Four tales of love and adventure in the Old West introduce a cast of characters that includes a brave Texas ranger who risks his life against avenging outlaws to rescue the woman he secretly loves; a beautiful seductress who comes between two brothers; a desperate fugitive who seeks sanctuary with a peace-loving people; and a daring young schoolteacher who journeys West to meet the man who has captured her heart. Included are "The Ranger", "Canyon Walls", "Avalanche", and "From Missouri".

Johnny Buck is a young cowboy, working for the Bar W. In the process of roping an old stob-horned steer, Buck is thrown from his horse - and into a hidden cleft where he encounters the mystery of a murdered man and a bag of ore that just might be gold.

Colonel Utah Blaine, held captive by the Army of the Revolution, broke out of jail and headed north from Mexico with nothing but the clothes on his back. Then he found new trouble struggling at the end of a noose - and stepped in just in time to save the life of a Texas rancher. The would-be executioners were the rancher’s own men, looking to steal his land.

Wagon trains heading west were forced to defend themselves against Indians, cope with injuries and illness, and struggle to find food. The group of easterners Rock Bannon was scouting for faced another problem. They were being deceived. When he warned them to remain on the Humboldt Trail, Sharon Crockett and the others refused to listen. Mort Harper, a stranger riding a beautiful black mare, had dazzled them with his charm and good looks. The southern route was the best way to go, Harper told them. But best for whom?

Crispin Mayo was a reckless young brawler who’d left his tiny fishing village for the vast American frontier. Headed west to join a railroad construction crew, he came upon an isolated station - and a mystery. The shack was abandoned, but fresh blood spattered the floor, and the telegraph was clicking away unattended. When Mayo stepped inside and put a hand on the telegraph key, he had no way of knowing the course of his life would change forever.

Lin Sloan never wanted anything more than Wildfire, but the stallion almost killed him. Luckily, Lucy Bostil found the horse and the unconscious man who had roped him. But Sloan is not the only man interested in Wildfire, and he may resort to murder to get what he wants.

Considine and Pete Runyon had once been friends, back in the days when both were cowhands. But when Runyon married the woman Considine loved, the two parted ways. Runyon settled down and became a sheriff. Considine took up robbing banks. Now Considine is planning a raid on the bank at Obaro, a plan that will pit him against Runyon...and lead to riches or suicide. The one thing he never counted on was meeting a strong, beautiful woman and her stubborn father, hell-bent on traveling alone through Apache territory to a new life.

Rafe Caradec—gambler, wanderer, soldier of fortune—was as hard a man as the battlefields and waterfronts of Latin America could fashion, but he was as good as his word. As Charles Rodney lay dying in a dank ship’s fo’c’sle, Rafe swore to make sure that Rodney’s Wyoming ranch went to his daughter, Ann. In Painted Rock, Wyoming, Caradec found land for a man to love, miles of rolling grasslands and towering mountains.

In the first in this trio of Western stories by Louis L'Amour - "Black Rock" - Jim Gatlin, a Texas trail driver, arrives in the town of Tucker where he finds himself quickly drawn into the middle of an all-out battle for the XY Ranch when, due to a case of mistaken identity, he kills the segundo of Wing Cary's Flying C Ranch. Gatlin is a dead-ringer for Jim Walker, who, like Cary, wants control of the XY. Gatlin is thrown into a situation in which all he can do but fight for his life.

No one more vividly captures the rugged majesty and enduring spirit of the American West than Louis L'Amour. Collected for the very first time are seven unabridged frontier tales from a legendary master of the genre. Volume One celebrates this remarkable voice in American fiction with a captivating blend of some of his best-loved work.

The lifeless bodies of Texas Rangers lay scattered on the floor of Bryant’s Gap. One man, wounded and left for the buzzards, comes back to consciousness and vows to bring the killers to justice. Now known only as the Lone Ranger, this man, his steadfast horse, Silver, and trusted friend, Tonto, set out to bring justice to the men who ambushed him and his fellow rangers.

Major James Brionne brought Dave Allard to trial for murder. Just before the hanging, Dave swore his brothers would take vengeance.... Four years later, the Allard boys returned to settle the score. Only Brionne's son escaped. They murdered his wife, destroyed his home, and left Brionne nothing but the charred ruins of his past to haunt him. Seeking peace and a new life, Brionne and the boy headed west. But the Allards hadn't finished with him. He knew they'd call him for a showdown - and this time he'd be ready....

Although he doesn't know cattle or cowboys, Missourian Jim Traft finds himself as the foreman of a tough Arizona outfit tasked with fencing a hundred miles of open cattle range. Brought on by his wealthy uncle, he faces this difficult trial with youthful aplomb. But Traft faces a community that stands to suffer because of this new drift fence, and he must walk a fine line in order to honor his uncle's business while not incurring the wrath of longtime residents....

Originally published in 1907, The Shepherd of the Hills is Harold Bell Wright's most famous work. In The Shepherd of the Hills, Wright spins a tale of universal truths across the years to the modern-day reader. His Eden in the Ozarks has a bountiful share of life's enchantments, but is not without its serpents.

It's 1871 in the contented Mormon town of Cottonwoods, Utah, and Elder Tull wants to marry wealthy rancher Jane Withersteen so desperately that he's willing to use the water supply - the precious lifeblood of the land - to force her hand. But that was before a mysterious, lone gunman called Lassiter showed up...

"Notes from the Underground" (1864) by Fyodor Dostoyevsky is one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator, who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's "What Is to Be Done?"

A predecessor to such monumental works as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoevsky's writing towards the more political side. In this work we follow an unnamed narrator who is disillusioned by the oppression and corruption of the society in which he lives and withdraws into the underground. Notes from the Underground shows Dostoevsky at his best.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

Dostoevsky’s Underground Man is a composite of the tormented clerk and the frustrated dreamer of his earlier stories, but his Notes from the Underground is a precursor of his great later novels and their central concern with the nature of free will. Initially musing on his “sickness” and the detested notion of self-interest, the maladjusted and willful Underground Man turns to a series of incidents from years earlier.

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.