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Coriolanus
- Arkangel Shakespeare
- Narrated by: Paul Jesson, Marjorie Yates, Ewan Hooper
- Length: 3 hrs and 10 mins
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Publisher's summary
Rome is a city divided, nobility and common-people locked in mutual suspicion. The patrician Caius Marcius, later called Coriolanus, is Rome's greatest soldier, but his proud refusal to accommodate himself to the demands of the plebeians leads to banishment and death.
A Roman history as well as tragedy, Coriolanus is a complex and subtle exploration of the themes of absolution and compromise, both in the political world and in the life of the individual.
Paul Jesson plays Coriolanus, and Marjorie Yates is Volumnia. Ewan Hooper plays Menenius.
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- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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Slayers: A Buffyverse Story
- By: Christopher Golden, Amber Benson
- Narrated by: Amber Benson, Charisma Carpenter, James Charles Leary, and others
- Length: 8 hrs and 2 mins
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Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.
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A dream come true
- By Anonymous User on 10-12-23
By: Christopher Golden, and others
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Pericles
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Pericles, Prince of Tyre, undergoes a tyrant's fury, storm, and shipwreck. He wins love and suffers loss, but what is lost may also be found. With the ancient poet Gower acting as narrator, we follow the adventures of Pericles from young manhood to maturity. This strange and powerful tale of loss and recovery is the first in the group of romance comedies created by Shakespeare at the end of his dramatic career.
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This shattering drama of isolation and loss is one of the greatest tragedies in world literature. King Lear of Britain has three daughters: the hard-hearted Goneril and Regan, and the good and gentle Cordelia. He determines to divide his kingdom between them, giving the largest share to she who can say she loves him the best. Lear's tragic lack of judgment and self-knowledge is paralleled by the blindness of the loyal Gloucester who is persuaded to reject his virtuous son, Edgar, in favor of the villainous Edmund.
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tragedy par excellence
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A collection of BBC Radio 3's iconic Shakespeare productions: eight comedies with all-star casts including David Tennant, Helena Bonham Carter, Anne-Marie Duff, Martin Jarvis, Siân Phillips and Miriam Margolyes. The plays included in this collection are: Much Ado About Nothing, As You Like It, A Midsummer Night's Dream, The Merchant of Venice, Twelfth Night, The Tempest, The Taming of the Shrew, and All's Well That Ends Well.
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Not told entirely
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BBC Radio Shakespeare: A Collection of Six Tragedies
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A collection of BBC Radio 3's iconic Shakespeare productions: six tragedies with all star casts including Michael Sheen, Juliet Stevenson, Kenneth Cranham, Corin Redgrave, Ken Stott, Geraldine James, Bill Wallis, Siân Phillips and Sophie Dahl.
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missing important parts
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BBC Radio Shakespeare: A Collection of Four History Plays
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Introduced by Sir Richard Eyre, these four iconic productions, dramatised with star casts, bring Shakespeare’s gripping histories to life in all their rich complexity.
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The narrators are outstanding here.
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Antony & Cleopatra
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Antony and Cleopatra is an intense love story, exploring the constant conflict between duty and emotion with characters so charismatic they continue to fascinate after 2,000 years. Shakespeare achieved some of his most beautiful poetry in this play, and the richness of the language makes it perfect for audio. Frances Barber stars as Cleopatra and David Harewood as Antony in this towering tale of great love, political intrigue and tragedy.
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Great Way to Experience Shakespeare
- By Carole T. on 08-26-12
What listeners say about Coriolanus
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Stef
- 02-14-17
Brilliant performance
The voice of Coriolanus is full of emotion. he sounds snotty when appropriate and furious when mad. The rest of the cast also performs wonderfully.
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- lavalleem
- 01-07-19
Love ArkAngel
The performance by ArkAngel always welcome and exciting. This lesser known Shakespeare play is entertaining and engaging.
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- Darwin8u
- 11-26-17
Let it be virtuous to be obsinate
“Let it be virtuous to be obstinate.”
- William Shakespeare, Coriolanus
I'm a sucker for a revenge play, so this one floats easily just on the heat generated by Coriolanus' anger. I remember being exposed to the Coriolanus story last year when I was reading Plutarch's 'Parallel Lives'* and again earlier this year when I was reading Livy's 'History of Rome, Books 1-2'. So, going into the play I was fairly comfortable with the basic story, but completely unprepared for Shakepeare's viscious tongue. Coriolanus, his mother Volumnia, and his friend Menenius all come packed with amazing lines. I don't think I'd go as far as T.S. Eliot and say it is superior to Hamlet:
"Coriolanus may be not as “interesting” as Hamlet, but it is, with Antony and Cleopatra, Shakespeare’s most assured artistic success. And probably more people have thought Hamlet a work of art because they found it interesting, than have found it interesting because it is a work of art. It is the Mona Lisa of literature."
Again, I still don't think it is superior to Hamlet, or as my wife would say: "be a wee bit skeptical of the judgement of a man who published 'Old Possum's Book of Practical Cats'".
Still, there is something fierce and yet very human about Coriolanus. Having personally been raised among military men, the martial attitude that combines sacrifice with a large, sharp edge of condescension is still something one sees in high ranking soldiers. The play swims in raging waters of hyper-masculenity and militarism. I have yet to see either the Ralph Fienne's adaption or the Tom Hiddleston version. I'm sure I'll be able to talk my wife into watching either with me.
Favorite Quotes:
"I have some wounds upon me, and they smart
To hear themselves remembered."
- Act 1, Scene 9
"These are the ushers of Martius, Before him
He carries noise, and behind him he leaves tears.
Death, that dark spirit, in's nervy arm doth lie;
Wich, being advanced, declines, and then men die."
- Act 2, Scene 1
“I find the ass in compound with the major part of your syllables.”
- Act 2, Scene 1
“They lie deadly that tell you have good faces.”
- Act 2, Scene 1
"Faith, there hath been many great men
that have flattered the people who ne'er loved them;
and there be many that they have loved they know not
wherefore; so that, if they love they know not why, they
hate upon no better a ground."
- Act 2, Scene 2
"He covets less
Than misery itself would give; rewards
His deeds with doing them; and is content
To spend the time to end it."
- Act 2, Scene 2
"Most sweet voices!
Better it is to die, better to starve,
Than crave the hire which first we do deserve."
- Act 2, Scene 3
“Why did you wish me milder? would you have me
False to my nature? Rather say I play
The man I am.”
- Act 3, Scene 2
“I think he'll be to Rome
As is the osprey to the fish, who takes it
By sovereignty of nature.”
- Act 4, Scene 7
"There is differency between a grub and a
butterfly; yet your butterfly was a grub. This Martius is
grown from man to dragon. He has wings; he's more
than a creeping thing."
- Act 5, Scene 4
* Plutarch's Lives is fascinating to read before jumping into Shakepeare's Roman plays (Antony and Cleopatra, Coriolanus, Julius Caesar, and Titus Andronicus).
22 likes
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- Ian C Robertson
- 07-14-14
A Story That Keeps Repeating
First, my thanks to Ted (whom I follow) for alerting me to this series. It is truly a great find. It has set me on a course to explore the lesser known Shakespeare's.
Secondly, a quick note about what you might want to have handy if you want to do the same thing. Unlike a novel, it is not easy to follow the many voices unless you have the script handy. I struggled with this until I got the Letterpress Folio edition out. So, bonus, I get to hear a play I don't know so well and the sublime pleasure of following it in one of the best reproductions in print. If you don't have a Letterpress handy, any old version will suffice so you can follow who says what.
Thirdly, I found the production values to be a bit dated, but that was more than made up for by the full cast reproduction.
Finally, I thought the play itself a very interesting and topical one. It has so many ramifications for the present day lust for power, the spiral of power and corruption and the modern parable that "power corrupts, absolute power corrupts absolutely" (Acton). One can see how easily it might be adapted to more contemporary times. I have got the Raphe Fiennes movie on order now so that I test the theory.
I am looking forward to the next wet, winter day encounter with a lesser known William
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