shakespeare seems to seek the limits of his verbal resources and discovers that there are none."
Some of my favorite quotes:
― “Never durst a poet touch a pen to write
Until his ink was tempered with love's sighs.
...
From women's eyes this doctrine I derive:
They are the ground, the books, the academes,
From whence doth spring the true Promethean fire” (Act IV.3).
― “They have been at a great feast of languages, and stolen the scraps” (Act V.1)
― “O, they have lived long on the alms-basket of words. I marvel thy master hath not eaten thee for a word; for thou art not so long by the head as honorificabilitudinitatibus: thou art easier swallowed than a flap-dragon” (Act V.1).
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12 people found this helpful
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Overall
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- McPrivate
- 09-02-18
Performance great, but not Shakespeare's best
I went to see this play up in Oregon, and I have to say that this Audible performance was so much better than the live play up there. It was a great way to preview the book, and to understand everything first. This was so much better than the live performance that I will always listen to Audible's Shakespeare first. Very well done. As far as the story goes, it was OK, but other comedies like As You Like It, Twelfth Night, or Midsummer Nights Dream, for example, are much better.
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