-
McTeague (Dramatized)
- Narrated by: Edward Asner, Ed Begley Jr, Hector Elizondo, Helen Hunt, Amy Irving, Stacy Keach, JoBeth Williams
- Length: 11 hrs and 31 mins
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Publisher's summary
Stacy Keach stars in this shocking tale of a Polk Street dentist and his wife in 1899 San Francisco. Frank Norris’ powerful insights into the depths of the human soul make this a story of compelling narrative force. This seminal novel about murder, obsession and the destructive effects of greed features an all-star cast including Stacy Keach, Edward Asner, Ed Begley Jr., Bud Cort, Hector Elizondo, Teri Garr, Katherine Helmond, Helen Hunt, Amy Irving, Carol Kane, Marsha Mason, Richard Masur, Judge Reinhold, Joe Spano, Jobeth Williams, and many more.
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Editorial reviews
The refined nature of the story at the start of this production is a far cry from the tale of greed and revenge it becomes at the end. This LATW audio presentation is over fifteen years old and shows its age with the constant restating of the title in the oddest places, along with the use of too many harsh musical chords. However, the story of a dentist and his wife in 1899 San Francisco remains compelling. Stacy Keach, Carol Kane, and Joe Spano head the all-star cast that includes Edward Asner, Hector Elizondo, Katherine Helmond, Helen Hunt, Rue McClanahan, and Michael York - among others. The characterizations are solid, and the accents convincing. As with any good melodrama, once you begin listening, you won't be able to stop.
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Emma Bovary is not content to be the mere dutiful wife of a French country doctor. She yearns for excitement and a sense of romance that pulls at her so strongly she is powerless to resist, even though pursuing her dreams will exact a terrible price. Learn why Gustave Flaubert's compelling heroine has enchanted and puzzled readers for centuries.
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Now Here's a Story
- By P. Giorgio on 09-06-03
By: Gustave Flaubert
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So Big
- A Novel
- By: Edna Ferber
- Narrated by: Cassandra Campbell
- Length: 10 hrs and 14 mins
- Unabridged
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Winner of the Pulitzer Prize and widely considered to be Edna Ferber’s greatest achievement, So Big is a classic novel of turn-of-the-century Chicago. So Big is the unforgettable story of the indomitable Selina Peake DeJong and her struggles to stay afloat and maintain her dignity in the face of a challenging marriage, widowhood, and single parenthood.
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Excellent
- By Jean on 03-10-23
By: Edna Ferber
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Everything That Rises Must Converge
- By: Flannery O’Connor
- Narrated by: Bronson Pinchot, Karen White, Mark Bramhall, and others
- Length: 9 hrs and 6 mins
- Unabridged
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This collection of nine short stories by Flannery O'Connor was published posthumously in 1965. The flawed characters of each story are fully revealed in apocalyptic moments of conflict and violence that are presented with comic detachment.
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Pride goeth before the fall
- By Ryan on 08-14-13
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Sanctuary
- By: William Faulkner
- Narrated by: Stephen Hoye
- Length: 9 hrs and 15 mins
- Unabridged
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A powerful novel examining the nature of evil, informed by the works of T. S. Eliot and Freud, mythology, local lore, and hard-boiled detective fiction, Sanctuary is the dark, at times brutal, story of the kidnapping of Mississippi debutante Temple Drake. She introduces her own form of venality into the Memphis underworld where she is being held.
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disappointment
- By Dana on 10-20-10
By: William Faulkner
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Freckles
- By: Gene Stratton-Porter
- Narrated by: Mary Starkey
- Length: 7 hrs and 44 mins
- Unabridged
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Freckles, a plucky young man, lands a job as a watchman for a lumber company that logs timber in a mysterious forest swamp called the Limberlost.
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tear jerking, poor narration
- By Nadene on 09-01-12
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The Street
- By: Ann Petry, Tayari Jones - introduction
- Narrated by: Danielle Deadwyler
- Length: 13 hrs and 25 mins
- Unabridged
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The classic urban tale of a young Black woman's struggle to raise her son alone amid the violence, poverty, and racial dissonance of 1940s Harlem.
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Engaging and well performed.
- By Sadak8 on 08-04-24
By: Ann Petry, and others
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The Wild Palms
- By: William Faulkner
- Narrated by: Marc Vietor
- Length: 10 hrs and 53 mins
- Unabridged
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In New Orleans in 1937, a man and woman embark on a headlong flight into the wilderness of illicit passion. In Mississippi ten years earlier, a convict risks his one chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation.
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Deserves attention
- By Kate on 05-27-12
By: William Faulkner
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The Master and Margarita
- By: Mikhail Bulgakov
- Narrated by: Julian Rhind-Tutt
- Length: 8 hrs and 21 mins
- Abridged
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The Master and Margarita is one of the most famous and best-selling Russian novels of the 20th century, despite its surreal environment of talking cats, Satan and mysterious happenings. Naxos AudioBooks presents this careful abridgement of a new translation in an imaginative reading by the charismatic Julian Rhind-Tutt. With War and Peace and Crime and Punishment among the Naxos AudioBooks best-sellers, this too promises to be a front title.
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Very vivid and amazing writing style
- By Sina Beni on 05-04-22
By: Mikhail Bulgakov
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The Man from Stone Creek
- Stone Creek, Book 1
- By: Linda Lael Miller
- Narrated by: Buck Schirner
- Length: 11 hrs and 31 mins
- Unabridged
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There was trouble in Haven, Arizona, and Ranger Sam O'Ballivan was determined to sort it all out. He arrived posing as the new schoolteacher, and his first order of business was to bring the rough ranchers' children under control. To that end, he called on Maddie Chancelor, the local postmistress, whose younger brother was in firm need of discipline. Sam wasn't sure what to expect - but it was definitely not this graceful woman whose prim, proper stance was so at odds with the fire in her eyes.
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3 And One Half Stars
- By Pauline on 10-25-08
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We the Living
- By: Ayn Rand
- Narrated by: Mary Woods
- Length: 18 hrs and 1 min
- Unabridged
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We the Living portrays the impact of the Russian Revolution on three people who demand the right to live their own lives. At its center is a girl whose passionate love is her fortress against the cruelty and oppression of a totalitarian state. Rand said of this book: "It is as near to an autobiography as I will ever write."
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Emotionally intense, historically authentic
- By Geoffrey on 08-14-08
By: Ayn Rand
What listeners say about McTeague (Dramatized)
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Ali Mac
- 12-08-22
Old Story Still Spot On!
A spectacular story set down and published in 1899, and yet, it still sparks so spot on and perfectly true to the astonishing twisted ways people come to think and do what they do, adjusting their ethics and true as they scheme their way through life and all kinds of ideas over values! I read a lot of books, and I can say that I did love this one!
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- Andre
- 09-12-23
Magnificent!
This is the best radio show-type adaptation I have ever heard. The L.A. Theatre Works' cast of actors and actresses outdo themselves in this phenomenal and tragic meditation on greed. Trina McTeague surpasses The Lord of the Ring's Gollum "My Precious." To have Trina sleeping naked on her gold coins was over the top. The whole production, including music and sound effects, riveted me. I liked this production better than Erich von Stroheim's classic film "Greed."
I fault this novel for its racist depiction of the Jewish ragpicker Zerkow. I agree with Donald Pizer, who wrote that this book "included the most vicious anti-Semitic portrayals in any major work of American literature." Norris relied upon racist tropes. Given that he depicted other greedy characters--poor Whites and a Mexican--says more about him than them.
His writing reminds me of a cross between Edgar Allan Poe and the films of Alfred Hitchcock. Suspense. Drama. Tragedy. A bonus was that he depicted San Francisco before the 1906 earthquake. I live in the Bay Area. I pine for the places he saw that no longer exist, such as the public baths, and I laugh at things that have changed, such as the "town" of Oakland.
This production is one I will return to year after year.
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- Linda Ring
- 03-07-19
This was a big surprise.
CLAP...CLAP...CLAP...Well done! Great story and very well performed, I wasn't expecting something so brilliant! I will be listening to this one over and over again!
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- Kimberly A. Redman
- 12-16-20
Terrific Presentation
Thanks for making this novel come to life! I especially enjoyed the choice of narrators for McTeague and Trina - what perfect voices for their parts. Well cast, bravo!
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- Justin
- 01-27-23
The gold standard
I’ve listened to this unabridged version twice. It’s amazing. This is a very long listen, so I actually appreciated the varied cast members alternating, and the introductions helped break it up (I’ve tried Norris’s “The Octopus” and am finding going back to a single narrator difficult). Stacy Keach and Carol Kane completely embody the two main characters, and there’s not a weak supporting character actor in the bunch. Add one of the best, most satisfying endings in literary history, it all adds up to a winning glimpse of turn-of-the-century Bay Area (and beyond). My favorite audio book of all time.
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1 person found this helpful
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- John L. Murphy
- 02-16-17
Melodrama from old San Francisco
What did you like best about McTeague (Dramatized)? What did you like least?
I liked the melodramatic flourishes of McTeague and his fellow rogues. The naturalism of Frank Norris comes off very strong here, and the narrative feels very dated. That is its strength, as it captures the down and outs of S.F. well, but it's repetitious and heavy-handed.
Would you recommend McTeague (Dramatized) to your friends? Why or why not?
It's probably more entertaining to hear the novel dramatized by an enthusiastic cast. But you need patience, for at eleven-plus hours the plot goes on and on, wearing out its welcome.
Have you listened to any of the narrators’s other performances before? How does this one compare?
I liked the L.A. Theater Works' "Babbitt," done in similar form by a cast of (as of the late 1980s) respected actors. Sinclair Lewis' was a bit more skilled at narrative than Frank Norris, but the social message type of novel both men favored is suitable for such radio ensembles.
Was McTeague (Dramatized) worth the listening time?
It was fun, as I chose it for a drive across the California desert. Let's just say it remains in The City for most of its running time, as I cannot give away any plot spoilers. It's a period piece I always meant to read, and hearing it kept me entertained despite repetitious prose.
Any additional comments?
Perhaps this was published as a serial? The novel keeps repeating the same phrases for certain characters, and passages verbatim or near it come again to remind readers of the action or the characters. Still, for all its moustache-twirling menace, it's a reminder of the harsher conditions endured by ordinary men and women in urban California, no romance!
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1 person found this helpful
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- Stephen
- 08-29-12
Recommended for greedy folk
a vivid hyperbolic tale focussed on folly of greed and still yet more greed. Helpful if familiar with novel itself, and thus prepared to enjoy this rich dramatized version that is true to story with only a few hours less enjoyment timewise and performed very well.
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1 person found this helpful
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- Mr. Steven Scott
- 01-12-16
Hard to imagine a more compelling, engaging, immersive experience of this novel then the one presented here.
I have listened to many, many audiobooks, and I feel privileged to have been able to enjoy such an unbelievably stellar cast bringing this novel to life. It's really a new way to read and listen. I wish every book had this sort of treatment to realize it's full potential in conveying it's ideas, historical 'time & place' and ambience to new audiences. Beyond the incredible story, It makes history come to life. I have heard other commenters mention their irritation with the repeating introductions, as this was originally a radio serial type show, but it's a small quibble compared to the overwhelming magnificence of the production. It's like the graphic novel of audiobooks: Accessible, vivid, moving, transcendent, I could go on and on.
I intend to listen to every LA TheatreWorks piece that I can get my hands on. I had listened to Sinclair Lewis' "Babbitt" just before this, and it's equally good.
Again, what a privilege!
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2 people found this helpful
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- smith
- 04-11-11
not recommended
Incredibly annoying recitation of the author (2 times at the beginning of each part) along with the theater company and names of all the cast and characters at the beginning of each part. And then a repeat of the ending of the last part. Annoying sound effects (screaming and yelling). Too many narrators, switching from voice to voice constantly. What were they thinking?
It had moments, but one had to wade through much tedium to get to them.
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3 people found this helpful