Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

When I was a little girl, I dreamed a handsome knight would come and rescue me from my wretched mother. He'd ride up on his white steed and break the curse I've been fated to carry since the day I was born. Funny how things changed over time, how the fairytale twisted into something far more crooked—and darker—than I ever imagined. In reality, my knight is scarred and broken, living alone in a castle of bones that overlooks the sea. He isn’t searching for me. He never was.

Academy Award nominee Rachel McAdams stars in Mary Jane, a poignant and intimate drama following a single mother’s journey caring for her chronically ill young son. Set in New York City, the play unfolds in two parts—Mary Jane's small Queens apartment and a pediatric hospital. With unflinching honesty and unexpected humor, we witness Mary Jane's tireless devotion, her interactions with medical professionals, and her struggle to maintain her sense of self.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Original cast members from the beloved TV series, Buffy the Vampire Slayer, reunite for an all-new adventure about connections that never die—even if you bury them. A decade has passed since the epic final battle that concluded Buffy the Vampire Slayer (TV). The game-changing spell that gave power to all potential Slayers persists. With new Slayers constantly emerging, things are looking grim for the bad guys.

Chinese herbalist Chryssy Hua Williams never actually believed in the Hua family curse. But after Break-Up #9, Chryssy stopped laughing. Now she and her aunties run a special healing retreat center for the broken-hearted. After all, there’s nothing a proper cup of herbal tea can’t fix...but Chryssy’s innocent run-in with celebrity cellist and bad boy Vin Chao has everyone brewing about a different kind of tea. So he offers her a deal: they’ll fake-date, he’ll “break” her heart (and increase ticket sales), and in return, he’ll promote her business.

1800s China. Tightly bound feet, or "golden lilies," are the mark of an honorable woman, eclipsing beauty, a rich dowry and even bloodline in the marriage stakes. When Little Flower is sold as a maidservant—a muizai—to Linjing, a daughter of the prominent Fong family, she clings to the hope that one day her golden lilies will lead her out of slavery. Not only does Little Flower have bound feet, uncommon for a muizai, but she is extraordinarily gifted at embroidery, a skill associated with the highest class of a lady.

Thirty-five-year-old Arabella, a New York theatre director whose dating and career prospects are drying up, is offered an opportunity to direct a risqué cross-dressing interpretation of a Shakespeare classic—that might garner international attention—in the West Bank. Her mother, Naya, and grandmother, Zoya, hatch a plot to match her with Aziz, a Palestinian American doctor volunteering in Gaza. Arabella agrees to meet Aziz, since her growing feelings for Yoav, a celebrated Israeli American theatre designer, seem destined for disaster.

When 24-year-old Kareela discovers she's pregnant with a child she isn't sure she wants, her struggle to understand her place in the world as a person who is half-Black, half-white—yet feels neither—is amplified. Her mother, Evelyn, fled to Canada with her husband and their first-born child during the politically charged Jamaican exodus in the 1980s, only to realize they'd come to a place where Black men are viewed with suspicion—a constant and pernicious reality Evelyn watches her husband and son navigate daily. Years later, Evelyn's mother-in-law, Violet, moves in.

When ten-year-old Ebby Freeman heard the gunshot, time stopped. And when she saw her brother, Baz, lying on the floor surrounded by the shattered pieces of a centuries-old jar, life as Ebby knew it shattered as well. The crime was never solved—and because the Freemans were one of the only Black families in a particularly well-to-do enclave of New England—the case has had an enduring, voyeuristic pull for the public. The last thing the Freemans want is another media frenzy splashing their family across the papers, but when Ebby's high profile romance falls apart, that's exactly what they get.

Hannah longs for the days when she used to be free, but now, she is a Jewish prisoner at Theresienstadt, a model ghetto where the Nazis plan to make a propaganda film to convince the world that the Jewish people are living well in the camps. But Hannah will do anything to show the world the truth. Along with other young resistance members, they vow to disrupt the filming and derail the increasingly frequent deportations to death camps in the east.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.

After nearly losing the election to a geriatric donkey, newly installed Mayor Delizia Miccuci can’t help but feel like the sun has finally set on the rural Italian village of Lazzarini Boscarino. Tourists only stop by to ask for directions, Nonna Amara’s cherished ristorante is long shuttered, and the town hall is disgustingly overrun with glis glis poo—even Postman Duccio has been disgraced.

When Ruth Handler walks into the boardroom of the toy company she co-founded and pitches her idea for a doll unlike any other, she knows what she’s setting in motion. It might just take the world a moment to catch up. In 1956, the only dolls on the market for little girls let them pretend to be mothers. Ruth’s vision for a doll shaped like a grown woman and outfitted in an enviable wardrobe will let them dream they can be anything.

Going Home is a sparkling, funny, bighearted story of family and what happens when three men—all of whom are completely ill-suited for fatherhood—take charge of a toddler following an unexpected loss.

In the snowy mountains of Vermont, Sonia is lonely. A college student and aspiring writer homesick for India, she turns to an older artist for inspiration and intimacy, a man who will cast a dark spell on the next many years of her life. In Brooklyn, Sunny is lonely, too. A struggling journalist originally from Delhi, he is both beguiled and perplexed by his American girlfriend and the country in which he plans to find his future. As Sonia and Sunny each becomes more and more alienated, they begin to question their understanding of happiness, human connection, and where they belong.

Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act.

Sigrid hates working at the Dollar Pal, but having always resisted the idea of growing up into the trappings of adulthood, she did not graduate high school, preferring to roam the streets of her small town with her best friend Greta, the only person in the world who ever understood her. Her older sister Margit is baffled and frustrated by Sigrid’s inability to conform to the expectations of polite society.

Haiwen is buying bananas at a 99 Ranch Market in Los Angeles when he looks up and sees Suchi, his Suchi, for the first time in sixty years. To recently widowed Haiwen it feels like a second chance, but Suchi has only survived by refusing to look back. Suchi was seven when she first met Haiwen in their Shanghai neighborhood, drawn by the sound of his violin. Their childhood friendship blossomed into soul-deep love, but when Haiwen secretly enlisted in the Nationalist army in 1947 to save his brother from the draft, she was left with just his violin and a note: Forgive me.

In 1943, when a frail old white woman shows up in Red Clay, Alabama, at the home of a Black former slave—on the morning following his funeral—his family hardly knows what to expect after she utters the words “… a lifetime ago, my family owned yours.” Adelaide Parker has a story to tell—one of ambition, betrayal, violence, and redemption—that shaped both the fate of her family and that of the late Felix H. Parker. But there are gaps in her knowledge, and she’s come to Red Clay seeking answers from a family with whom she shares a name and a history that neither knows in full.