Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tale, which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners, reveal attitudes about faith, love, family, slavery, race, and community.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality.

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

In this book, Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.

Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one’s heart.

One of the most dynamic and globally recognized entertainment forces of our time opens up fully about his life, in a brave and inspiring book that traces his learning curve to a place where outer success, inner happiness, and human connection are aligned. Along the way, Will tells the story in full of one of the most amazing rides through the worlds of music and film that anyone has ever had.

In Paradise - her first novel since she was awarded the Nobel Prize for Literature - Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain", assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void.

In the winter of 1926, when everybody everywhere sees nothing but good things ahead, Joe Trace, middle-aged door-to-door salesman of Cleopatra beauty products, shoots his teenage lover to death. At the funeral, Joe’s wife, Violet, attacks the girl’s corpse. This novel “transforms a familiar refrain of jilted love into a bold, sustaining time of self-knowledge and discovery. Its rhythms are infectious” (People).

From the best-selling author of Before We Were Yours comes a dramatic historical novel of three young women searching for family amid the destruction of the post-Civil War South, and of a modern-day teacher who learns of their story and its vital connection to her students’ lives.

Shocking and controversial when it was first published in 1939, Steinbeck's Pulitzer prize-winning epic The Grapes of Wrath remains his undisputed masterpiece. Set against the background of Dust Bowl Oklahoma and Californian migrant life, it tells of Tom Joad and his family, who, like thousands of others, are forced to travel west in search of the promised land. Their story is one of false hopes, thwarted desires, and broken dreams, yet out of their suffering Steinbeck created a drama that is intensely human, yet majestic in its scale and moral vision.

In the timber camps of North Florida in the 1930s, Zora Neale Hurston, a famous African-American anthropologist and author, discovered the unwritten segregationist law allowing a white man to force a white woman to have his children. Dr. Ellis coined the term "paramour rights" and attributed it to Hurston's character in this novel. Twenty years later, she received an assignment from the Pittsburgh Courier to cover the murder trial of Ruby McCollum, a wealthy colored woman accused of slaying a white physician.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

In the 1930s, the Works Progress Administration commissioned an oral history of the remaining former slaves. Bullwhip Days is a remarkable compendium of selections from these extraordinary interviews, providing an unflinching portrait of the world of government-sanctioned slavery of Africans in America. Here are 29 full narrations, as well as nine sections of excerpts related to particular aspects of slave life, from religion to plantation life to the Reconstruction era.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.

With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a beloved bestseller, Rick Bragg continues his personal history of the Deep South. This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression

The one thing you can depend on in Cold Sassy, Georgia, is that word gets around fast. If the preacher's wife's petticoat shows, the ladies will make the talk last a week. But on July 5, 1906, things take a scandalous turn. That is the day E. Rucker Blakeslee, proprietor of the general store and barely three weeks a widower, elopes with Miss Love Simpson, a woman half his age and, worse yet, a Yankee!

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

Henry Townsend, a black farmer, bootmaker, and former slave, has a fondness for Paradise Lost and an unusual mentor, William Robbins, perhaps the most powerful white man in antebellum Virginia's Manchester County. Under Robbins's tutelage, Henry becomes proprietor of his own plantation, as well as of his own slaves. When he dies, his widow Caldonia succumbs to profound grief, and things begin to fall apart.

Francis Phelan, ex-ballplayer, part-time gravedigger, full-time drunk, has hit bottom. Years ago he left Albany in a hurry after killing a scab during a trolley workers' strike; he ran away again after accidentally – and fatally – dropping his infant son. Now, in 1938, Francis is back in town, roaming the old familiar streets with his hobo pal, Helen, trying to make peace with the ghosts of the past and the present.

Gypsies, faith-healers, moonshiners, and snake handlers weave through Drema's childhood in 1940s Appalachia after her father is killed in the coal mines, her mother goes off to work as a Rosie the Riveter, and she is left in the care of devout Pentecostal grandparents. What follows is a spitfire of a memoir that feels like a novel with intrigue, sweeping emotion, and indisputable charm. Drema's coming of age is colored by tent revivals with Grandpa, poetry-writing hobos, and traveling carnivals, and through it all, she serves witness to a multi-generational family.

Nate Shaw's father was born into slavery. Nate was born into a bondage that was only a little gentler. At the age of nine, he was picking cotton and plowing behind a mule. At the age of 47, he faced down a crowd of White deputies who had come to confiscate a neighbor's livestock. His defiance cost him 12 years in prison.This triumphant autobiography, All God's Dangers, assembled from the 84-year-old Shaw's oral reminiscences, is the plainspoken story of an "over average" man who witnessed momentous changes in the lives of Southern people, Black and White....

Debut novelist Wayne Caldwell's Cataloochee -a rich, vivid, arresting work beginning at the dawn of Reconstruction - sprawls across the succeeding generations like the vast green mountains of its rural North Carolina setting. Best-selling author Charles Frazier calls it "a brilliant portrait of a community and a way of life long gone, a lost America." This enthralling saga evokes the full color spectrum of mountain life, from lights to darks and every shade in between.

First published in 1923, Jean Toomer's Cane is an innovative literary work powerfully evoking black life in the South. Rich in imagery, Toomer's impressionistic, sometimes surrealistic sketches of Southern rural and urban life are permeated by visions of smoke, sugarcane, dusk, and fire; the northern world is pictured as a harsher reality of asphalt streets.

Originally published in The New Yorker in 1954, The Ponder Heart is easily Eudora Welty’s most comic novel, a lighthearted burlesque that rivals Caldwell’s Tobacco Road for capturing rural idioms, and the novels of Mark Twain for high farce.

When Vivi and Siddalee Walker, an unforgettable mother-daughter team, get into a savage fight over a New York Times article that refers to Vivi as a "tap-dancing child abuser", the fallout is felt from Louisiana to New York to Seattle. Siddalee, a successful theater director with a huge hit on her hands, panics and postpones her upcoming wedding to her lover and friend, Connor McGill. Vivi's intrepid gang of lifelong girlfriends, the Ya-Yas, sashay in and conspire to bring everyone back together.

A gifted, idolized singer returns to his poor hometown and a life and family he is so far removed from he now holds them in contempt. The Gospel Singer reveals the absurdity of blind religious faith and idol worship and the hypocrisy that results with the offering of money or sex. Crews grapples with race, gender, religion, and place and steps back to divulge the secrets of his characters - including a dead girl awaiting the gospel singer’s melodious eulogy, his dysfunctional family, a murderer, the zealous town residents, and a traveling freak show.

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tale, which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners, reveal attitudes about faith, love, family, slavery, race, and community.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation's history. Hurston was there to record Cudjo's firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States. In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile.

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

In this book, Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.

Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition.

Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one’s heart.

Celie and Shug from The Color Purple subtly shadow the lives of the dozens of astonishing characters in The Temple of My Familiar, all of whom are dealing in some way with the legacy of the African experience in America. From recent African immigrants to a woman who grew up in the mixed-race rainforest communities of South America to Celie’s own granddaughter living in modern-day San Francisco, they must come to terms with the brutal stories of their ancestors in order to confront their own troubled lives.