In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one’s heart.

Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

In the timber camps of North Florida in the 1930s, Zora Neale Hurston, a famous African-American anthropologist and author, discovered the unwritten segregationist law allowing a white man to force a white woman to have his children. Dr. Ellis coined the term "paramour rights" and attributed it to Hurston's character in this novel. Twenty years later, she received an assignment from the Pittsburgh Courier to cover the murder trial of Ruby McCollum, a wealthy colored woman accused of slaying a white physician.

At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger.

Fiver could sense danger. Something terrible was going to happen to the warren; he felt sure of it. They had to leave immediately. So begins a long and perilous journey of survival for a small band of rabbits. As the rabbits skirt danger at every turn, we become acquainted with the band, its humorous characters, and its compelling culture, complete with its own folk history and mythos. Fiver’s vision finally leads them to Watership Down, an upland meadow. But here they face their most difficult challenges of all.

Jadine Childs is a Black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a Black fugitive who embodies everything she loathes and desires. As Morrison follows their affair, which plays out from the Caribbean to Manhattan and the deep South, she charts all the nuances of obligation and betrayal between Blacks and whites, masters and servants, and men and women.

From the author of The Cotswolds Werewolf comes a new collection of Sherlock Holmes pastiches in the vein of Conan Doyle, revealing for the first time the secrets behind the theft of the hobnailed boots, the mysterious madness of the Right Honourable Wilfred Crabb, the case of the haunted public house, the curious and seemingly supernatural events surrounding a remote hotel on the east coast, and the truth behind the strange disappearance of Cyrus Thicknesse.

In a time when outlaws are revered as heroes, Claude Duval thrives as a true gentleman of the road. Born into poverty in Domfront, France, in 1643, Duval faces many challenges as he sets off as a youth to make his mark on the world. Soon enough, the handsome and impertinent Claude becomes the most infamous highwaymen in British history! During his decades-long adventure, he is hunted by men and adored by women. However, roaming the King’s Highway by the light of the full moon comes with a terrible price....

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality.

You Don’t Know Us Negroes is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military, and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

In the 1950s, as a continuation of Moses, Man of the Mountain, Zora Neale Hurston penned a historical novel about one of the most infamous figures in the Bible, Herod the Great. In Hurston’s retelling, Herod is not the wicked ruler of the New Testament who is charged with the “slaughter of the innocents,” but a forerunner of Christ—a beloved king who enriched Jewish culture and brought prosperity and peace to Judea.

Born to parents who fled slavery and the Trail of Tears, Magnolia Flower is a girl with a vibrant spirit. Not to be deterred by rigid ways of the world, she longs to connect with others, who too long for freedom. She finds this in a young man of letters who her father disapproves of. In her quest to be free, Magnolia must make a choice and set off on a journey that will prove just how brave one can be when leading with one’s heart.

Based on Zora Neale Hurston’s personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of the ceremonies, customs, and superstitions of voodoo.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

How It Feels To Be Colored Me was first published in The World Tomorrow in May 1928. In this autobiographical piece that focuses on race and 1920s America, Hurston reflects on her early childhood in an all-black Florida town and her first experiences in life where she felt "different." Hurston focuses on the similarities we all share and on her own self-identity in the face of difference. "Through it all," she says, "I remain myself."

Originally published in The Journal of Negro History, this fascinating and important work records the recollections of Cudjo Lewis, one of the last surviving captives of the Clotilde, the final ship to dock in the United States with a cargo of African slaves. Lewis and Zora Neale Hurston provide an ethnography of Lewis's own Togo people, detail his capture by warriors of the Kingdom of Dahomey, hardship and strife aboard the Clotilde en route to port in Alabama, and his eventual liberation.

“The People Could Fly,” the title story in Virginia Hamilton’s prize-winning American Black folktale collection, is a fantasy tale of the slaves who possessed the ancient magic words that enabled them to literally fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.

Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.

In this book, Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.

Young Hiram Walker was born into bondage. When his mother was sold away, Hiram was robbed of all memory of her - but was gifted with a mysterious power. Years later, when Hiram almost drowns in a river, that same power saves his life. This brush with death births an urgency in Hiram and a daring scheme: to escape from the only home he’s ever known. So begins an unexpected journey that takes Hiram from the corrupt grandeur of Virginia’s proud plantations to desperate guerrilla cells in the wilderness, from the coffin of the South to dangerously idealistic movements in the North.

Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old, Maya is attacked by a man many times her age - and has to live with the consequences for a lifetime. But years later, she learns about love for herself and the kindness of others, her own strong spirit, and the ideas of great authors.