Twee gewese speurders word koelbloedig langs ’n plaasdam afgemaai . . . En Kassie en Rooi moet die moordsaak oorneem by ’n Paarlse speurspan wat al ’n week lank daarmee kleitrap. Kassie bevraagteken die Paarliete se afleiding dat diefstal die motief was. Wanneer hy en Rooi ander moontlikhede ondersoek, begin dinge doller as kopaf raak . . .

’n Epiese geskiedkundige roman deur die bekroonde skrywer Chris Karsten. In die kleine handel dit oor die tragiese gebeure een aand in 1914 toe die Boeregeneraal Koos de la Rey op pad na ’n beplande rebellie noodlottig gewond is. Die teiken was die berugte bendelid William Foster, op vrye voet iewers in die wye Johannesburg. Dat De la Rey in die spervuur beland het, was pure toeval. Of was dit?

Markus en Domingos vlug na die noorde van Mosambiek omdat hulle vrees dat hulle van moord aangekla sal word. Phoebe, ’n joernalis, sit hulle agterna om ’n eksklusiewe onderhoud los te slaan. Maar gou bevind sy haar midde-in ’n botsing tussen gevreesde insurgente, private militêre kontrakteurs en – erger nog – ’n bloeddorstige reeksmoordenaar.

Maar waarom doen hy dit? Beslis nie net vir die geld nie. 'n Sielkundige, Erika Hamilton, ontmoet hom toevallig. Albei van hulle bied op beroepsvlak verligting van neurose, onvervuldheid en frustrasie - die een op akademiese wyse, die ander met lyflike plesier. Wat gebeur wanneer hulle ontmoet?

Teen die agtergrond van soutmyne en granietkoppe vertel Droomdelwers die verhaal van twee klein gemeenskappe aan die Weskus - Soutmansvlei en Vlaktevlei. Hier word die lewens van armes en rykes, van wit en bruin, ten nouste verweef. Hier loop uiteenlopende karakters rond, elk met sy eie storie. Soos oom Kêppies sê: “ Hy’s soesie see, soes ’n branner. Voorlat jy hom kan vasvat, sien jy net sy skymstriep oppie sand lê.”

Hamlet, Shakespeare's most popular, and perhaps most puzzling play, follows the form of a "revenge tragedy", in which the hero, Hamlet, seeks vengeance against his father’s murderer, his uncle Claudius, now the king of Denmark. Much of its fascination, however, lies in its uncertainties. This new full-cast recording - based on the most respected edition of Shakespeare's classic - expertly produced by the Folger Theatre, is perfect for students, teachers, and the everyday listener.

Katrien is 'n student tydens die politieke woelinge en die Voëlvry-toer wat Suid-Afrika in die tagtigerjare tref. En in die verre Pole het 'n jong man pas duur betaal vir sy sin vir geregtigheid.

Omstrede en skatryk oud-politikus Armand Deysel is vermoor, en Kassie en Rooi het nie minder nie as ses verdagtes. ’n Britse ondersoeker is op die spoor van die waardevolle Doolhof-halssnoer, en ’n platsakman steier telkens terug van die samelewing se dwarsklappe.

Dis die laat tagtigs in Johannesburg. Adriana van der Hoon is agtien. Haar aktivis-pa het jare lank oorsee geld vir die Education Trust ingesamel, en nou staan die veiligheidspolisie op haar drumpel met 'n ultimatum. In Berlyn leer sy oorleef. Dis waar sy haar talent om messe te gooi vervolmaak, en waar sy Yasen Todorov ontmoet. Hier, weg van alles wat bekend is, leer Adriana dat mens oor alles kan onderhandel, ook jou onskuld.

Ek sal elke dag ’n poliesman skiet, tot julle die moordenaar van Hanneke Sloet aankla, lees die dreigbrief aan die SAPS. En dan begin hy hulle afmaai. Bennie Griessel is die een wat die dossier moet heropen. Die saak is 40 dae oud, die spoor is koud. Sewe dae van hel.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.