When her father leaves the Church, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the North of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of local mill workers and develops a passionate sense of social justice. In North and South Gaskell skillfully fused individual feeling with social concern and in Margaret Hale created one of the most original heroines of Victorian literature.

Set in English society before the 1832 Reform Bill, Wives and Daughters centers on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new stepsister enters Molly's quiet life, the loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.

This classic novel has been thrice adapted for the screen by the BBC. Mary Smith relates the story of her time with middle-aged spinster sisters Miss Matty and Miss Deborah. Witty, poignant, and often ironic, Cranford is the tale of what these two women will do to remain respectable, proper, and kind with only moderate means.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

Shy, fragile Fanny Price is the consummate "poor relation". Sent to live with her wealthy uncle Thomas, she clashes with his spoiled, selfish daughters and falls in love with his son. Their lives are further complicated by the arrival of a pair of witty, sophisticated Londoners, whose flair for flirtation collides with the quiet, conservative country ways of Mansfield Park.

Following Jane from her childhood as an orphan in Northern England through her experience as a governess at Thornfield Hall, Charlotte Brontë's Gothic classic is an early exploration of women's independence in the mid-19th century and the pervasive societal challenges women had to endure. At Thornfield, Jane meets the complex and mysterious Mr. Rochester, with whom she shares a complicated relationship that ultimately forces her to reconcile the conflicting passions of romantic love and religious piety.

In her daring first novel, the youngest Brontë sister drew upon her own experiences to tell the unvarnished truth about life as a governess. Like Agnes Grey, Anne Bronte was a young middle-class Victorian lady whose family fortunes had faltered. Like so many other unmarried women of the 19th century, Bronte accepted the only "respectable" employment available - and entered a world of hardship, humiliation, and loneliness.

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for.

Leo Tolstoy's classic story of doomed love is one of the most admired novels in world literature. Generations of readers have been enthralled by his magnificent heroine, the unhappily married Anna Karenina, and her tragic affair with dashing Count Vronsky.

The orphaned heroine Ruth, apprenticed to a dressmaker, is seduced by wealthy Henry Bellingham who is captivated by her simplicity and beauty. Their affair causes her to lose her home and job to which he offers her shelter, only to cruelly abandon her soon after. She is offered a chance of a new life though shamed in the eyes of society by her illegitimate son. When Henry reappears offering marriage she must choose between social acceptance and her own pride.

Little Women is a novel by American author Louisa May Alcott (1832-1888) that was originally published in two volumes in 1868 and 1869. Alcott wrote the books rapidly over several months at the request of her publisher. The novel follows the lives of four sisters - Meg, Jo, Beth, and Amy March - detailing their passage from childhood to womanhood and is loosely based on the author and her three sisters. This special edition celebrating the 150th year since publication includes excerpts from "Louisa May Alcott, Her Life, Letters, and Journals" and "Little Women" part one and two.

McCullough's John Adams has the sweep and vitality of a great novel. This is history on a grand scale, an audiobook about politics, war, and social issues, but also about human nature, love, religious faith, virtue, ambition, friendship, and betrayal, and the far-reaching consequences of noble ideas. Above all, it is an enthralling, often surprising story of one of the most important and fascinating Americans who ever lived.

One of Jane Austen's most popular novels. Arrogant, self-willed, and egotistical, Emma is her most unusual heroine.

The complete "box set" of T. H. White's epic fantasy novel of the Arthurian legend. The novel is made up of five parts: "The Sword in the Stone", "The Witch in the Wood", "The Ill-Made Knight", "The Candle in the Wind", and "The Book of Merlyn".

Based in part on Dickens's own life, it is the story of a young man's journey from an unhappy and impoverished childhood to the discovery of his vocation as a successful novelist. Among its gloriously vivid cast of characters, he e.ncounters his tyrannical stepfather, Mr. Murdstone; his formidable aunt, Betsey Trotwood; the eternally humble yet treacherous Uriah Heep; the frivolous, enchanting Dora; and one of literature's great comic creations, the magnificently impecunious Mr. Micawber.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Evelyn Waugh's 1934 novel is a bitingly funny vision of aristocratic decadence in England between the wars. It tells the story of Tony Last, who, to the irritation of his wife, is inordinately obsessed with his Victorian Gothic country house and life. When Lady Brenda Last embarks on an affair with the worthless John Beaver out of boredom with her husband, she sets in motion a sequence of tragicomic disasters that reveal Waugh at his most scathing.

For as long as she can remember, Jane Stuart and her mother have lived with her controlling grandmother in a dreary mansion in Toronto. Jane always believed her father was dead, so she was shocked to receive an invitation to stay with him for the summer on Prince Edward Island. But from their very first meeting, Jane fell in love with her charming father and his whimsical cottage. During her stay with him, she even found herself daring to dream that there could be such a house back in Toronto.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Lady Susan was the first of Jane Austen's novels to be completed. Less known than Austen's six great later novels, it demonstrates the wit and sharp observations of Jane Austen - and is shown at its best in audiobook form, with different actresses presenting real characters as they read their letters.

Emma Bovary is beautiful and bored, trapped in her marriage to a mediocre doctor and stifled by the banality of provincial life. An ardent reader of sentimental novels, she longs for passion and seeks escape in fantasies of high romance, in voracious spending and, eventually, in adultery. But even her affairs bring her disappointment, and the consequences are devastating. Flaubert's erotically charged and psychologically acute portrayal of Emma Bovary caused a moral outcry on its publication in 1857.

Bill Masen, bandages over his wounded eyes, misses the most spectacular meteorite shower England has ever seen. Removing his bandages the next morning, he finds masses of sightless people wandering the city. He soon meets Josella, another lucky person who has retained her sight, and together they leave the city, aware that the safe, familiar world they knew a mere 24 hours before is gone forever. But to survive in this post-apocalyptic world, one must survive the Triffids, strange plants that years before began appearing all over the world.

Elizabeth Gaskell's chilling Gothic Tales blends the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; Lois the Witch, a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors.

A breathtaking story of a woman marrying, growing up, bravely persevering, and seeing what traditionally was a man's point of view with the insights of a woman growing up in the same way. An insightful novel in so many ways.

Originally serialized between 1843-1844 the story tells of Martin, the grandson of old Martin Chuzzlewit who is rich but has become bittter due to the greed of his kin. Young Martin is initially selfish but through hard labour and the positive and cheerful influence of his servant, Tapley, becomes decent. The novel is broken up into segments by young Martin's voyage to seek his fortune in America.

Stephen Gordon is an ideal child of aristocratic parents - a fencer, a horse rider and a keen scholar. Stephen grows to be a war hero, a best-selling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.