Clay, a successful screenwriter, has returned from New York to Los Angeles to help cast his new movie, and he’s soon drifting through a long-familiar circle. Blair, his former girlfriend, is married to Trent, an influential manager who’s still a bisexual philanderer, and their Beverly Hills parties attract various levels of fame, fortune and power. Then there’s Clay’s childhood friend Julian, a recovering addict, and their old dealer, Rip, face-lifted beyond recognition and seemingly even more sinister than in his notorious past.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates. Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, and more.

The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.

The Goldfinch is a haunted odyssey through present-day America and a drama of enthralling force and acuity. It begins with a boy. Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.

It is more than just the late November weather that has cast a chill over the campus of Atherton University. When the wife of respected professor Eric Eberman is killed in a tragic accident, his secret student lover, Randall Stone, fears the professor tried to avert career suicide by committing homicide. Or do the dead woman’s haunting last words point to an even more damning crime? Fearing the truth, Randall digs into his lover’s hidden history.

World War Z: The Complete Edition features 21 additional Hollywood A-list actors and sci-fi fan favorites performing stories not included in the original edition. New narrators include Academy Award-winning director Martin Scorsese, Spiderman star Alfred Molina, The Walking Dead creator Frank Darabont, rapper Common, Firefly star Nathan Fillion, Shaun of the Dead’s Simon Pegg, and members of the casts of Star Trek, Battlestar Galactica, Heroes and more!

Ketterdam: a bustling hub of international trade where anything can be had for the right price - and no one knows that better than criminal prodigy Kaz Brekker. Kaz is offered a chance at a deadly heist that could make him rich beyond his wildest dreams. But he can't pull it off alone.

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: She must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful 13-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims - a bit too strongly.

On an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when - or if - it will go away.

Quentin Coldwater is brilliant but miserable. A senior in high school, he's still secretly preoccupied with a series of fantasy novels he read as a child, set in a magical land called Fillory. Imagine his surprise when he finds himself unexpectedly admitted to a very secret, very exclusive college of magic in upstate New York, where he receives a thorough and rigorous education in the craft of modern sorcery.

Macbeth: A Novel brings the intricacy and grit of the historical thriller to Shakespeare’s tale of political intrigue, treachery, and murder. In this full-length novel written exclusively for audio, authors A. J. Hartley and David Hewson rethink literature’s most infamous married couple, grounding them in a medieval Scotland whose military and political upheavals are as stark and dramatic as the landscape in which they are played.

Set at a small, affluent liberal-arts college in New England at the height of the Reagan '80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future - or even the present - who become entangled in a curious romantic triangle.

Clay, a successful screenwriter, has returned from New York to Los Angeles to help cast his new movie, and he’s soon drifting through a long-familiar circle. Blair, his former girlfriend, is married to Trent, an influential manager who’s still a bisexual philanderer, and their Beverly Hills parties attract various levels of fame, fortune and power. Then there’s Clay’s childhood friend Julian, a recovering addict, and their old dealer, Rip, face-lifted beyond recognition and seemingly even more sinister than in his notorious past.

Clay comes home for Christmas vacation from his Eastern college and reenters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates. Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, and more.

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

„‚American Psycho’ läuft drohend, grollend wie ein Unwetter an, und plötzlich schlägt der grausame Blitz ein: Die Banalität des Schrecklichen, die wir verdrängen wollen, trifft uns und zwingt uns, das Unerträgliche wahrzunehmen: die Oberflächlichkeit, die Brutalität, mit der wir uns abfinden. In einer Medienwelt, die jedes Thema lächelnd in drei Minuten abhandelt - vom Holocaust über die Salatbar zum Krieg – ist dieses Buch ein Schuss ins Herz, Picassos ‚Guernica’ vergleichbar.“ Elke Heidenreich.

Nicholas, a would-be poet, and Nakota, his feral lover, discover a strange hole in the storage room floor down the hall - "Black. Pure black and the sense of pulsation, especially when you look at it too closely, the sense of something not living but alive." It begins with curiosity, a joke - the Funhole down the hall. But then the experiments begin. "Wouldn't it be wild to go down there?" says Nakota. Nicholas says "We're not." But they're not in control, not from the first moment, as those experiments lead to obsession, violence, and a very final transformation.

A recurrent, unidentifiable noise in her apartment. A memo to her boss that's replaced by obscene insults. Amanda - a successful architect in a happy marriage - finds her life going off kilter by degrees. She starts smoking again, and one night for no reason, without even the knowledge that she's doing it, she burns her husband with a cigarette. At night she dreams of a beautiful woman with pointed teeth on the shore of a blood-red sea.

The son of a struggling single mother, Jamie Conklin just wants an ordinary childhood. But Jamie is no ordinary child. Born with an unnatural ability his mom urges him to keep secret, Jamie can see what no one else can see and learn what no one else can learn. But the cost of using this ability is higher than Jamie can imagine—as he discovers when an NYPD detective draws him into the pursuit of a killer who has threatened to strike from beyond the grave.

On an entirely normal, beautiful fall day in Chester's Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener's hand is severed as "the dome" comes down on it, people running errands in the neighboring town are divided from their families, and cars explode on impact. No one can fathom what this barrier is, where it came from, and when - or if - it will go away.

Five days ago, the epidemic of rage began. Four days ago, the rash of senseless murders swept the nation. Three days ago, the president addressed the country and begged for peace—even as the murders increased tenfold. Two days ago, the killers began to mobilize. One day ago, the power went out. And tonight, the killers are reading the names of those to be killed over the Emergency Broadcast System.

To serial slayer Andrew Compton, murder is an art, the most intimate art. After feigning his own death to escape from prison, Compton makes his way to the United States with the sole ambition of bringing his “art” to new heights. Tortured by his own perverse desires, and drawn to possess and destroy young boys, Compton inadvertently joins forces with Jay Byrne, a dissolute playboy who has pushed his “art” to limits even Compton hadn’t previously imagined.

Leland Gaunt opens a new shop in Castle Rock called Needful Things. Anyone who enters his store finds the object of his or her lifelong dreams and desires: a prized baseball card, a healing amulet. In addition to a token payment, Gaunt requests that each person perform a little "deed", usually a seemingly innocent prank played on someone else from town. These practical jokes cascade out of control, and soon the entire town is doing battle with itself. Only Sheriff Alan Pangborn suspects that Gaunt is behind the population's increasingly violent behavior.