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Music Theory for Electronic Music Producers
The producer's guide to harmony, chord progressions, and song structure in the MIDI grid.
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Narrated by:
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Virtual Voice
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By:
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J. Anthony Allen
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This title uses virtual voice narration
About this listen
As an online and university class, Dr. Allen has had over 50,000 students use this ground-breaking curriculum to learn music theory. Students and Producers who have wanted to learn music theory to improve their own music, but have been intimidated by traditional approaches, music notation, and abstract concepts will find this book to be the answer they have been looking for.
From the Author: “How music theory is usually taught is unfair. It starts with the assumption that you can read music and understand the language of classical music. My book leaves all of that behind – focusing only on the MIDI grid that producers are already familiar with to learn all the key concepts of music theory, and ultimately, make better music.”
This book covers all the fundamentals of music theory but is written using the language of the DJ and Producer – the MIDI Grid. It includes “analysis” projects that look at the harmonic and melodic ideas in songs by popular producers including Zedd, Boards of Canada, Daft Punk, Deadmau5, Bonobo, Richie Hawtin, Moby, Skrillex, and Aphex Twin.
Praise for Music Theory for Electronic Music Producers:
“Aspiring electronic musicians have choices to make when it concerns their own education and training. This text makes one choice much easier: start here and get learning, quickly. Grounded and easygoing, the book uses real-world examples to help you make sense of music’s inner workings while steering clear of dense theories.”
– Michael J. Ethen, PhD
Musicologist
“This book knocks the oftentimes alienating world of music theory completely onto it’s side. Difficult to explain concepts are perfectly demonstrated for the aspiring electronic music producer who might have no formal music training. A must-have for all aspiring producers.”
– James Patrick (DJ, Producer, Educator)
Slam Academy, Dubspot, IPR, Ableton Certified Trainer
“With Music Theory for Electronic Music Producers, Dr. Allen has produced a remarkable resource: an extensive tour of musical theory that leverages some of our favorite modern tools – the virtual studio and it’s piano roll note display. By introducing us to the “why” as well as the “what” of music theory, this book helps us to understand what makes music tick and how to improve our own work. In addition to offering a sound theoretical foundation, the deep dives into analyzing tracks by Skrillex, Aphex Twin, and Deadmau5 keeps our attention focused on real-world production. MTEMP will definitely go on the top of my recommendation list for anyone that needs a fresh view of musical concepts.”
– Darwin Grosse
Director of Education, Cycling ’74
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Discover the songwriting technique used in 97% of all hit songs. Music is a tough industry to break into. With production gear being affordable for the first time in history, it seems like everyone is making music these days. Getting noticed in the continuous stream of information that is the Internet seems almost impossible. But: There is a technique designed specifically to captivate and hook an audience and with The Addiction Formula, you can learn it in a couple of hours.
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I’m a successful producer for Sony, and this STILL upped my game.
- By SpookyRockstar on 04-09-18
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A Theory For All Music: Book One
- Fundamentals
- By: Kenneth P. Langer
- Narrated by: Virtual Voice
- Length: 2 hrs and 17 mins
- Unabridged
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A Theory For All Music describes ways to more deeply understand the music of all cultures and traditions through the study and use of musical parameters. Book One defines the fundamentals of musical theory from music reading to chord analysis.
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How Music and Mathematics Relate
- By: David Kung, The Great Courses
- Narrated by: David Kung
- Length: 9 hrs and 22 mins
- Original Recording
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Great minds have long sought to understand the relationship between music and mathematics. Both involve patterns, structures, and relationships. Both generate ideas of great beauty and elegance. Music is a fertile testing ground for mathematical principles, while mathematics explains the sounds instruments make and how composers put those sounds together. Understanding the connections between music and mathematics helps you appreciate both, even if you have no special ability in either field....
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No visuals provided! Very hard to follow without.
- By Anonymous User on 03-23-20
By: David Kung, and others
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The Process for Electronic Music Production
- The Path to Finishing Release Quality Songs Consistently in Any Style
- By: Jason Timothy
- Narrated by: Glenn Thayer
- Length: 3 hrs and 19 mins
- Unabridged
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I created this audiobook to offer a process that you can implement, regardless of changes in tools and technology. I want this audiobook to be as relevant in 25 years as when I wrote it. Although there will be some technical jargon, my goal is to break things down in simple English. I never liked user manuals much, and I don't want this book to read like one. This should feel more like a friend having a normal conversation with you. I am not that different from you, and I wasn't born with any natural gift in music making.
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Good Instuction Tool for beginners and producers that are stuck creating songs because they don't follow a bit of a structure.
- By S. on 11-27-23
By: Jason Timothy
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No Bull Music Theory for Guitarists
- Master the Essential Knowledge all Guitarists Need to Know
- By: James Shipway
- Narrated by: James Shipway
- Length: 2 hrs and 2 mins
- Unabridged
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No Bull Music Theory for Guitarists is the groundbreaking guitar theory book for guitar players. Now, guitarists of all levels can understand most of the music theory they'll ever need, without the confusion. Easy-to-understand language, explanations, and practical examples mean you can understand in hours music theory concepts that can confuse guitar players for years. No music reading or theory knowledge required!
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Enjoying this book!
- By tpsm on 02-23-23
By: James Shipway
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Elements of Jazz: From Cakewalks to Fusion
- By: Bill Messenger, The Great Courses
- Narrated by: Bill Messenger
- Length: 5 hrs and 59 mins
- Original Recording
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Jazz is a uniquely American art form, one of America's great contributions to not only musical culture, but world culture, with each generation of musicians applying new levels of creativity that take the music in unexpected directions that defy definition, category, and stagnation. Now you can learn the basics and history of this intoxicating genre in an eight-lecture series that is as free-flowing and original as the art form itself.
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A Disappointingly Distorted, Myopic View Of Jazz
- By Parallax View on 08-18-13
By: Bill Messenger, and others
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What to Listen for in Music
- By: Aaron Copland
- Narrated by: Tim Campbell
- Length: 6 hrs and 22 mins
- Unabridged
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In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring listeners a deeper appreciation of the most viscerally rewarding of all art forms.
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Started common, ended uncommon
- By Sher from Provo on 06-05-24
By: Aaron Copland
What listeners say about Music Theory for Electronic Music Producers
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Alexandra Doiranlis
- 12-16-24
Incomplete
I really want to learn music theory but unfortunately the audio book did not come with diagrams or images included to accompany the lessons. I wish they could add an extra pdf for this. It is hard to follow on its own.
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- William
- 02-17-24
Wonderful book!
This explains things so well. I have been looking for a book like this. Some books make this so complicated but this gives an easy explanation and explains in a way I haven’t found before. Fantastic!
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1 person found this helpful
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- Alexandre Rafalovitch
- 12-30-24
Can't handle layout/terminology/diagrams
While the content of the book may be ok and the Virtual Voice does not sound terrible - it has clear problems.
1. Pronouncing c# as C-hash, after explaining that it should be pronounced C-sharp. Clearly, the text was not pre-processed to do special treatment on that.
2. No diagrams availalbe as "attached PDF" in Audible, so all the frequent diagram references are not very useful
3. I think the footnotes get read out when the end of the original page was reached. So, in a middle of other sentenses and out of order. That's crearly a processing pipeline mistake.
4. I think the exercises also refer to something that was not transferred into Audio (a diagram?) So a lot of practical exercises are also useless.
It is not worth it, even as part of Plus.
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- Austin Pierce
- 02-19-24
“It can be called B Hash”
Virtual voice doesn’t know it’s a B Sharp when it says B#. It’s a real detriment to audio about notes and music theory. Might be good otherwise, but it was a dealbreaker to me.
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2 people found this helpful