From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

Clay, a successful screenwriter, has returned from New York to Los Angeles to help cast his new movie, and he’s soon drifting through a long-familiar circle. Blair, his former girlfriend, is married to Trent, an influential manager who’s still a bisexual philanderer, and their Beverly Hills parties attract various levels of fame, fortune and power. Then there’s Clay’s childhood friend Julian, a recovering addict, and their old dealer, Rip, face-lifted beyond recognition and seemingly even more sinister than in his notorious past.

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

Under the influence of a charismatic classics professor, a group of clever, eccentric misfits at a New England college discover a way of thought and life a world away from their banal contemporaries. But their search for the transcendent leads them down a dangerous path, beyond human constructs of morality.

White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates. Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, and more.

When a listless office employee (the narrator) meets Tyler Durden, his life begins to take on a strange new dimension. Together they form Fight Club - a secretive underground group sponsoring bloody bare-knuckle boxing matches staged in seedy alleys, vacant warehouses, and dive-bar basements. Fight Club lets ordinary men vent their suppressed rage, and it quickly develops a fanatical following.

Awe and exhilaration—along with heartbreak and mordant wit—abound in Lolita, which tells the story of the aging Humbert Humbert's obsession for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America.

The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.

In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.

Victor Mancini, a medical school dropout, is an antihero for our deranged times. Needing to pay elder care for his mother, Victor has devised an ingenious scam: He pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him.

Tender Branson - last surviving member of the so-called "Creedish Death Cult" - is dictating his incredible life story into the flight recorder of Flight 2039, cruising on autopilot at 39,000 feet somewhere over the Pacific Ocean. He is all alone in the plane, which will shortly reach terminal velocity and crash into the vast Australian outback.

Chuck Palahniuk, the author of the New York Times best-sellers Fight Club and Lullaby, is known for his edgy novels, and Rant is no exception. Palahniuk presents this fictional biography of Buster "Rant" Casey in a series of vignettes told by the people who knew him best. As intricate as a spider web, Rant succeeds in recounting the story of one man's life only through the eyes of others. But the question remains, "Who was Rant Casey?"

Miles Halter is fascinated by famous last words - and tired of his safe life at home. He leaves for boarding school to seek what the dying poet François Rabelais called the “Great Perhaps”. Much awaits Miles at Culver Creek, including Alaska Young, who will pull Miles into her labyrinth and catapult him into the Great Perhaps.

Palahniuk’s fashion-model protagonist has it all - boyfriend, career, loyal best friend - until an accident destroys her face, her ability to speak, and her self-esteem. Enter Brandy Alexander, Queen Supreme, one operation away from becoming a bona fide woman.

Clay comes home for Christmas vacation from his Eastern college and reenters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin.

Bret Ellis, the narrator of Lunar Park, is the bestselling writer whose first novel Less Than Zero catapulted him to international stardom while he was still in college. In the years that followed he found himself adrift in a world of wealth, drugs, and fame, as well as dealing with the unexpected death of his abusive father.

From his first novel – Less Than Zero – published when he was still a college student – to his most recent – the fierce American Psycho, Bret Easton Ellis has been a powerful and original presence in contemporary literature, whether giving voice to a previously inchoate generation or provoking a controversy that raged throughout the culture. Now he takes a quantum leap forward: an awesome reckoning of the American Century at endgame. In Glamorama, a young man in what is recognizably fashion and celebrity-obsessed Manhattan is gradually, imperceptibly drawn into a shadowy looking-glass of that society, there and in London and Paris, and then finds himself trapped on the other side, in a much darker place where fame and terrorism and family and politics are inextricably linked and sometimes indistinguishable. At once implicated and horror-stricken, his ways of escape blocked at every turn, he ultimately discovers – back on the other, familiar side – that there was no mirror, no escape, no world but this one in which hotels implode and planes fall from the sky.

Clay, a successful screenwriter, has returned from New York to Los Angeles to help cast his new movie, and he’s soon drifting through a long-familiar circle. Blair, his former girlfriend, is married to Trent, an influential manager who’s still a bisexual philanderer, and their Beverly Hills parties attract various levels of fame, fortune and power. Then there’s Clay’s childhood friend Julian, a recovering addict, and their old dealer, Rip, face-lifted beyond recognition and seemingly even more sinister than in his notorious past.

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

Patrick Bateman moves among the young and trendy in 1980s Manhattan. Young, handsome, and well educated, Bateman earns his fortune on Wall Street by day while spending his nights in ways we cannot begin to fathom. Expressing his true self through torture and murder, Bateman prefigures an apocalyptic horror that no society could bear to confront.

Bret Easton Ellis’s masterful new novel is a story about the end of innocence, and the perilous passage from adolescence into adulthood, set in a vibrantly fictionalized Los Angeles in 1981 as a serial killer begins targeting teenagers throughout the city.

Including: "Europe, Europe", "America", "Howl", and more!

The tragicomedy of a young man in New York City, a writer, never named, who works as a fact-checker for a prestigious magazine. He struggles with the reality of his mother's death, alienation, and the seductive pull of drugs and a vibrant nightlife.

Marked by Irvine Welsh’s scabrous humor and raw Scottish vernacular, Skagboys transports us to 1980s Edinburgh, where the Trainspotting crew is just getting started. Mark Renton has it all: the first in his family to attend university, he has a pretty girlfriend and a great social life. But when economic uncertainties and family problems intervene, Rent succumbs to the defeatism - not to mention the drug use - that has taken hold in Edinburgh’s tougher quarters. His friends are responding according to personality....

When a listless office employee (the narrator) meets Tyler Durden, his life begins to take on a strange new dimension. Together they form Fight Club - a secretive underground group sponsoring bloody bare-knuckle boxing matches staged in seedy alleys, vacant warehouses, and dive-bar basements. Fight Club lets ordinary men vent their suppressed rage, and it quickly develops a fanatical following.

Celeste Price is an eighth-grade English teacher in suburban Tampa. But Celeste's devotion lies elsewhere. She has a singular sexual obsession: 14-year-old boys. In slaking her sexual thirst, Celeste Price is remorseless and deviously free of hesitation, a monstress driven by pure motivation. She deceives everyone, and cares nothing for anyone or anything but her own pleasure. With crackling, rampantly unadulterated prose, Tampa is a grand, uncompromising, seriocomic examination of want and a scorching literary debut.

High school senior Andrew Perrault finds refuge in the twisted fairy tales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve.

Awe and exhilaration—along with heartbreak and mordant wit—abound in Lolita, which tells the story of the aging Humbert Humbert's obsession for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America.

William Stoner is born at the end of the 19th century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar's life, far different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments.