Ned West dreams of sailing across the river on a boat of his very own. To Ned, a boat means freedom – the fresh open water, squid-rich reefs, fires on private beaches – a far cry from life on Limberlost, the family farm, where his father worries and grieves for Ned's older brothers. They're away fighting in a ruthless and distant war, becoming men on the battlefield, while Ned – too young to enlist – roams the land in search of rabbits to shoot, selling their pelts to fund his secret boat ambitions.

Sydney, 1965: After a chance encounter with a stranger, mild-mannered tea lady Hazel Bates becomes an accidental sleuth, stumbling into a world of ruthless crooks and racketeers in search of a young woman she believes to be in danger. In the meantime, Hazel's job at Empire Fashionwear is in jeopardy. The firm has turned out the same frocks and blouses for the past twenty years and when the mini-skirt bursts onto the scene, it rocks the rag trade to its foundations. War breaks out between departments and it falls to Hazel, the quiet diplomat, to broker peace and save the firm.

DS Lucas Walker is on leave in his hometown, Caloodie, looking after his dying grandmother. When two young German backpackers vanish from the area on their way to a ranch, he finds himself unofficially on the case. But why all the interest from the Federal Police, when they have probably just ditched the heat and dust of the outback for the coast? As the number of days the couple are missing climbs, DS Walker is joined by the girl's sister. A detective herself from Berlin, she is desperate to find her before it's too late.

Ricky Bird loves making up stories for her brother Ollie almost as much as she loves him. The imaginary worlds she creates are wild and whimsical places full of unlimited possibilities. Real life is another story. Ricky’s father has abandoned them and the family has moved to a bleak new neighborhood. Worse still, her mother’s new boyfriend, Dan, has come with the furniture. But Ricky Bird is a force to be reckoned with. As the mastermind of so many outlandish adventures, her imagination is her best weapon.

Gundagai, 1852. The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai.

After her family suffers a tragedy, nine-year-old Alice Hart is forced to leave her idyllic seaside home. She is taken in by her grandmother, June, a flower farmer who raises Alice on the language of Australian native flowers, a way to say the things that are too hard to speak. Under the watchful eye of June and the women who run the farm, Alice settles, but grows up increasingly frustrated by how little she knows of her family’s story.

On the beaches and cliffs of North Devon, lone women have become victims in a terrifying game where only one player knows the rules - and, when those rules change, the new game is murder. But that madman on the loose feels very far from the crumbling, seaside home of 10-year-old Ruby Trick. Instead of living in fear of him, she lives in fear of school bullies, the dark forest crowding her house into the sea, and the threat of her parents' divorce. So when she decides to help her father catch the killer, it seems like a good way to keep her father close.

Digging for peat in the mountain with his Uncle Tally, Fergus finds the body of a child, and it looks like she’s been murdered. As Fergus tries to make sense of the mad world around him - his brother on hunger-strike in prison, his growing feelings for Cora, his parents arguing over the Troubles, and him in it up to the neck, blackmailed into acting as courier to God knows what - a little voice comes to him in his dreams, and the mystery of the bog child unfurls.

Here are turnings of all kinds - changes of heart, nasty surprises, slow awakenings, sudden detours - where people struggle against the terrible weight of the past and challenge the lives they have made for themselves. Beautifully crafted, and as tender as they are confronting, these elegiac stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

Hellsmouth, an indomitable thoroughbred with the blood of Triple Crown winners in her veins, runs for the glory of the Forge family, one of Kentucky's oldest and most powerful dynasties. Henry Forge has partnered with his daughter, Henrietta, in an endeavor of raw obsession: to breed the next superhorse, the next Secretariat. But when Allmon Shaughnessy, an ambitious young black man, comes to work on their farm after a stint in prison, the violence of the Forges' history and the exigencies of appetite are brought starkly into view.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

New Eden, Montana, is a piece of heaven on earth where one woman died in her own private hell. Now it’s up to ex-court reporter Marilee Jennings to decipher the puzzle of her best friend’s death. But someone has a stake in silencing her suspicion. Someone with secrets worth killing for - and the power to turn this beautiful haven into a...dark paradise.

A literary icon sometimes seen as a bridge between the Beat Generation and the hippies, Ken Kesey scored an unexpected hit with his first novel, One Flew Over the Cuckoo’s Nest. His successful follow-up, Sometimes a Great Notion, was also transformed into a major motion picture, directed by and starring Paul Newman. Here, Oregon’s Stamper family does what it can to survive a bitter strike dividing their tiny logging community. And as tensions rise, delicate family bonds begin to fray and unravel.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.

Scarred by the senseless death of their son and baffled by the engulfing chaos of the 1960s, Joe Allston and his wife, Ruth, have left the coast for a California retreat. And although their new home looks like Eden, it also has its serpents: Jim Peck, a messianic exponent of drugs, yoga, and sex, and Marian Catlin, an attractive young woman whose otherwordly innocence is far more appealing—and far more dangerous.