"If you go to Antigua as a tourist, this is what you will see. If you come by aeroplane, you will land at the V. C. Bird International Airport. Vere Cornwall (V. C.) Bird is the prime minister of Antigua. You may be the sort of tourist who would wonder why a prime minister would want an airport named after him - why not a school, why not a hospital, why not some great public monument. You are a tourist and you have not yet seen..." So begins Jamaica Kincaid's expansive essay, which shows us what we have not yet seen of the 10-by-12-mile island in the British West Indies.

Jamaica Kincaid's first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Misery infects the unstudied, slow pace of this island and of Mr. Potter's days. As the narrative unfolds in linked vignettes, his story becomes the story of a vital, crippled community.

Powerful, disturbing, and stirring, Jamaica Kincaid's novel is the deeply charged story of a woman's life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own. The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman's inexorable evolution, evoked in startling and magical poetry.

These stories plunge the listener gently into another way of perceiving both the physical world and its elusive inhabitants. Her narrative is, by turns, naïvely whimsical and biblical in its assurance, and it speaks of what is partially remembered, partly divined. The memories often concern a childhood in the Caribbean - family, manners, and landscape - as distilled and transformed by Kincaid's special style and vision.

An adored only child, Annie has until recently lived an idyllic life. She is inseparable from her beautiful mother, a powerful presence at the very center of the little girl's existence. Loved and cherished, Annie grows and thrives within her mother's benign shadow. Looking back on her childhood, she reflects, "It was in such a paradise that I lived". When she turns 12, however, Annie's life changes in ways that are often mysterious to her.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

Celie has grown up poor in rural Georgia, despised by society and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters to God. The letters, spanning 20 years, record a journey of self-discovery and empowerment guided by the light of a few strong women.

Awe and exhilaration—along with heartbreak and mordant wit—abound in Lolita, which tells the story of the aging Humbert Humbert's obsession for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America.

A smog has spread. Food crops are rapidly disappearing. A chef escapes her dying career in a dreary city to take a job at a decadent mountaintop colony seemingly free of the world’s troubles. There, the sky is clear again. Rare ingredients abound. Her enigmatic employer and his visionary daughter have built a lush new life for the global elite, one that reawakens the chef to the pleasures of taste, touch, and her own body.

Here is Gayl Jones' classic novel, the tale of blues singer Ursa, consumed by her hatred of the 19th-century slave master who fathered both her grandmother and mother.

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage produces twin sons whose separate paths confound Iqbal’s every effort to direct them.

Kara Davis is a girl caught in the middle - of her Canadian nationality and her desire to be a “true” Jamaican, of her mother and grandmother’s rages and life lessons, of having to avoid being thought of as too “faas” or too “quiet” or too “bold” or too “soft”. In “Little Jamaica”, Toronto’s Eglinton West neighbourhood, Kara moves from girlhood to the threshold of adulthood, from elementary school to high school graduation, in these 12 interconnected stories.

Oscar is a sweet but disastrously overweight ghetto nerd who—from the New Jersey home he shares with his old world mother and rebellious sister—dreams of becoming the Dominican J.R.R. Tolkien and, most of all, finding love. But Oscar may never get what he wants. Blame the fukú—a curse that has haunted Oscar’s family for generations, following them on their epic journey from Santo Domingo to the USA.

Six years after four family members died of arsenic poisoning, the three remaining Blackwoods—elder, agoraphobic sister Constance; wheelchair-bound Uncle Julian; and 18-year-old Mary Katherine, or, Merricat—live together in pleasant isolation. Merricat has developed an idiosyncratic system of rules and protective magic to guard the estate against intrusions from hostile villagers. But one day a stranger arrives—cousin Charles, with his eye on the Blackwood fortune.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

This exquisite, resonant novel by PEN/Faulkner winner James Salter is a brilliant portrait of a marriage by a contemporary American master. It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach.

With only a yellowing photograph in hand, a young man—also named Jonathan Safran Foer—sets out to find the woman who might or might not have saved his grandfather from the Nazis. Accompanied by an old man haunted by memories of the war, an amorous dog named Sammy Davis, Junior, Junior, and the unforgettable Alex, a young Ukrainian translator who speaks in a sublimely butchered English, Jonathan is led on a quixotic journey over a devastated landscape and into an unexpected past.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

Unlike the other residents of Middleton Hall, Stella is elegant, smart and in control. Only Jenny, her care assistant, knows that she harbours a painful secret, and only she can prevent Stella from carrying it to the grave. As the women talk, Jenny pieces together the answers to many questions that arise: Why has she kept possession of a house that her family don’t know about? What happened there that holds the key to a distant tragedy?

In the long, hot summer of 1976, a group of young people is camping in Wyvis Hall. Adam, Rufus, Shiva, Vivien and Zosie hardly ask why they are there or how they are to live; they scavenge, steal and sell the family heirlooms. Ten years later, the bodies of a woman and child are discovered in the Hall’s animal cemetery. Which woman? And whose child?

Fairy-tale romances end with a wedding and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently....

In a narrative that spans geography and time, from the Atlantic Ocean in the 17th century to a correctional institute in Texas in the near future, and told from the perspectives of five very different characters, Speak considers what it means to be human and what it means to be less than fully alive.

Two sisters, small-town Ontario, 1934. Canadian author Richard Wright tells their story, from the ordinary to the extraoridinary with an eye for the commonplace and poignant sense of the larger undercurrents that change people's lives.

Two sisters, ages 10 and 16, are exiled from Brooklyn to Bird Hill in Barbados, after their mother can no longer care for them. The young Phaedra and her older sister, Dionne, live, for the summer of 1989, with their grandmother, Hyacinth, a midwife and practitioner of the local spiritual practice of obeah. Dionne spends the summer in search of love, testing her grandmother's limits, and wanting to go home. Phaedra explores Bird Hill, where her family has lived for generations.

Winner of the National Book Award when it was first published in 1964, Herzog traces five days in the life of a failed academic whose wife has recently left him for his best friend. Through the device of letter writing, Herzog movingly portrays both the internal life of its eponymous hero and the complexity of modern consciousness.

From the Man Booker Prize-nominated author of Sleeping on Jupiter, The Folded Earth, and An Atlas of Impossible Longing, a poignant and sweeping novel set in India during World War II and the present day about a son’s quest to uncover the truth about his mother....

In 1923 the beautiful, spoiled, and bored Olivia, married to Douglas and his career in the Indian Civil Service, outrages the English and Indian communities by eloping with an Indian prince. Fifty years later, Douglas’s granddaughter, armed with Olivia’s letters, goes back to the heat and dust and squalor of the bazaars to find out for herself how Olivia could have been so affected by India that she turned her back on her own country.

Julie would remember her happy days at Aunt Cordelia’s forever. Running through the spacious rooms, singing on rainy nights in front of the blazing fireplace. There were rides in the woods on Peter the Great, the races with Danny Trevort. Maybe best of all were the precious moments alone in her room at night, gazing at the sea of stars. But there was sadness too - the painful jealousy Julie felt after her sister got married, the tragic death of a schoolmate, and the bitter disappointment of her first love. Sometimes it all seemed like too much to handle.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.