Men, Women, and Chain Saws
Gender in the Modern Horror Film
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Narrated by:
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Eva Wilhelm
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By:
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Carol J. Clover
About this listen
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented - notably the slasher movie's "final girls" - as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers.
Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid fanbase from students of film theory to major Hollywood filmmakers.
©1992 Princeton University Press; Preface copyright 2015 by Princeton University Press (P)2021 TantorListeners also enjoyed...
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Misogyny is a hot topic, yet it's often misunderstood. What is misogyny, exactly? Who deserves to be called a misogynist? How does misogyny contrast with sexism, and why is it prone to persist - or increase - even when sexist gender roles are waning? This book is an exploration of misogyny in public life and politics by the moral philosopher Kate Manne. It argues that misogyny should not be understood primarily in terms of the hatred or hostility some men feel toward all or most women. Rather, it's primarily about controlling, policing, punishing, and exiling the "bad" women.
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Five Star Book w/bad Narration
- By Cherrybomb on 02-08-19
By: Kate Manne
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Not Gay
- Sex Between Straight White Men
- By: Jane Ward
- Narrated by: Dara Rosenberg
- Length: 8 hrs and 6 mins
- Unabridged
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Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: There's fraternity and military hazing rituals, where new recruits are made to grab each other's penises and stick fingers up their fellow members' anuses; online personal ads, where straight men seek other straight men to masturbate with; and, last but not least, the long and clandestine history of straight men frequenting public restrooms for sexual encounters with other men.
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Extreme Feminism and Liberalism
- By David McDougall on 01-17-18
By: Jane Ward
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Sontag
- Her Life and Work
- By: Benjamin Moser
- Narrated by: Tavia Gilbert
- Length: 22 hrs and 4 mins
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No writer is as emblematic of the American 20th century as Susan Sontag. Mythologized and misunderstood, lauded and loathed, a girl from the suburbs who became a proud symbol of cosmopolitanism, Sontag left a legacy of writing on art and politics, feminism and homosexuality, celebrity and style, medicine and drugs, radicalism and Fascism and Freudianism and Communism and Americanism, that forms an indispensable key to modern culture.
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Cloying voice
- By Suzanne on 11-02-19
By: Benjamin Moser
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Wasteland
- The Great War and the Origins of Modern Horror
- By: W. Scott Poole
- Narrated by: Andrew Eiden
- Length: 11 hrs and 30 mins
- Unabridged
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In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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An interesting take
- By CN on 07-30-19
By: W. Scott Poole
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Last Days at Hot Slit
- The Radical Feminism of Andrea Dworkin
- By: Andrea Dworkin, Johanna Fateman - editor and introduction, Amy Scholder - editor
- Narrated by: Hillary Huber
- Length: 13 hrs and 58 mins
- Unabridged
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Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. It includes “Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript.
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Almost perfect reading
- By Paul on 04-02-20
By: Andrea Dworkin, and others
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Women & Power
- A Manifesto
- By: Mary Beard
- Narrated by: Mary Beard
- Length: 1 hr and 35 mins
- Unabridged
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At long last, Mary Beard addresses in one brave book the misogynists and trolls who mercilessly attack and demean women the world over, including, very often, Mary herself. In Women & Power, she traces the origins of this misogyny to its ancient roots, examining the pitfalls of gender and the ways that history has mistreated strong women since time immemorial.
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Short and fabulous
- By André C. on 03-13-20
By: Mary Beard
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Men Explain Things to Me
- By: Rebecca Solnit
- Narrated by: Luci Christian Bell
- Length: 2 hrs and 47 mins
- Unabridged
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In Men Explain Things to Me, Rebecca Solnit takes on the conversations between men who wrongly assume they know things and wrongly assume women don't. The ultimate problem, she shows in her comic, scathing essay, is female self-doubt and the silencing of women. Rebecca Solnit is the author of fourteen books about civil society, popular power, uprisings, art, environment, place, pleasure, politics, hope, and memory, most recently The Faraway Nearby, a book on empathy and storytelling.
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Great read - horrible performance
- By Denise Johnson on 03-26-15
By: Rebecca Solnit
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Jewish Comedy
- A Serious History
- By: Jeremy Dauber
- Narrated by: Jeremy Dauber
- Length: 10 hrs and 49 mins
- Unabridged
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In a major work of scholarship both erudite and very funny, Jeremy Dauber traces the origins of Jewish comedy and its development from Biblical times to the age of Twitter. Organizing his book thematically into what he calls the seven strands of Jewish comedy - including the satirical, the witty, and the vulgar - Dauber explores the ways Jewish comedy has dealt with persecution, assimilation, and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel.
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Not funny
- By supermantwo on 08-31-20
By: Jeremy Dauber
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The Perversion of Virtue
- Understanding Murder-Suicide
- By: Thomas Joiner
- Narrated by: Chris Kayser
- Length: 10 hrs and 19 mins
- Unabridged
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In The Perversion of Virtue, leading suicide researcher Thomas Joiner explores the nature of murder-suicide and offers a unique new theory to explain this nearly unexplainable act: that murder-suicides always involve the wrongheaded invocation of one of four interpersonal virtues: mercy, justice, duty, and glory. The parent who murders his child and then himself seeks to save his child from a fatherless life of hardship; the wife who murders her husband and then herself seeks to right the wrongs he committed against her, and so on.
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I cannot more highly recommend this book
- By Emily Karp on 05-07-18
By: Thomas Joiner
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Feminism and Pop Culture
- Seal Studies
- By: Andi Zeisler
- Narrated by: Angela Reed
- Length: 6 hrs and 26 mins
- Unabridged
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Whether or not we like to admit it, pop culture is a lens through which we alternately view and shape the world around us. When it comes to feminism, pop culture aids us in translating feminist philosophies, issues, and concepts into everyday language, making them relevant and relatable. In Feminism and Pop Culture, author and cofounder of Bitch magazine Andi Zeisler traces the impact of feminism on pop culture (and vice versa) from the 1940s to the present and beyond.
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Really needs an update
- By Lori Grossman on 04-05-18
By: Andi Zeisler
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Becoming Faulkner
- The Art and Life of William Faulker
- By: Philip Weinstein
- Narrated by: Edoardo Ballerini
- Length: 12 hrs and 15 mins
- Unabridged
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William Faulkner was the greatest American novelist of the 20th century, yet he lived a life marked by a pervasive sense of failure. Throughout his career, he remained haunted by his inability to master a series of personal and professional challenges: his less-than-heroic military career; the loss of his brother in an airplane crash; a disappointing stint as a Hollywood screenwriter; and a destructive bout with alcoholism.
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Miss.'s BCS-Bundren.Compson.Snopes/Sutpen/Sartoris
- By W Perry Hall on 05-01-14
By: Philip Weinstein
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Shakespeare in a Divided America
- What His Plays Tell Us About Our Past and Future
- By: James Shapiro
- Narrated by: Fred Sanders
- Length: 9 hrs and 11 mins
- Unabridged
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The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned.
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An Entertaining History Lesson
- By David on 08-17-20
By: James Shapiro
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Horror films promise an experience: fear. But how exactly do filmmakers pull this off? The truth is, there's more to it than just loud noises and creepy images. With the affection of a true horror fan and the critical analysis of a scientist, Nesseth explains how audiences engage horror with both their brains and bodies, and teases apart the elements that make horror films tick. Nightmare Fuel covers everything from jump scares to creature features, serial killers to the undead, and the fears that stick around to those that fade over time.
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Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
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It Came from the Closet
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This is not a book about queer horror
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From the author of Phantasm Exhumed comes Slash of the Titans, a revealing look at why it took New Line Cinema nearly 10 years and four-million-dollars to find the right screenplay for Freddy vs Jason. Featuring new interviews with the original writers and filmmakers, Slash details the production's troubled history from the surprise ending of Jason Goes to Hell all the way to the crossover’s red carpet premiere.
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A required listen for Friday the 13th fanatics.
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Great book, if you were a teen in the 80's
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Shock Value
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Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.
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Dark Carnivals
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The American empire emerged from the shadows of World War II. As the nation's influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie.
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Loses Way in Last 3rd
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Lights, Camera, Witchcraft
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No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society.
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Above and beyond
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In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the listener to the startling origins of the horror genre in the United States, drawing a surprising through-line between the lingering influence of the European Gothic, the enslaved insurrection tales propagated by slaveholders, and the apocryphal chronicles of colonial settlers kidnapped by Native Americans, among many others.
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So many interesting ideas about the origins of horror.
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Reign of Chucky
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From the authors who brought you TAKING SHAPE comes REIGN OF CHUCKY, an exhaustive new look at the cinematic history of everyone’s favorite Good Guy. Covering all seven films in the franchise, this is the book that Chucky fans have been waiting for. Go behind the scenes of the first film to learn how Don Mancini’s original Blood Buddy script evolved into Child’s Play as we know it, then listen about how the franchise was continually reinvented across a slew of clever sequels
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Rolling my eyes at how many times the author used
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You don't have to miss out just because you don't like to be frightened! Stop trying to read nonsensical Wikipedia plot summaries (we know you're doing it), and let an expert tell you everything you need to know about the most influential horror films of the past sixty years—without a single jump scare or a drop of gore.
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When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities, both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade.
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In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.
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An interesting take
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It Came From the Video Aisle!
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Charles Band's Full Moon Entertainment was the most remarkable B-movie studio of the 1990s, responsible for a barrage of sci-fi, fantasy, and horror classics during the last true "golden age" of the home video era. From Puppetmaster to Trancers and beyond, Full Moon transformed the VHS experience for fans worldwide, bringing the inner workings of the movie-making process into the living room, and in turn creating a ravenous fan base that remains to this day.
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Fantastic Work!!!!!
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Behind the Horror
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Unearth the terrifying and true tales behind some of the scariest horror movies to ever haunt our screens, including the Enfield poltergeist case that was retold in The Conjuring 2 and the serial killers who inspired Hannibal Lector in The Silence of the Lambs. Behind the Horror dissects these and other bizarre tales to reveal haunting real-life stories of abduction, disappearance, murder, and exorcism.
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Okay
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Monster, She Wrote
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Satisfy your craving for extraordinary authors and exceptional fiction: Meet the women writers who defied convention to craft some of literature’s strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning: horror stories and other weird fiction wouldn’t exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction.
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Absolutely Inspiring!
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The Black Guy Dies First
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The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-listen for cinema and horror fans alike.
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So Much To Absorb!
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What listeners say about Men, Women, and Chain Saws
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- David Anderson
- 10-28-23
Brilliant insight and analysis!
The term "final girl" is just the tip of the iceberg in Carol Clover's book.
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- Wesley W. Lummus
- 06-03-23
Very insightful!
Explains some deeper motives for why people enjoy horror movies. She discussed many movies that I hadn’t seen before. 👍
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- Andrew Cybulska
- 03-29-23
Rich and insightful
I’m a massive genre fan, and being able to read this seminal work, one which coined the term “final girl”, has been a total joy. The audiobook is well performed by Eva Wilhelm, and includes the latest forward by the author. My only complaints have to do with the facts that a) the chapters in the audiobook do not match up with the physical book at all (when the audiobook metadata says “chapter 6” but the narrator says “chapter 3”, you can see how difficult it would be to sync up the audiobook with the physical book you might be reading in bed) and b) none of the footnotes are read.
Regardless, this is a great way to enrich your knowledge of cinemas least understood genre.
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- Mary
- 01-03-24
Good reader, decent book
This one was ok. Interesting, but not riveting. I read it on a movie podcast recommendation. It used a lot of psych and movie language I wasn’t super familiar with. I might have liked it better if I liked movies more. It was also frustrating that it was an older book and didn’t reference any newer movies which addressed the book’s arguments.
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- The Fourth Summers Brother
- 08-24-22
Absolutely Fascinating!
Men, Women & Chain Saws is a fantastic analysis of gender in the horror movies we love. I believe it's a must for fans that love a deeper perspective on the genre.
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- Rhiannon E. Hoffman
- 05-07-23
In chapter 3
So, I am only in chapter 3, and my change my view by the end of the author begins doing more research, but I am sneering a bit as she takes the bait and low polling result on the main audience to slasher films. It has been studied and noted, in easily found publication and documentries, that the rate or female audience to mainstream slasher film is higher-55% at last counts- then the male audience. If you subject studies to exploration grindhouse theatre houses, female audience is lower only due to the towns that those movie houses reside being in areas deemed as “rougher”. While I have gone to those theatres , it was only in daytime with a keen eye always on the lookout for a purse snatcher or assaulted before and after. Females LOVE slasher films, and that a female would not find this research is not a good thing. That she also seems to be more pointed toward male feeling on female captivity and suffering and stating a female must become “masculine” to defeat the villain is also bunk. The female must find her own, defiantly feminine power to defeat the villian. I hope further throughout she does more research and does not localize studies to her own small cali cityscape
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- Violet
- 08-27-22
pls get a new recording
this book is SO interesting but the recording feels like siri reading to you. I still finished it because it’s super intriguing, but I ordered the physical copy bc I couldn’t cope.
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- Shadow007
- 07-26-24
Outdated by today’s standards but interesting academic read
Horror movies especially the 1980s slasher movies are often been criticized for their portrayal of women getting attacked. This landmark book argues on the contrary, explaining how the then modern horror films weren’t necessarily all anti-women butchering movies.
The author using mainly Texas chainsaw massacre, exorcist, deliverance, and a few other films, explains how certain themes appear over again in these movies causing audiences to follow and empathize with the main characters and see movie tropes of it’s time. This book is where the concept of the final girl arises from.
But within a very short few years, the slasher genre ended and the movie Scream commented on various horror tropes that made this book outdated and audiences familiar with the movies cliques and film language that this book analyzes. I mean did we need a whole chapter to explain to us that whether one is male or female that rape is bad?
The book is also written very academic so listeners might get bored, especially with the monotone British lady narrating this book. If you enjoyed your college academic texts then you’ll know if you will like this book
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- Marie A.
- 09-20-22
Deeply Misogynistic
I had to return this book unfinished. It didn't even matter that i got it on sale. I would need to be paid to keep this book in my library. The author's deeply misogynistic takes on women were just too disgusting to even try to grapple with. Basically, women who are "feminine" die while women who survive become "masculine" because being intelligent, assertive, proactive, and skilled turn a woman into a boy. That backward and regressive interpretation of womanhood really needs to be left in the 1950s. I hope a more modern and feminist analysis can be made on this topic.
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