After his son is convicted of capital murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt.

In 1998, the American Jorgenson family had been on a year-long road trip in Australia. One humid, storming night, the mother - Elsa Jorgenson - vanished in an isolated stretch of Australian everglades. Elsa was never seen again. That night, twelve-year-old Lily Jorgenson was left alone and terrified in the family camper—even her teenage sister Iris is missing. When Iris comes racing back through the rain, she refuses to tell where she’s been. Lily is certain her sister is hiding a dark secret.

Best friends and worst enemies, Christy and PJ are destined to spend their lives together over the next 20 years in prison. Reflecting on the events and experiences that led them to the present day, this slow-burning tale explores hope, acceptance and forbidden love. Directed by Jim Culleton with music by Denis Clohessy, On Blueberry Hill is a powerful exploration of freedom, friendship and forgiveness. With outstanding performances from Irish Times Theatre Award and Olivier Award winner, Niall Buggy (Christy) and West End and Broadway star David Ganly (PJ).

After Jake Slater’s wife dies in a tragic hit-and-run, all he has left is his daughter, Piper—nearly lost, too, in a brutal custody battle with his wealthy in-laws. A year later, Jake reluctantly agrees to a reunion with the estranged family for Piper’s thirteenth birthday. Then a single gunshot rings out, and a new nightmare begins. Piper is kidnapped, and her cousin Caitlin is murdered. Caitlin’s cryptic dying words: Piper knows the truth.

Electra McDonnell has always known that the way she and her family earn their living is slightly outside of the law. Breaking into the homes of the rich and picking the locks on their safes may not be condoned by British law enforcement, but World War II is in full swing, Ellie's cousins, Colm and Toby, are off fighting against Hitler, and Uncle Mick's more honorable business as a locksmith can't pay the bills anymore. So when Uncle Mick receives a tip about a safe full of jewels in the empty house of a wealthy family, he and Ellie can’t resist.

Chesapeake Bay, 1980. Eighteen-year-old Verity Vergennes is the captain of the USS Nepenthe, and her seven younger siblings are her crew. The ship - an oyster boat transformed into a make-believe destroyer - is the heart of the Vergennes family, a place both to play and to learn responsibility. But Verity’s had it with being tied to the ship and secretly applies to a distant college. If only her parents could bear to let her go. Maeve and Arthur Vergennes already suffered one loss when, five years earlier, their eldest son, Jude, stormed out and never returned.

Matthew Brooks and Vanessa Lyons are a perfect love match, both attorneys at a powerful New York City law firm. But there’s a hitch: Matt just made partner, and Vanessa is coming up for partner next year. And Vanessa’s husband has his suspicions. Vanessa is assigned to the biggest case at the firm, the one that will determine her future. Unfortunately, Matt has been working the case for years, leaving him no choice but to supervise his lover in violation of firm policy.

Spencer Brooke always knew she was destined to be CEO of her grandfather’s business—the most respected and luxurious department store in New York City. Brooke’s has been at the center of every happy memory she has, but it hasn’t been an easy journey. Seven years after her father’s death, her life is very different from the days when she walked through the store with her grandfather as a young girl. She may be the owner of Brooke’s, but she’s also now a divorced single mother of twin boys.

Alex Armstrong has changed everything about herself—her name, her appearance, her backstory. She’s no longer the terrified teenager a rapt audience saw on television, emerging in handcuffs from the quiet suburban home the night her family was massacred. That girl, Alexandra Quinlan, nicknamed Empty Eyes, was accused of the killings, fought to clear her name, and later took the stand during her highly publicized defamation lawsuit that captured the attention of the nation. It’s been ten years since, and Alex hasn’t stopped searching for answers about the night her family was killed.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

When Anna Bradshaw wakes up in a hospital bed in London, she remembers nothing, not even her loving husband, Stephen. The doctors say her amnesia is to be expected, but Anna feels cut adrift from her entire life. In Bristol, Livvy Nicholson is newly married to Dominic and eager to get back to work after six months’ maternity leave. But when Dominic’s estranged mother appears, making a series of unnerving claims, Livvy is sucked into a version of herself she doesn’t recognise.

Every town needs a hero, and Detective Cal Farrell fits the bill. He stopped an active shooter six months earlier, and now he’s become the darling of the Alexandria press. The problem is that Cal remembers nothing from that day. He’s working with a psychiatrist to recover his memories, but hasn’t had much luck. Then, on one of his morning runs, he is once again the first on scene for a grisly discovery—a body hanging impossibly high on a tree. Soon there’s another victim, killed by a blade and dumped in a ravine.

After the sudden death of her husband, Kate Turner is looking for a fresh start for herself and her teenage daughter, Alex. They relocate to the beachside town of Shoreham, Florida, where all is not as sunny as it seems. Although Kate makes fast friends with a trio of fellow moms, their daughters take an instant dislike to Alex, who attempts to document their bullying in her video diary. Kate brushes off Alex’s concerns—until she receives a series of chilling warnings about the clique of moms from other parents and neighbors.

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

It’s the summer of 1994, and all Maeve Murray wants are good final exam results so she can earn her ticket out of the wee Northern Irish town she has grown up in during the Troubles—away from her crowded home, the silence and sadness surrounding her sister’s death, and most of all, away from the simmering violence of her divided community. And as a first step, Maeve’s taken a summer job in a local shirt factory working alongside Protestants with her best friends, kind, innocent Caroline Jackson and privileged and clever Aoife O’Neill.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

A farmhouse is being reproduced a dozen times, with slight variations, throughout a valley. Three small graves have been dug in the front garden, the middle one lying empty. A woman in a wheelchair sorts through boxes while her husband clambers around the old demolished buildings, wondering where the animals have gone. A young woman – called ‘the barren one’ behind her back – dreams of love, while an ageing headmaster contemplates the end of his life.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

Brodmaw Bay seems to be the perfect refuge for James Greer and his family. When his son is the victim of a brutal mugging, Greer wants to leave London - the sooner the better - for the charming old-fashioned fishing port he has just discovered. But was finding Brodmaw Bay more than a happy accident? What is the connection between the village and his beautiful wife? When his friendly new neighbours say they'd welcome some new blood - in a village where the same families seem to have lived for generations - are they telling the whole truth?

From the award-winning author of The Day I Died and The Lucky One, a captivating suspense novel about nurses during World War II who come to Agatha Christie’s holiday estate to care for evacuated children, but when a body is discovered nearby, the idyllic setting becomes host to a deadly mystery.

Jamie MacFarlane has returned a hero from the Great War but with a stubborn chest wound. The government has sent him to their new thermal springs hospital in California "where it was hoped that the brilliant sunshine, the fruits, and the clean air, the eternal summer of a beneficent land" would heal him. But nothing has worked, and with his parents now deceased and no one to care for him, it seems the next step is a camp rife with tuberculosis. Realizing this, Jamie begins his great adventure on foot toward the ocean.

Set on the French Riviera in the late 1920s, Tender Is the Night is the tragic romance of the young actress Rosemary Hoyt and the stylish American couple Dick and Nicole Diver. A brilliant young psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth goads him into a lifestyle not his own, and whose growing strength highlights Dick's harrowing demise. A profound study of the romantic concept of character - lyrical, expansive, and hauntingly evocative.

The Bahamas, 1941. Newly widowed Leonora “Lulu” Randolph arrives in Nassau to investigate the governor and his wife for a New York society magazine. After all, American readers have an insatiable appetite for news of the duke and duchess of Windsor, that glamorous couple whose love affair nearly brought the British monarchy to its knees five years earlier. What more intriguing backdrop for their romance than a wartime Caribbean paradise, a colonial playground for kingpins of ill-gotten empires? Or so Lulu imagines.

After botching a suicide attempt, salaryman Hanio Yamada decides to put his life up for sale in the classifieds section of a Tokyo newspaper. Soon interested parties come calling with increasingly bizarre requests and what follows is a madcap comedy of errors, involving a jealous husband, a drug-addled heiress, poisoned carrots - even a vampire. For someone who just wants to die, Hanio can't seem to catch a break, as he finds himself enmeshed in a continent-wide conspiracy that puts him in the crosshairs of both his own government and a powerful organized-crime syndicate.

It's the end of the roaring twenties, and the exuberant and Honourable Phryne Fisher is dancing and gaming with gay abandon. But she becomes bored with London and the endless round of parties. In search of excitement, she sets her sights on a spot of detective work in Melbourne, Australia. And so mystery and the beautiful Russian dancer, Sasha de Lisse, appear in her life. From then on it's all cocaine and communism until her adventure reaches its steamy end in the Turkish baths of Little Lonsdale Street.

Perfect for fans of The Keeper of Lost Things and The Villa in Italy. Blue lives a charmed life. From her family's townhouse in Richmond, she lives a life of luxury and couldn't want for anything - well, on the surface at least. Then, on the night of her 21st birthday, her father makes a startling toast: he will give his daughter's hand to whichever man can capture her heart best in the form of a love letter. But Blue has other ideas, and, unwilling to play at her father's bewildering games, she sets out on her own path to find her own destiny....

In The First Man, Albert Camus tells the story of Jacques Cormery, a boy who lived a life much like his own. Camus summons up the sights, sounds, and textures of a childhood circumscribed by poverty and a father's death yet redeemed by the austere beauty of Algeria and the boy's attachment to his nearly deaf-mute mother. The result is a moving journey through the lost landscape of youth that also discloses the wellsprings of Camus's aesthetic powers and moral vision.

Auntie Poldi, sassy, brassy, and 60, moves to Sicily for a quiet alcohol-fuelled retirement. A murder spoils her plans. This is the first novel in a charming new mystery series set in Sicily and laced with Italian sensuality and humor. It features an amateur sleuth, the sassy and foul-mouthed Auntie Poldi. Recently widowed Poldi moves to Sicily in order to quietly drink herself to death with a sea view, but fate intervenes. When she finds the corpse of a young man on the beach, his face blown off with a sawn-off shotgun, she becomes a potential suspect in his murder case.

A masterful debut novel by Plimpton Prize winner Isabella Hammad, The Parisian illuminates a pivotal period of Palestinian history through the journey and romances of one young man, from his studies in France during World War I to his return to Palestine at the dawn of its battle for independence.

Sartre's greatest novel and existentialism's key text, now introduced by James Wood, and read by the inimitable Edoardo Ballerini. Nausea is the story of Antoine Roquentin, a French writer who is horrified at his own existence. In impressionistic, diary form, he ruthlessly catalogs his every feeling and sensation.

Thomas McNulty, having fled the Great Famine in Ireland and now barely 17 years old, signs up for the US Army in the 1850s and with his brother in arms, John Cole, goes to fight in the Indian Wars - against the Sioux and the Yurok - and, ultimately, in the Civil War. Orphans of terrible hardships themselves, they find these days to be vivid and alive, despite the horrors they see and are complicit in. Moving from the plains of Wyoming to Tennessee, Sebastian Barry's latest work is a masterpiece of atmosphere and language.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

Best friends and worst enemies, Christy and PJ are destined to spend their lives together over the next 20 years in prison. Reflecting on the events and experiences that led them to the present day, this slow-burning tale explores hope, acceptance and forbidden love. Directed by Jim Culleton with music by Denis Clohessy, On Blueberry Hill is a powerful exploration of freedom, friendship and forgiveness. With outstanding performances from Irish Times Theatre Award and Olivier Award winner, Niall Buggy (Christy) and West End and Broadway star David Ganly (PJ).

Eleven-year-old Gopi has been playing squash since she was old enough to hold a racket. When her mother dies, her father enlists her in a quietly brutal training regimen, and the game becomes her world. Slowly, she grows apart from her sisters. Her life is reduced to the sport, guided by its rhythms: the serve, the volley, the drive, the shot and its echo. But on the court, she is not alone. She is with her pa. She is with Ged, a thirteen-year-old boy with his own formidable talent. She is with the players who have come before her. She is in awe.

A young woman moves from the place of her birth to the remote northern country of her forebears to be housekeeper to her brother, whose wife has recently left him. Soon after her arrival, a series of inexplicable events occurs - collective bovine hysteria; the demise of a ewe and her nearly born lamb; a local dog's phantom pregnancy; a potato blight. She notices that the local suspicion about incomers in general seems to be directed with some intensity at her and she senses a mounting threat that lies 'just beyond the garden gate.'

A quiet night in a local pub is shattered by the arrival of a sword wielding fugitive; a funeral party teeters on the edge of this world and the next, as ghosts simply won’t lay in wake; a shooting sees a veteran policewoman confront the banality of her own existence; and an aspiring writer grapples with his father’s cancer diagnosis and in his despair wreaks havoc on his mentor’s life.

Sunday Forrester lives with her sixteen-year-old daughter, Dolly, in the house she grew up in. She does things more carefully than most people. On quiet days, she must eat only white foods. Her etiquette handbook guides her through confusing social situations, and to escape, she turns to her treasury of Sicilian folklore. The one thing very much out of her control is clever headstrong Dolly, now on the cusp of leaving home. Into this carefully ordered world step Vita and Rollo, a couple who move in next door.

Claire Keegan continues her outstanding work with this new collection of quietly wrenching stories of despair and desire in modern-day Ireland. A writer awarded a stay to work in Heinrich Böll's old cottage has her peace interrupted by an unwelcome intruder whose ulterior motives emerge as the night progresses. A priest waits at the altar to perform a marriage—and battles his memories of a love affair that led him to question all to which he has dedicated his life. And a man seeks solace at the bottom of a bottle as he mourns both his empty life and his lost love.

Alice Raikes takes a train from London to Scotland to visit her family, but when she gets there she witnesses something so shocking that she insists on returning to London immediately. A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice’s family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended.

After an uneventful Friday at the Dublin office, Cathal faces into the long weekend and takes the bus home. There, his mind agitates over a woman named Sabine with whom he could have spent his life, had he acted differently. All evening, with only the television and a bottle of champagne for company, thoughts of this woman and others intrude - and the true significance of this particular date is revealed.